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HomeMy WebLinkAboutRes 2018-28 - Policy of Guidelines for Art In Public Places Resolution 2018-28 STAFF REPORT CITY OF PALM DESERT DEPARTMENT OF COMMUNITY DEVELOPMENT MEETING DATE: May 24, 2018 PREPARED BY: Deborah S. Glickman, Management Analyst REQUEST: Adopt City Council Resolution No. 2018- 28 of the City of Palm Desert, California, creating a Policy of Guidelines for Art in Public Places. Recommendation Waive further reading and adopt City Council Resolution No. 2018 - 28 of the City of Palm Desert creating a Policy of Guidelines for Art in Public Places. Committee/Commission Recommendation At its Adjourned Regular meeting of February 14, 2018, the Art in Public Places (AIPP) Commission recommended, with a vote of 6-0-0 to approve the proposed Art in Public Places Guidelines. Strategic Plan Objective The AIPP program, which is strengthen by the proposed guidelines, helps to create a better community for residents and visitors to Palm Desert. This concept is in line with the Arts & Culture'Mini-Vision which states: "Arts and culture give a community its soul. Palm Desert is the cultural core of the Coachella Valley. Cultural tourism drives economic growth in Palm Desert. The community is host to internationally recognized cultural events that bring significant economic benefits to the City. Palm Desert is a leader in arts education, ensuring a well-rounded population that possesses high levels of creativity and critical thinking skills." Background Analysis Over an approximately three (3) month period of time, public art staff and the AIPP Commission reviewed and revised the Art in Public Places Program Guidelines with appropriate updates. The most pertinent updates made are as follows: • References to the Palm Desert Redevelopment Agency were removed. Staff Report Proposed Resolution for AIPP Guidelines May 24, 2018 Page 2 of 2 • The inclusion of a provision for the return of an AIPP fee in the case that the proper process for artwork approval was not followed by an applicant. The new clause reads, "[The applicant can receive] a penalty of not less than 20% of the AIPP fee may be imposed on the developer in the event that the Art in Public Places Guidelines are not followed in a manner that results in substantial additional effort by City staff to resolve." • Art consultant fees were capped at 5% of the total project cost, bringing it in-line with industry standard. The updates to the Guidelines will provide additional clarity to developers who are working on projects in the City and will also assist staff and the City Council in implementing the AIPP program. The City Attorney has reviewed and approved the proposed Guidelines as presented, and therefore staff recommends approval. Fiscal Analysis This project has no fiscal impact. LEGAL REVIEW DEPT. REVIEW FINANCIAL REVIEW CITY MANAGER N/A N/A Robert W. yan Stendell Janet Moore Lauri Aylaian Hargreaves Director of Director of Finance City Manager City Attorney Community Development ATTACHMENTS: City Council Resolution No. 2018 - Approved February 14, 2018 AIPP Commission Minutes RESOLUTION NO. 2018- 28 A RESOLUTION OF THE CITY COUNCIL OF THE CITY OF PALM DESERT, CALIFORNIA, ADOPTING A POLICY OF GUIDELINES FOR ART IN PUBLIC PLACES WHEREAS, the City Council of the City of Palm Desert, California, on the 24th day of May 2018, considered a request by the City of Palm Desert adopting a policy of Guidelines for the Art in Public Places program and WHEREAS, pursuant to the City of Palm Desert ("City") Municipal Code Chapter 4.10 the City has an Art in Public Places requirement on development; and WHEREAS, pursuant to Ordinance No. 473 City has established the"Art in Public Places Fund" into which shall be deposited all fees paid pursuant to Chapter 4.10. The fund shall be used for the acquisition, installation, improvement, and maintenance of artwork to be displayed in the City, the administration of the Art in Public Places program, and for community public art education programs; and WHEREAS, Municipal Code Sections in Chapter 4.10 define the application, approval, ownership, and reimbursement procedures for placement of artwork on private property and that which is donated to the City; and WHEREAS, the City Council of the City of Palm Desert, California, desires to further elaborate on the procedures associated with public art procurement; and WHEREAS, the City Council of the City of Palm Desert, California, is the final approval body for all Art in Public Places projects; WHEREAS, at said meeting, upon hearing and considering all testimony and arguments, if any, of all interested persons desiring to be heard, said City Council did find the following facts and reasons to exist to approve said resolution: NOW, THEREFORE, BE IT RESOLVED by the City Council of the City of Palm Desert, California as follows: SECTION 1. Adoption of Recitals. The City Council hereby adopts the foregoing recitals as its findings in support of the following guidelines for the Art in Public Places Program. 