HomeMy WebLinkAboutInformational Report - Palm Springs Art Museum (PSAM) Proposed Sculptures for GardenSTAFF REPORT
CITY OF PALM DESERT
COMMUNITY DEVELOPMENT DEPARTMENT
MEETING DATE: September 26, 2019
PREPARED BY: Amy Lawrence, Management Analyst
REQUEST: Receive and file informational report on proposed sculptures Maiz
Goddess, Standing Figure, and Big Skull and Hom in Two Parts /V for
display in the Faye Sarkowsky Sculpture Garden at the Palm Springs
Art Museum in Palm Desert located at 72567 Highway 111
Recommendation
By Minute Motion, receive and file informational report on proposed sculptures Maiz
Goddess, Standing Figure, and Big Skull and Hom in Two Parts /V for display in the
Faye Sarkowsky Sculpture Garden at the Palm Springs Art Museum in Palm Desert.
No further action is required at this time.
Commission Recommendation
At its regularly scheduled meeting of September 11, 2019, the Art in Public Places Commission
voted to receive and file an informational report on the proposed sculptures with a unanimous
vote of 6-0-1, with Commissioners Adney, Boren, Campbell, Hauer, Miller, and Myriand voting
aye, and Commissioner Darby absent.
Strategic Plan Obiective
Activities at the Palm Springs Art Museum in Palm Desert (PSAM) create a better
community for residents and visitors to Palm Desert. This concept is in line with the Arts &
Culture Mini -Vision of the 2013-2033 Strategic Plan, Envision Palm Desert — Forward
Together which states:
"Arts and culture give a community its soul. Palm Desert is the cultural core of
the Coachella Valley. Cultural tourism drives economic growth in Palm Desert.
The community is host to internationally recognized cultural events that bring
significant economic benefits to the City. Palm Desert is a leader in arts
education, ensuring a well-rounded population that possesses high levels of
creativity and critical thinking skills."
Discussion
On July 1, 2010, the City of Palm Desert entered into a lease agreement with the Palm
Springs Art Museum (PSAM) concerning the former Palm Desert Visitor Center located at
September 26, 2019 - Staff Report
PSAM Sculptures (Maiz Goddess, Standing Figure, and Big Skull and Horn in Two Parts ll�
Page 2 of 2
72567 Highway 111. As part of this lease agreement, the City is responsible for 1) paying
PSAM up to 20 honorariums for sculptures installed in the Faye Sarkowsky Sculpture
Garden; 2) the cost to transport, install, and remove sculptures in an amount not to exceed
$10,000.00 per installation; and 3) all costs associated with installation of sculpture
bases/foundation and lighting.
When the City entered the lease agreement with PSAM in 2010, the honorarium amount
was set at $2,575 for each sculpture installed in the first year. The honorarium was
scheduled to increase by $50 each year thereafter for up to twenty honorariums. PSAM is
permitted to install up to five sculptures per year until the twenty honorarium limit is met. To
date, the City has paid PSAM 11 honorariums.
PSAM is planning to install three bronze sculptures in the Faye Sarkowsky Sculpture
Garden by the end of the year. These sculptures are Maiz Goddess by Erwin Binder,
Standing Figure by John Buck, and Big Skull and Horn in Two Parts IV by Jack Zajac.
Because the lease stipulates the aforementioned terms, City Council action is not required.
Therefore, this report is for informational purposes only.
Fiscal Analvsis
PSAM installed the first sculpture in 2012 which serves as the commencement date for the
honorarium; therefore, the honorarium for 2019 is set at $2,925. The Museum estimates
installation and site related expenses approximately at $25,000 for the three sculptures.
This amount, and that of the three honorariums ($8,775), totaling $33,775, has been
included in the City's FY 19/20 Budget.
LEGAL REVIEW
N/A
Robert W. Hargreaves
City Attorney
DEPT. REVIEW FINANCIAL REVIEW
-F
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Ryan Stendell
Director of Community Janet M. Moore
Development Director of Finance
City Manager, Lauri Aylaian: r
APPLICANT: Palm Springs Art Museum in Palm Desert
72567 Highway 111
Palm Desert, California 92260
Attn: Thomas Wooten
ATTACHMENTS: Artwork Images, Dimensions, and Descriptions
Placement Map
ASSISTANT
CITY MANAGER
y Firestine
Assistant City Manager
Proposed Artwork for the Palm Springs Art Museum in Palm Desert
Erwin Binder, American, 1934-93
Maiz Goddess, 1977
Bronze, edition III -III, 66 x 47'/2 x 20 112 inches
Collection of Palm Springs Art Museum, gift of the
artist — Binder spent much of his time in Mexico,
where he found both a mirror and an inspiration for
his life and art. His spare but voluptuous work is allied
closely with the modern Mexican School due to the
emotions of the figures as embedded in simple forms.
This corn goddess has a robust and rounded body,
with her hand held on her lower torso, conveying
fecundity and connection to the earth.
John Buck, American, born 1946
Standing Figure
Bronze, edition 1/1, 97 x 41 x 35 inches
Collection of Palm Springs Art Museum, gift of Steve
Chase — A recurring theme in Buck's art is the solitary
figure that represents a universal human spirit.
Surrounded by symbols of contemporary society,
Standing Figure is anonymous, without head, gender,
or personality. The objects the figure supports suggest
the burdens each person metaphorically carries on
his/her shoulders. Each sign has its own possible
meaning. For example, the stacking forms could
allude to the modern urban environment while the
spiral form may refer to a continuously spreading and
accelerating increase in the world population. Through
his art, Buck speaks to the precarious balance
between man, nature and the survival of the planet.
Jack Zajac, American, born 1929
Big Skull and Horn in Two Parts IV, 1962-63
Bronze, edition of four, 30 x 81 x 20 inches
Collection of Palm Springs Art Museum, gift of the
Estate of Lionel R. Bauman — In 1957, Zajac began
working with a ram's skull and horns to create a
series in plaster which possessed bone -like textures.
Later he cast some of these, transferring the textured
surface of bone to bronze. This sculpture resembles
an archeological find, with its fragmentation, but its
scale also recalls the modernity of Henry Moore's
biomorphic human forms. Zajac transforms elements
found in nature into elegantly monumental figures
with a life of their own. He thus reworks found objects
from the past into symbols of man's connection to
nature and place in the cosmos.
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