The URL can be used to link to this page

Home My WebLink AboutSUPPTL INFO - "Andy The Donkey Man" "I'crry Allen, Biography, Gallery Paule Anglim, San H'rancisco Yage 1 of 13 � . � � . � � .I � HoMr AR'I'IS"1'S EhHIBI'CIONS CA'I'AI.OGS GALL�RY NI�.WS MAP :VI n��f�c�'i�./��;�-��ws F3ORN in Wichita. Kansas, Mav 7, 19�1i; raised in Lubbock. 'I�cxas. �;vUCnTION Chouinard Art Institutc, Los nngeles. I3.F.A., 19G6. Independent artist �rorking since 19G6 in a ��ide variety of inedia including musical and theatrical perti�ri �ainting, dra�ving and video, and installation� w�hich incorporate any and all of these media. I�aught drawing classcs at Cnou�nard nrc �n5ricuc�, i,os nn��eles, 1968-69: Gucst Artist, l;niversit� oi� Calit 1971; on tacult�� ofCalit��rnia S[ate Univcrsitv at Fresno, 1971-79. /�WARI)S National �:ndcn�ment ti�r the Arts I�cllo��ship, 1970, 1978. 198�: Gu��genhcim I�cllo��ship, 198G; 13cssie � 1986; Isadura I��mcan A�vard. San I�rancisc��, 198G; Adalinc Kcnt A�vard. San I�rancisco, 1989; WeYncr ('� nrtist's Residcnc�� Fello�+ship. Columhus. Ohio. 199�; l�allas �)ance Club /��ard, 13est Club Intcrior. KL�L L3uddy Holly Walk of�l�amc Inductcc. Lubbock. �I�eYas. 1997. SF.I.I-:C Il�,[) SOLU l�Xf IlE31T[ONS 200� �I�erry /�Ilen: Voidville, Mermaid Arts C'cntre. Bra}�, Count�� Wicklow, Ireland ?00�4 Voidville and Brands, Gallery Paule nnelim. San I�rancisco. C'A I�us�out l. I,A Louver Gallcrv. Vcnicc. CA Dugout II. Santa Monica Muscum of Art, Santa Moni�a, CA 2001 Prints, Dra��ing. Writing, ��orks b} Terr� nllcn. Shcchan Gallcr}�, Walla Walla, WA http://www.gallerypauleanglim.com/allen_terry_bio.html 7/l 6/2007 �I'crry Allcn, Biography, Uallery Paule Anglim. San Francisco Pagc l0 of 13 COLLEC1�1O1�S Museum of�Fine Arts, Houston, TX I�T&T Collcction. Chicago. IL Muscum ot�Modcrn nrt, Ne�ti York. NY [�etroit institute of�1rts. Detruit, Ml Universit� nrt Museum. Rerkelev. C/1 Nelson Gallerv/ntkins Museum, Kansas Citv, MO San [�iego Museum of Contemporar� nrt. La Jolla. CA "l�hc Stuart Collcction. La Jolla, CA l..os Angcles County Muscum Ut�/\��t. [.os nngeles. Cn Metropolitan '.�luseum of/�rt, '�le�� York. NY f:space I.yonnais d'nrt C'ontemporain, Musee Saint Pierre, [.y�on. h'rancc San f�rancisco Muscum of Vlodcrn nrt. San Francisco, C'A [)allas Museum of�Art, Uallas. I X Atlantic Richlield Compan��, Los Angcles. CA Chasc Manhattan E3ank, Nc�ti York, NY Clevcland 'Vluscum of Art. Cleveland, OI I Yello�vstone Art C:enter. E3illings. 