2 RESOLUTION NO. 2018-28 SECTION 2. Adoption of Policy for the Art in Public Places Program. The City Council hereby adopts the Policy for the Art in Public Places Program attached hereto as Exhibit "A". PASSED, APPROVED, AND ADOPTED by the City Council of the City of Palm Desert, California, at its regular meeting held on the 24th day of May 2018, by the following vote, to wit: AYES: NOES: ABSENT: ABSTAIN: SABBY JONATHAN, MAYOR ATTEST: RACHELLE D. KLASSEN, CITY CLERK CITY OF PALM DESERT, CALIFORNIA 3 Exhibit "A" ART IN PUBLIC PLACES PROGRAM GUIDELINES I. PROGRAM OVERVIEW Palm Desert is a vital and contemporary city. Because a firm commitment exists to preserve the area's unique character and to balance development with artistic enhancement, Palm Desert has become a mecca for the flourishing recreation, resort, housing, and retail industries. Art has played an important role in the creation and maintenance of the character and image in the City of Palm Desert. The Art in Public Places Program provides for the integration of artworks throughout the City in public and private development to enrich the built and social environment. Palm Desert was the first city in Riverside County to create a public art program. In 1986, the City Council adopted an ordinance requiring Developers to place art or pay a fee to the Art in Public Places Fund for each new structure they build. These funds are used to purchase art for the Palm Desert community. The goals of the Public Art Program are to create an artistic harmony between the buildings, landscaping, and open spaces as well as to serve the people of the community and visitors by bringing art into daily life. The Art in Public Places Commission (AIPP) serves as a technical advisory committee to the Council, and makes the initial selection and recommendation of artists and artworks for public and private projects. II. WHY PUBLIC ART? In its thirty years of programing, Palm Desert has taken the lead nationally in ensuring that its growth respects and complements the natural, built, and social landscape. Public art is one method of ensuring that the visual experience of the City is enriching and engaging. Increasingly, cities and major developments across North America, Asia, and Europe are discovering the power of art in creating opportunities for cultural tourism, economic development, and image building. III. ART IN PUBLIC PLACES REQUIREMENTS Through its Public Art Ordinance, the City requires that its own Capital Improvement Projects (CIP), and private development projects contribute a percentage of the overall project construction budget (excluding land costs) to enhancing the visual appeal of the project and City. An Art in Public Places Fund was established as a depository for public art fees paid by the City and private developers to secure a building permit from the City of Palm Desert. For the private sector, this fee may be refunded if an artwork has been either placed on the development site or donated to the City. The fee remains in the Art in Public Places Fund for the discretionary use of the City for placement of art should the Developer elect not to participate in the 4 program. City generated funds are typically tied to the related construction site, but unspent project funds may be pooled with other unspent funds and utilized off site upon conclusion of the project. A. Program Requirements No permanent or temporary Certificate of Occupancy shall be issued for any structure in the City unless the Art in Public Places requirements have been satisfied, which can be achieved through payment of the Art in Public Places fee. If the developer decides to install a work of art, upon project completion and approval by the City, the Art in Public Places fee will be returned to the developer. Artwork located on private property shall remain the property of the owner. Ownership of the work will transfer to any successive owner of the property. Once the artwork has been accepted by the City and installed it cannot be removed or altered without specific written approval of the Art in Public Places Commission. Private sector projects subject to compliance are: • All individual residential units whose building valuation permit is in excess of one hundred thousand dollars ($100,000) which is assessed an amount equal to one quarter of one percent (1/4%) for that portion in excess of one hundred thousand dollars. • All other residential development, including two or more single-family dwellings being built concurrently in the same tract by the same owner or contractor which is assessed an amount equal to one quarter of one percent (1/4%) of the total building valuation. • All commercial development which is assessed an amount equal to one half of one percent (1/2%) of the total building valuation, excluding land acquisition and off-site improvement costs. Public Art fees are paid to the Building and Safety Department prior to issuance of a Certificate of Occupancy. The total building valuation is computed by using the latest Building Valuation Data as set forth by the International Conference of Building Officials (ICBO). 5 B. Developer Options Several options are available to the private developer to meet the City's art requirement. They are: 1. Artwork On Site Upon assessment of the public art fee, the Developer may elect to site a permanent public artwork as part of the development project. Using this option, the Developer may: • Utilize the Palm Desert Artist Registry to find artists; • Select the artist directly; • Hire a professional consultant (at a rate not to exceed 5% of the total cost of the project), to select an artist or artist team to create site-specific artwork; • Purchase artworks for permanent installation. Artworks may be: • Singular, discrete objects (sculpture); • Artist designed amenities (streetscapes, paving treatments, lighting standards and treatments, benches, wayfinders, architecturally integrated water features, artist designed landscape treatments or other artist designed amenities or aesthetic treatments); • Artworks must be located outside in publicly accessible locations; • If artwork is part of a limited edition series, the series must be no larger than 20. Upon completion and installation of the work on site, and a request utilizing the appropriate paperwork is submitted to and approved by the City Council, the art fee will be returned to the Developer. The returned fee will be in an amount that is equal to the cost of the installed artwork, but does not exceed the amount paid into the Art in Public Places Fund. 6 Artwork On Site approach allows the Developer to: • Maximize and return the outlay of art fees by bringing a signature artwork to the development as an identifying and prestige feature; • Increase the scope of work of a particular project or feature within the development by using art allocations to supplement and enhance the budget (for example, bringing an artist in to design an already budgeted water or entry feature); • Keep the artwork on site. 2. Art Donated to the City of Palm Desert Upon assessment of the public art fee, the Developer may elect to purchase an existing artwork or commission an original artwork for donation as a gift to the City of Palm Desert's public art collection. Donations to the City are reviewed by the Art in Public Places Commission and the City Council to determine the aesthetic quality of the donation, the work's maintenance requirements and the appropriateness of the donation to the overall goals of the Art in Public Places Commission. This approach allows the Developer to: • By-pass the commissioning process and the subsequent installation of the artwork on the property in favor of purchasing an artwork for the City to own and maintain. • Increase public awareness of the Developer and development as civic benefactors. • Upon donation of the artwork the Public Art fee will be returned to the Developer. The returned fee will be in an amount that is equal to the cost of the installed artwork, but does not exceed the amount paid into the Art in Public Places Fund. 3. Fees in Lieu of Artwork On Site • Upon assessment of the public art fee, the Developer may elect to pay the fee to the Art in Public Places Fund with no intention of placing artwork on site or donating a work of art to the City. Funds are subsequently used by the City of Palm 7 Desert and the Art in Public Places Commission on publicly sited projects of their choosing. • This approach allows the Developer to: • By-pass completely the public art selection and placement process. IV. SITE CRITERIA FOR DEVELOPERS A. Eligible Public Art Locations • Such facilities include commercial or residential buildings and adjoining plazas, parks, sidewalks, traffic islands, public buildings, power stations, etc. • Spaces may only be exterior and must be accessible to the public at all times. • Locations can include surface treatments of buildings, retaining walls, and bridges. The definition of "location" can also be expanded by an artist's ability to extend the possibilities for public art, and would then be determined on a case-by-case basis. • Projects can also include artist-designed features that might otherwise be provided by commercial sources, such as gates, water fountains, tile and surface materials, doors, furniture, clocks, lighting fixtures, railings, signage, etc. by using public art allocations to supplement and enhance the budget. B. Eligible Public Art Components On-Site Art in Public Places The Art in Public Places Program is receptive to the broadest definitions of art and encourages imaginative interpretations of media. The possible media and materials, which might be used for permanent installation, decorative or functional purpose, include: • Sculpture: Free standing, wall supported or suspended, kinetic, electronic, etc., in any material or combination of materials. • Painted and mosaic murals. • Earthworks, fiberworks, neon, glass, mosaics, photographs, prints, 8 calligraphy, any combination of forms of media including sound, film, holographic and video systems, hybrids of any media and new genres. • Standardized fixtures such as gates, streetlights, signage, etc., may be contracted to artists for unique or limited editions. V. BUDGETARY GUIDELINES FOR DEVELOPERS Eligible Costs