'Vl l' Frito-[.ay. Inc., Dallas. TX Museum of Contcmporary Art. Los Mgeles, Cn Ne�vport Ilarbor Art Museutn, '�le��port Bcach, CA Addison Gallcry of nmerican i1rt. Andovcr, Mn Southwcstcrn I3cll, St. I.ouis, MO Stant��rd Univcrsitv Museum of Art. 1'alc� Alto. Cn 'Tvlcr Muscum ofArt l�vler, �I�X Oakland Museum of nrt. Oakland, CA Seventh Street Pla�a Associatc:s. Los Angeles, CA Cit� of San I�rancisco. CA Cit� ol�Denver. CO Citv of Kansas C'ih, MO Sony Pictures l;ntertainment, Culver Cit}, Cn Laumeier Sculpture 1'ark. St. l.ouis, yl0 Cit� <�f Houston, TX Sta1e of�Otiiu City of Lubbock, TX San Antonio Musc�un of Fine ArL San ilntonio, '1'X Palm Springs Desert Museum. Palm Springs. CA Vlorton/l�onncllv "l�rust http://w�wtiv.gallerypauleanglim.com/allen_terry_bio.html 7/16/2007 --.��.A .� � � � Untitled Document Page 1 of 4 � � En.i'-g�i< ��UA�T ��LL��`�� ..��rs�t�� I�°��r�i�, �� . � Home About The Stuart Collection Chronology Map Contact Us Terry Allen €3� - 1 . � -� rs �j '�� r � � A TREES Stuart Collection °�� -� � ��'� �� Artists �< �� ` ' �� :�3ibliography Terry Allen �� ' ' ry � a�' , :�� '' � �� ' { `� �"er Allen's � Michael Asher �� : '�� 'sNebsite � i � John Baldessari � Terry Allen is a ,� °� , � w� multidisciplinary )ackie Ferrara �.. ` �� artist in the truest _�� sense of the term. �` ��'' Tn addition to his Ian Hamilton Finlay �_; � ' =° - indoor installation �"� �� '`� sculptural work- Richard Fleischner � ,-,..: �-<:�� which is � ` emphaticalfy Tim Hawkinson � �: �__ _. :" _• mixed-media- and :.,-, r - his paintings, Jenny Holzer �"°°�� writings and drawings, Allen is also a songwriter, composer, Robert Irwin pianist, and lead vocalist who makes country rock records with his own Panhandle Mystery Band in Elizabeth Murray Lubbock, Texas. Allen is perhaps best known for his cross-disciplinary project Youth in Asia, which was Bruce Nauman initiated in 1983. The numerous works in this series reflect on the experience of the Vietnam War by exploring American value systems through a variety Nam June Paik of ineans ranging from mass-cultural heroes to fairy tale protagonists like ethos of roadhouses in the Niki de Saint Phalle American Southwest. Alexis Smith Aflen's diverse talents and experiences are highlighted in his project, Trees, for the Stuart Kiki Smith Collection. He remarks upon the continual lass of natural environment at UCSD by salvaging three Wi�liam Wegman eucalyptus trees from a grove razed to make way for new campus buildings. These trees, preserved and Related Link Category encased in skins of lead, stand like ghosts within a still-thriving euca�yptus grove between the Central :brary and the Faculty C{ub. Although they ,�' Staff ostensibly represent displacement or loss, these a-�.....,.. ..GF.... .. I.:...! ..C ............,....,..i.:.-...,. .,..... .......:.i-.. .. http://stuartcollection.ucsd.edulStuartCollectionlAllen.htm 5/17/2007 Terry Allen Artwqrks Page 1 of 1 � �� ' _ . Holly Joh�s�� Ga�llery Terry Allen Artworks: --Select Artwork-- � � _ �. . , � G Artist Terry Allen � �� } -��' Title Bust � � � t� Year 1991 � ��; Category Sculpture Media Bronze Unique cas � Size 30 'h x 28 x 23 '/Z ir Price Contact Gallery ` �= Gallery Holly Johnson Gall� � � � � ;�� i � k . _r r. _. _._... ._._. _..... ... .... . . . . ... . . .. .. V� . � 5. .. .. ._. ��:_... �,, �.�. � •;� � F�'<� Back to Terry Allen Artworks � � � �` �:� ,� .� ' �" Back to Holly Johnson Gallery A �_ � � � * - i i ■ � http://www.artnowonline.com/galeria/Holly_Johnson/Terry_Allen/Terry_Allen_Details.ph... 5/17/200? . _._ _ �. .,..�_ _ � , _.,_. __. _� � Public Art in SoMa - San Francisco - Shaking Man Public Art Page 1 of 3 �►, �� x� San Francisco � From In rg id Tavlar Shaking Man ��_��;::��t;��rd.� Yerba Buena Gardens- i1��,r.r� ;'��;;�;:'�� Gal►er�Index � Image 12 of 14 <P_r_ev_, 11 12 13 14 Next_> �.� # �A ' . ,, �� ,� �, ,�,` _�' L � � �} X �� ' � :,� - � .�,, � �� 9 x � x � � � i.y, � C k: - :�Y '� i'. � " F �,. . +��„� . . ..j3' >+mwr.�.. .. >... ;.�� .� � :�: _ . _... � � �� • ,� � � � � � ,�;, '`'� � �� . Y � � ��` `� J , � },dl �3. � � . . . 3 � k � q , . �# _�{� . . ' � � � A, , , . . .:: .y� .. � . , ��'1 ��f�� i�4, �. ,�'^, �. ��,'��6i i C�� Shaking Man by Terry Allen 1993 Bronze statue of businessman gives the illusion of motion. Image 12 of 14 < Prev, 11 12 13 14 Next_>_ � http://sanfranci sco.about.com/od/photogalleries/ig/Photo-Tour--Public-Art-SOMA/Shakin... 5/17/2007 Terry Allen and Philip Levine, Corporate Head Page 2 of 3 to get ahead I had to lose �"`' my head. They said be concrete &I became concrete. They sai d go, my son, multiply, ' divide, conquer. I did my best. In 1989, Kathy Lucoff, Prudential Realty's art consultant, contacted Allen and invited hini to�articipate in the "Poet's Walk." She described the project as involving a collaboration �vith a poet, but told him that he would be responsible for selecting the site for the�vork. Allen subsequently �isited the office and retail project, took pictures, and was snuck at how "ugly it was."�3�After being advised he could not install his work off the property, Allen focused on placing it at the front of the building, where it is highly visible, capped by the ' building's address, and invites interaction by people entering ar leaving the building. The collaboration between Allen and Levine was unique at the Poets' Walk because they were the only team with prior contact, having met during the 1970s when they both taught at California State University, Fresno. Though Levine was only one of several poets that _ Lucoff proposed as collaborators, Allen called him and invited him to join the project. Levine agreed to participate and flew out to Allen's home in Santa Fe, where they considered various concepts. One of the least serious concepts was placing a washing machine in front of the building as a symbol for the laundering of money. Allen's renderings of other concepts included a businessman upside down on a pedestal, and a businessman with his briefcase