All artworks created by artists are considered eligible expenses for the Art in Public Places program as well as the following: • Structures, which enable the display of artwork(s). • Artists' budgets for projects, which will be expected to cover: • Professional fees for the artist(s). • Labor of assistants, materials, and contracted services required of the production and installation of the work of art. • Any required permit or certificate fees. • Business and legal costs directly related to the project. • Studio and operating costs. • Communication and other indirect costs (insurance, utilities). • Travel expenses of the artist for site visitation and research. • Transportation of the work of art to the site. • Preparation of site to receive artwork. • Installation of the completed work of art. • Documentation (color slides and black and white photographs) of the artwork. • Subcontractors including fabricators, engineers, contractors, signage, etc. • Installation of lighting with the explicit intent to light the artwork. 9 B. Ineligible Costs • Directional elements such as supergraphics, signage, or color-coding except where these elements are integral parts of the original work of art. • "Art objects" which are mass-produced of standard design such as playground equipment, fountains, or statuary objects. • Reproductions, by mechanical or other means, of original works of art. • Decorative, ornamental, or functional elements that are designed by the building architect as opposed to an artist commissioned for this purpose. • Landscape architecture and landscape gardening except where these elements are designed by the artist and/or are an integral part of the work of art by the artist. • Services or utilities necessary to operate or maintain the artwork over time. • Artwork maintenance. VI. ART IN PUBLIC PLACES ART SELECTION GUIDELINES • Will the art component be concentrated in one area or distributed throughout the public spaces? • Is the proposed project a collaborative effort? If so, specify the participants, responsibilities, and proposed arts budget allocation to non- arts components, if applicable. • How will the art component function within the whole development? Activate a space? Provide a landmark? Serve a function (gateway, seating, etc.)? • Who are the primary and secondary audiences for the artwork (pedestrians, building users, tourists, automobile traffic, etc.)? • How has the anticipated audience influenced your choice of artwork? • If applicable, describe plans for artwork to conform to necessary safety and functional requirements. Who will assist on these requirements? • Describe plans for fabrication and installation of the artwork. • Describe needs and plans for ongoing maintenance responsibilities. 10 • Please submit 50 percent schematic design, with model, if appropriate. VII. PRIVATE OWNERSHIP AND MAINTENANCE REQUIREMENTS A. Maintenance All privately sited artworks shall remain the property of the owner for the life of the project. Title and ownership of the artwork shall transfer in whole or in part to any successor in interest of the structure. The owner of the artwork shall provide all maintenance necessary to preserve the work in good condition. In addition, the owner of artwork shall maintain in full force and effect fire and extended insurance coverage, including but not limited to vandalism coverage, in a minimum amount of the purchase price of said artwork. Failure to maintain the artwork will make the owner subject to possible liens against the real property. B. Removal or Alteration of the Work Public art installed onto or integrated into a private construction project shall not be removed or altered without the approval of the City Council. If the art is knowingly removed or altered without prior approval from the Art in Public Places Commission, the Certificate of Occupancy may be revoked by the City Council upon due notice. In addition, if artwork is removed by the property owner without the approval of the Art in Public Places Commission, the owner shall contribute funds equal to the original public art fees, or replace the work with another of equal value, as approved by the City. If this requirement is not met, the Certificate of Occupancy may be revoked. C. Filing of Public Art Agreement with the County of Riverside Owner must execute a recordable Public Art Agreement regarding ownership and maintenance of the artwork. The Agreement must be recorded with the County of Riverside before the Art in Public Places fee can be refunded. VIII. SITE SELECTION General criteria for the selection of an art site include: A. Location. Installation and Identification • Artworks for public and private projects must be located in an exterior area, which is accessible to the public at all times. 