open and papers flying out. However, as soon as he did a doadle of a figure bending over, Allen knew it was right. Levine and A11en informed Lucoff that the bending businessman was their proposal, but she reported later that Prudential Realty found the proposal unacceptable. Allen, however,insisted that Lucoff submit a drawing of the proposal to her client, rather than just describe it. When Lucoff resisted, Allen informed her that the design was their only proposal, and he and Levine were leaving the project if it was not accepted. Lucoff then submitted the design to Rolf Kleinhans, Prudential Realty's representative,who loved it and immediately approved it. With the basic design accepted, A11en refined it by using a friend and lawyer as a model. Allen took photographs of his friend dressed in corporate business attire, carrying his briefcase, and bending over toward a wa11. An armature was constructed from the photographs and covered with clay. A.fter shaping the slightly larger than life figure and finishing the fine detail, Allen made a wax mold for casting by the lost w�method. Footnotes: 1 "Sleepwalking Through History," by Haynes Johnson, W.W. Norton& Company,New York, c. 1991, p. 215. 2 Minutes, Community Redevelopment Agency Downtown Arts Advisory http://www.publicartinla.com/Downtown/Poetswalk/ahead.html 5/17/2007 r�r Cultural Affairs -Public Art Page 1 of 11 �� l � �� t r � � „+� �,: ? �,-� ,�.�. "� � �' �_ � � 'e` ..r�'� t�.v ::.....,._1 1I {� ' { � ,k'� � � 'C ag_. 3� { a��`" ��— _ <��1 �-.�"'^" .��E . � �� ^�j�AF � C1 _ —1� ,..e> � --- '��.�� Cultur�: � .,�x4b � i' � � � ' ' rt � c:ontact i Cily Services � Online Servic�s/Forms � Search � FAQ's G� CUItUt11 AfFdil'8 home>citv s�ovemment>communiry development>cukurai affairs>public art>Art by ArtisYs Name � Public Art ;� Art by ArtisYs Name Public Art by Artist's IVame � Art by Dabe � Art by Location A-F Alexander, Wick and Braiisford, Robin Movig Pictunes,2Q01 by Alexander,V1hck and Brailsford, Robin Steel, glass, ceramic tile, brick In and Adjacent to Town Plaia-Paseo atleyways between Cardiff Avenue&Main Street Moving Pictures, camprising seven unique zoetropes {pronounced ZOH-uh-trohp), celebrates the oric,�'n of cinema and Culv�r City's film studio history. Invented in 1834 by '' William George Homer, the zoetrope as it tater came to be # " called, uses the persistence of vision principle to create an �`� �� illusion of movement. Inside the zostrppe's drum is a series of ` images that can be viewed through the slots incised in the drum's shell. By adjusting the rate of the spin of the drum, the viewer is able to observe an increasingly smooth progression of images. Wick Alexander and Robin Brailsford have worked on numerous public art projects located throughout the downtawn San Diego Area. Robin Brailsford also completed a public art project for the City of Santa Monica Downtown Transit Mall: River of I_ife(20Q0). Terry Allen Golden Time,1995 by Terry Allen � Bronze sculpture and elock etement . 6'h x 3'w x 2'd �,� '`+� 102d2 Washington Boulevard(Sony Pictures ��, Entertainment} Terry AIIen's bronze sculpture, Goiden Time, depicts a � w � business man kneeling on one knee struggfing to �,,,.-� � balance a dock cxs his sho�lde►s. The a�i�st intended the sculpture as a metaphor for the strug�es the working man faces. Mr. Atten states, "The pieae itself also Photo: schafphoto.cor addresses the dignity of work and every working person's struggle, public and private, for and against TIME...our shared human burden." Terry Allen is an artist and musician living in Santa Fe, http://www.culvercity.org/citygov/community/artbyartist.asp 7/16/2007 Page 1 of 1 � �� x� '�� Y�� __ .aY-`¢saq'.{ .,. Y �w�."„ .. . t.. �T _ � �� i-: ,it4` � � � �� `"-�- ` ' �" "� ��" �,. , . �" f - � P � :,;¢ - �: , � _ � -' "- ._ - �,:� �. _ , _ _. � � � http://www.culvercity.org/citygovJcommunity/art_images/goldentime shadowjpg 5/17/2007 Terry Allen Artworks Page 1 of 1 s � � Holly Johnson Gallery Terry Allen Artworks: --Select Artwork-- �� _ Artist Terry Allen _ t; Title Shoe Yea� 1991 - Category Sculpture Media Bronze Edition 3/3 Size 32 x 21 '/z x 20 '/z ir Price Contact Gallery ' Gallery Holly Johnson Gall� Back to Terry Allen Artworks :� Back to Holly Johnson Gallery A ,�, _':��..;. � � • • � a � http://www.artnowonline.com/galerialHolly Johnson/Terry_Allen/Terry Allen_Details.ph... 5/17/2007 , Dee Clements - Sculptor Page 1 of 3 �I,� �. . '� �� '� `,' �� CONTACTS & LINKS Americana Sca National Sculptors'Guild Columbine Galleries &Columbine Galleries 211 Old Santa Fe Trail 2683 N.Taft Ave. Santa Fe,NM 87501 Loveland,CO 80538 (505)988-1 l I 1 (970)667-2015 (505)988-1114 fax ` (970)667-2068 fax www.columbinegallery.com www.nationalsculptorsguild.com santafe@columbinensg.com nsg@columbinensg.com Rehfeld Gallery Promenade Gallery 210 S. Phillips 166 Gore Creek Dr#140 Sioux Falls, SD 57104 Vail,CO 8]657 (605)336-9737 Asian Scul i (970)476-0600 (800)362-0770 � mcclgal@vail.net www,rehfeldsonline.com Keller/Morris c/o Art Place Dee Clements 41801 Corporate Way#12 135 West 4th Street Palm Desert, CA 92260 Loveland,CO 80537 (760)568-0100 (970)669-0735 "`� �� (760)568-0017 dandjclements@msn.com �� www.kellermorris.com �: Kswena@dc.rr.com ;,. RESUME ` �"` GOLDEN SPRINGS BUSINESS PARK- Holocaust Scu 2006 COMMISSION, Santa Fe Springs,CA FORTITUDE"(Monumental) CITY OF PARAMOUNT,-COMMISSION 2006 Paramount,CA "PERFECT ICE COLLECTION"-(Eight Life-size Figures) 2005 and CITY OF PARAMOUNT,-COMMISSION 1999 Paramount,CA "PERFECT ICE COLLECTION"-(Eight Life-size Figures) http://www.deeclements.net/ 5/29/2007 . Dee Clements - Sculptor Page 2 of 3 PRIVATE COMMISSION 2005 Ft.Collins,CO "�`� "AFTERNOON SUN"(Life-size) CITY OF MOUIYTAIN VIEW,-COMMISSION 2004 Mountain View,CA "JOURNEY" (Life-size) PLACEMENT,Benson Sculpture Park 2003 Loveland,CO "THE ACTOR" -(Monumental) ��,,� OMAHA BOTANICAL GARDENS, -COMMISSION ��a 2001 Omaha,NE ��w.