11 • Installation of the artwork should be planned to complement the work and allow for unrestrained viewing from a variety of vantage points. • Potential obstruction of growing trees, shrubbery, or future construction should be taken into account. • The artwork shall be a permanent, fixed asset to the property. • Each artwork shall be identified by a plaque stating the artist's name, artwork title, and date the artwork was dedicated. The plaque will be placed in an appropriate location near the artwork that can be easily accessed by pedestrians. B. Public Placement • Artwork sites for public projects are selected for its aesthetic possibilities as recommended by the AIPP Commission or the City Council. • Sites may include urban gateways, vistas, public spaces and plazas or other exterior, publicly accessible places. • Particular attention will be given to providing artwork at major intersections, corridors and entrances to the City of Palm Desert. • Artwork sites for City Capital Improvement Projects including private donations may include public facilities such as the Civic Center, senior center, schools, parks and recreation buildings or other sites as appropriate. C. Private Placement • On-Site: The artwork shall be displayed in one or more of the following locations on the site of the commercial structure. • Architecturally integrated into the structure or hardscape. • Placed as a discrete object in any exterior location open and available to the general public, in a manner, which complements the artwork and site. • Off-Site: At the request of the applicant, the artwork may be located on a site other than that of the development provided, however, that the site is selected by the Art in Public Places Commission and approved by the City Council. 12 IX. ARTWORK SELECTION A. Selection Criteria for Artists • General criteria for the Art in Public Places Commission or developer to consider in selecting artists for public or private projects should include: • The aesthetic and technical quality and originality of the artist's previous work as evidenced by images of past projects and other supporting materials; • The artist's previous experience with public art projects of a similar scale and scope; • The artist's demonstrated ability to execute and complete a project in a timely and professional manner; • The artist's ability to communicate ideas verbally and visually, and work effectively in a team environment; • The appropriateness of the artist's proposal to the particular project and its probability of successful completion; • A wide variety of nationally known artists as well as local artists. B. Selection Criteria for Artwork General criteria for the Commission or Developer to consider in selecting artwork for public or private projects should include: • Quality: artwork demonstrates originality, artistic excellence, and quality; • Media: all visual forms and media may be considered, subject to the selection jury or the Art in Public Places Commission; • Style: artworks of all schools, styles, and tastes should be considered; • Response to Site: artworks and art places should be appropriate in scale, material, form, content, and value for the immediate, general, social, and physical environments with which they are to relate; • Team Approach: encourage the early involvement of the artist as a member of the project design team of architect, engineer, landscape architect, etc.; 13 • Durability: consideration should be given to structural and surface integrity, permanence, and protection against theft, vandalism, weathering, excessive maintenance and repair costs; • Elements of Design: consider that public art, in addition to meeting aesthetic requirements, may also serve to establish focal points, terminate areas, modify, enhance, or define specific spaces or establish identity; • Public Liability: artworks and art places should be examined for unsafe conditions or factors that may bear on public liability; • Diversity: strive for diversity of style, scale, media, artists, community values, forms of expression, and equitable distribution of artworks throughout the City. C. Selection Methods Artworks for public and private projects may be selected in a variety of methods. In addition to advertising of projects, the Palm Desert Artist Registry (www.palmdesertartistregistry.com) is a resource for the review and direct selection of an artist or artwork. Selection methods may include but are not limited to: • Open Competition: The project is advertised locally, regionally, nationally, or internationally and through the AIPP artist data bank. Interested artists may submit materials for review, which include images of past projects, letter of interest, resume, references, and supplementary materials such as reviews, articles, books or brochures. • Limited Invitational: A selected number of artists are invited to submit materials for review. Artist finalists may be selected to submit detailed models for the project for which they will be paid a fee. • Invitation: One artist is invited to submit materials for review, and may be commissioned to create a detailed proposal. • Direct purchase: An existing work is purchased for a specific project. Selection of the artwork for City sponsored projects is subject to the artist(s) providing materials and completion bond (upon request), as well as completing a contract as set forth by the City Attorney. X. REVIEW AND APPROVAL PROCESS 14 A. Art