<'' "END OF DAY" (Three Life-size Sandhill Cranes) CITY OF BLACK HAWK,-COMMISSION 2001 Black Hawk,CO Performance Sc "MINER AND HIS BURRO"(Life-size) CITY OF CERRITOS, -COMMISSION 2001 Cerritos, CA "PAUL RE�ERE"(Life-size Horse and Ride�-? � GREEN BAY BOTAI�IICAL GARDENS- D�UBLE � 1999 PORTRAIT COMMISSION Green Bay, WI "SERENADE" (Two life-size portraits) AMERICAN STORES/HKS INC.-COMI�IS�IC)�i 1997-98 Salt Lake City,UT 'ZEAP OF FAITH" -(Monumental) McDONALD'S CORPORATION-COMMISSIONS, Commissions and l� 1997&'93 Paris& Singapore "THE GIFT"-(Three Life-size Figures) HOMECARE OF COLORADO-COMMISSION ' � 1996 Washington, DC "A TOUCH OF CARINC" 1996 PRIVATE COMMISSION "RED CROWN CRANES, BIRDS OF HAPPINESS" SANGRE DE CRISTO ART CENTER-MUSEUM 1996 SHOW Pueblo,CO "HOLOCAUST EXHIBITIONS" WILLISTON ACADEMY-COMMISSION, 1995 Easthampton,MA "THE ACTOR" -(Monumental) SURVIVORS OF THE DESERT-COMMISSION 1994-95 Palm Desert,CA / DESERT HOLOCAUST MEMORIAL (Seven Monumental Figures& Eleven Bas-Reliefs in a site-specific design) MARRIOT OWNERSHIP RESORTS-COMMISSION 1993 Palm Desert,CA "PASSING IT ALONG" -(Two Life-size Figures) CEO,SUPER 8 MOTELS-COMMISSION 1993 Aberdeen, SD "SUNDAYAFTERNOON"(Three Life-size Figures) 1993 VAIL FINE ARTS-DOUBLE PORTRAIT COMMISSION http://www.deeclements.net/ 5/29/2007 . � Dee Clements - Sculptor Page 3 of 3 Green Bay, WI "SERENADE" JAMES HANNA MEMORIAL-COMMISSION, 1992 Loveland, CO "EYE OF THE WIND" (10'x 7'x 4') 1991-94 �McDONALD'S CORPORATION-MULTIPLE COMMISSIONS 1992 NORTH AMERICAN LIMOUSINE SOCIETY- PORTRAIT COMMISSION 1992 NATIONAL SCULPTORS' GUILD-CHARTER MEMBER HEWLETT-PACKARD CORPORATION- 1989 COMMISSION Loveland, CO "PASSING ITALONG" (25"x 17"x 17") CITY OF LOVELAND PUBLIC LIBRARY 1988 Loveland,CO � "THE ACTOR" 1984 BUICK MOTOR COMPANY-COMMISSION "RED TAILED HAWK" -Dealership Awards NATIONAL AUDUBON SOCIETY- ENDORSEMENT 1984 OF AUTHENTICITY "THE BALD EAGLE" Web Design by:HWS.All rights reserved. Login http://www.deeclements.net/ 5/29/2007 '. � - • � .... . ._ , ,..�, . ..,�,., � ,, _ , • �.;,,,, -.�,- - � - .. f . , ry i� �. . � � ,� m. ,.- $ . . ,� � , . ��.. � � � �� :�,� 'i� r 4. . �� f .�,(r. t, - �� r� �!'�"',�� •, ` � , :V � f' . -, �„ . � �� r i � - � � . _�� .�� a � �' ♦�, . ;:. � ' ` , � 4 � I, `. �. ��M Jv� � _ �r �� ! ��.. . "R � . , �.. � K . r� -�' , .. �, •� ,a'�,+"�� ' .' • '.fx . ' i� .,T"�'� �i�+ � �' • a �,j ,��' ,�s-� � � ' `� . _..� . 'L 5/�7 . � '' - F �� r:A �� Kif�' i � � _��. &i. . r.. , ... ._� � � � �f �i r �J ' � t��{'ltit, a a' . „ S. �' � .4,�q 6 . ._, �.� �tr,,,. �L . .. s. s ^- , - _.l .�: �_ . �� .. , �.,,� ai� .'�., s� �� I., !. � �. �� + "i (� �� L� . "�. m r ".� � �,�` ;C ��, � � :�, � f �, � " �� "� _� n .-� � . � , �► � . . �. _ _ . ��::�, : - _ —.,....._ _ . __ � -- � _. .� —�- ,,,, . . .�,�, . � "� � � r� �, -- _ `t. _ - "w .. ^-Zr 4: ' � � '` ' � �_ + �i �4 � � �„S ��•� _ . .. � , - .. - ..,..--_- <•_ - , , �q r _ � __ � ::� _.�`�- �-.-_ :. . �, � � - . t\.� -..,"�.� � � ��- ' o ---�.�.-.� .. -r�. .. ..±�.;. � _ . .. � �" ' / • � �' � • � � � �• /' '. � - • ;�:: . �� '�,::% � - .� � , � u e + �. _ � �_ � � � � . ,�...... �'..�: i ; ., � � �� . , e , -T . �. r� 't �� , , . � �.i� , ' � � � � _�, x,��, �,�,�,�, T��`� � r '�x� � � ;. ,► i,-:in � ,.+..� : ... � �,�tt�.,�, .�: .. �i4, ettta._ � ,� '�- ;,� i,jt'lSll i1i�, � ";� ��., �- � ,;�, ��, - ' ; � ,. � r t �� , '�. ,.,�. ,r "� ' 'Fil�6 iRi1W18Ai�nia�di•iiidi��d . r.�- .. _.r. •�� ,,, .. f� � �.... � . .. . � �S�g� y��}�� ; . N� • �^� `� M 3;,"�i�� 'F� t,�,c�i�� ,Sas'V� . § ^� .•��.� .� {WJ �. �. �.� � ,��,�� ,`� ,� � ,,,:- u "� � ^�� , � ; ti��` ��` ' f ._,�..�"'m A. , _ �r `�. � �sS .i17y'' . { '. . �.,�t�r�,__ y � . S '�' �k �].'", I J '1 � , �� "NSq'a yk., - .!M �S a. .�� a ��I 8 �- -.,,,� _�-^s,�_ '�;t: r�'j i•, . .k ' .,� i � � '�''� �t.,' �� ,i . ia: �_ - ,. -. .� : ... � � ... ��+ ' r�4 . 4 � �� ' � } �� _ y� �< ! . � •e� � {� Y.. ,, i '�1 , �n. �?°�._ � � r ` -, _� t 4, � ... � � 1; ��,� � �'� � ,� �», '�s �: � -.� : �' � �. , � ' �`�' `� � ' _ - �r',� — — , . . � � .•, , -�:y�,�,:.:,,_ ,�� ' .�� _ _ . �� `�.�— " ' ,-: .�- � r„�.�r.��r- ° .'"`��'.,,,� :— _. yW,. � �.�.,.'�.t" "'� t� . w+.�+,,..:� �i=-'+ e"•.`Y, �\. �;.�'��; � L f� ^ , : .,' �u�" :'�` , :.. �3 ` .sa"` ��" ... "�",5 .. �_ 'G'wr," y . .� .�� u � a- '��.,a, . — r r,° yl�,. .� . � . - , � y,.�. � � " , V;µ4 ....._�,a.. „rp�,r ' .. .y ..�, '.. ,w..f. i -. � . . ...� w.. .. . �` ' + �:. . .'�"''�, J� .. f,h. ,,,�s -� ��,� ,�� + ��,, �� . ,. _ . ... ..f,, :� '.�._ . . h",i ,y..�Y'� ' � . . �an;.«,�- ...r��a,� :� �:.. . � . �� w _ "� '�;'�`��rk��1''a�"#� . ..:. -. �. .��, ..�.� . ......�° � ..... ,-,..; � , . , . . �.�,.. �.s..,. ' ' . � �'' � � • �' � • � �• 1/ '. �- • . - - -�-�._. , r• ��:, ti ,-.,_.�..,.� �,�,._,,e�•� " '.�,.�.�+ .. � �. , . , ,,, . �1 ..�r.r��M.--.. . _ .�.— .�- . . . :. : . ,��, ,; - .�.. � ,�,.� �► �; � �` � � J+ ~ � + ► �°t'""�' , �tr,`; �' N II �"� " � • ��' .�.�� ' t. ''_ �"`� ♦ M t � �, R� 1� F T 1' .,� _. �•..F�` �1 + ` ��"'!i'r �'t � � ' � • "' �" "�„ � 1 A �,r :*- °'N�'ry� "ff _ - t � -� fr- . � � ._ � , '�. ^t) " •�' •^� `+'.��'• -j �*,�• » � Y '��' ��- .1-""'' r : ' ,.�. , � '��, ' , ' `` .�_ . wf ,��r'•. �,. + ��, �+'. ..r`�,"� �. � "", �,� .��.. ��yy{,� ' _ - �' + s_ •'y ��`'�� ..��",F� ' �� ..�r..�+'s , � a - _ .. . �..y, . r . �. .. �'.