in Public Places Commission The Art In Public Places Commission serves in an advisory capacity providing recommendations for art placement to the City Council. Membership of the AIPP Commission is made up of seven (7) arts professionals who are residents of Palm Desert. Arts professionals for these purposes are defined as: curators, visual artists, art critics, art historians, art collectors, architects, landscape architects, art educators, and other persons with visual arts backgrounds respected in their field and willing to engage effectively in a panel process. Commission appointments shall be made by the City Council who may on occasion appoint a non-resident visual art professional whose expertise is required for the program. The Architectural Review Commission and the Planning Commission shall each appoint one member to serve as a non-voting liaison to AIPP. These members are responsible for providing follow-up to both commissions/committees on the status of current projects. A City Council liaison appointed by the Mayor and a Staff liaison appointed by the City Manager serve as ex-officio members to the Commission. Membership appointments will be limited in order to (1) promote equal opportunity to the membership to serve in a leadership role; (2) bring a diverse aesthetic; (3) bring diverse ethnic and cultural perspectives to the program; (4) most precisely match the project's program to the expertise of the panelist. B. AIPP Resaonsibilities The AIPP is charged with the responsibility to: • Serve as the selection panel for all City initiated public art projects; • Serve as the first review body for all privately initiated public art projects; • Provide technical and aesthetic recommendations for all public and private public art projects for the City Council; • Review artist applications for participation in the Art in Public Places Artist Registry; • Create and recommend cultural policy for the visual arts for the City of 15 Palm Desert. XI. ARTIST SELECTION METHODS A. City of Palm Desert Public Process 1 . Artists solicited (solicitation process dependent upon selection method as determined by AIPP Commission); 2. Materials reviewed by AIPP Commission, finalists shortlisted (as appropriate) to prepare and present a proposal. The selected proposal is forwarded as a recommendation for commission or purchase to the City Council; 3. Review by City Council with direction to staff to proceed with commission contract if approved; 4. City Council determination of final acceptance upon project completion. B. Private Development Process 1. Public Art Guidelines received upon contact with Planning Department; 2. Art in Public Places Program contacted; 3. Public Art fees paid to receive building permit; 4. Pre-Design consultation with City Public Art Management Analyst; 5. Artwork site/artwork selected; 6. Art in Public Places application submitted; 7. City review/approvals of artwork site and artwork (AIPP and the City Council) prior to artwork installation; 8. Artist/artwork commissioned/donated/purchased; 9. Artwork installed, including any required certificates or permits and plaque; 10. City notified of completion with a request for a return of AIPP fee; 16 11. Application for refund of fee submitted and reviewed for approval by City Council. 12. AIPP fee returned to applicant if required by these regulations. A penalty of not less than 20% of the AIPP fee may be imposed on the developer in the event that the Art in Public Places Guidelines are not followed in a manner that results in substantial additional effort by City staff to resolve. 17 Art in Public Places Minutes February 14, 2018 D. APPROVAL OF THE REVISED ART IN PUBLIC PLACES PROGRAM GUIDELINES Ms. Glickman stated that the City Attorney reviewed and approved the changes that were discussed at the last two Art in Public Places Commission meetings. Staff will provide an updated copy of the guidelines to the Commissioners once the changes have been approved by the City Council. Ms. Glickman stated that she added, 'That if a public art consultant is used no more than five percent of the project budget can go to a public art consultant and is an industry standard." Also, The Commission had some questions on Page 13, number 12 regarding the wording. Staff will check with the City Attorney on the wording of that section. Commissioner Darby moved to approve the revised Art in Public Places Program Guidelines as discussed. Motion was seconded by Commissioner Hough and carried 6-0-0 with Adney, Boren, Campbell, Darby, Hough, and Miller voting AYE. VIII. CONTINUED BUSINESS NONE IX. OLD BUSINESS NONE X. PROJECT STATUS REPORTS A. Palm Desert Community Gallery Ms. Glickman stated that the gallery opening reception for Ron Dalberg and Grant McMillan was very well attended. B. Docent Tours Ms. Glickman reported that she gave the First Weekend docent tour on February 3 of the art at the Civic Center Park and had fourteen people. Ms. Glickman gave a lecture to an OLLI class a few weeks ago talking about the public art program. Those students followed up with a tour of the art in the Civic Center Park. 4