`;,o:..itrr. � : l: � � 'w :... :: � � � ;� `�' C�_ � . �� vt:,�' ` : , ,.� '��'�� •' _� , � �! �' � ,tr - � �� „', � �" �� ' � � A � �, � ✓"'' �I `, • 1�. �y'�j' ��_ 'T�r i � � �r► � � ww1►- t. �.`. ��_ �. �a� . :� � ,� ''�", ��+�,� e 1 !�'�� * 1�. •t ��f;,; . ,1�i,� �, � � � "� �p `�++. ,'�.t'S�r _ '� �' � '� �'� � al' .��(�Y� � ` �� R/I .. �.�• - ��Ij� .�y i .�„ �,�f ' i j� z-' � y � .F '�I,.i+ a. .f: .. ,� ..+ i � +(.� f , �'• ��n tV�� .�.+,� ��•�.'y u' ��'� .,—' ��C.. � � i ' � 'N,. w' �� i �� „ � .� .�'��r +� �i, ,�1� .k,' . ' ��.'�' �� ' .� � ��1� � �s . f �� +�,� � .`�," ` +�. �'�' ' � ' : �� .'..�.. .. � � M. �F � � ��Z� � � J.. . i �..'�W`-H:.:. � � �A� �� T`r�, �.am..a.�: µ � r-„""p +•+f�� * —�.� x .. . 7'- . '<;3:� � ' `;�F� .� �` .,_.. . •',iL .o+' . „ ..,. .,�. ,,... .,,, ` -r,:v.. - . _ � .. .. - �'�-,�-,:� - �- , � �" • • . �- • . � � . •• �� '. • - • `'-"'!i �S"�',.�,,'J'��+'. � s. ,* �� ti,• �. 6s�� i:-�� ..��'Y!� � '� •.� � � A A � . . _ t,y •7.• r+� �y,•• ' ':Y !. f �..�F I � y r }�, �� .� q'�1. 1��•�'� JL A �'��dj��',T"�i'�j�"��.i�4.♦ � � � t�:.^Y � �y� � �b y '-� �. F't�}i�-M' '+Miir: ��h�� a � � .�' '• ,�c .y � y� - t : 'm�,� ' A , . �'A�.., f . N � � �•_A+��. �,9 � > �`�� S . t4� � � � �_�� -�f��t M r, /. ��,yTy ' 1rr. .�� J eM�1i P d:y: �`, '�' .�. �.- � . ,�y . . -�y4�.�.. � . �� `� y' , : ''. ��;, . . p� s, �� l - �� P`` �r '�,a ��.=c�•� _ ,�� ,. .. � 1�� , ` . Rr ., i ', ' ' _ -- , .� - , • ' � �� :`:� :� . '�: r� -,.� ��a °, ;1. � ,�;, ,,. � •` ' 1 ,� ��.E � '� � * !��iti °�..�. 4. ` , �:. �` .�, �, �. a � ;, � f�` �"�"'- ,,,i �" * _ �. _ 4 �.�., ... .. _ . 44A.. ,,.;; ` ,� .�"`"t�� -� , ': .i i � � � .�+x °�,;� r } t �.� ,.1, n� ,—�. �, ,. � * a � . .IM pr�t .+ .'� �f �_ � - . ,�^' r ,« ��x�Ati�e'$'�. t � �.� � .. °� i�� r ffi�► • y �� ,t" .,�� - � � �wr"'_�� , �.e � , � ° ..«.- - - - `_ _ . ' .s.s - ,,.i "++Y+�.y,r�� ._ ' _ _ ---�.-�.,�� _ ��..�.. � �� -- .. . � -...,.�,t ,a�. ."r"' �s�- - < #�� ..,,�' '..- � �-- • • . �- •. - -• � •• 11 Vv'. Stanley Proctor Bronzes, sculptor of public & private commissions of monumental br... Page 1 of 2 r ABOUT THE ARTIST _�'`� < , �� . ' , , �.� � �.��:.�,�_�. � � �..e,,�.r � � �_ �� # � r� � j I�k rv� i A r �� Native Floridian W. Stanley "Sandy" Proctor has a national reputation as a professional sculptor of the : caliber. Priar to concentrating in bronze sculpture, Sandy was an accomplished painter and stone carver work has been displayed at museums of national and international recognition. The State of Florida � commemarated Sandy and his contribution to the arts as they inducted him into the Florida Artists Hall in March 2006. Sandy regularly participates in many art shows around the country, and in 2004 was selected as the Am Artists Professional League Award recipient for the best work depicting traditional realism at the juried Sculpture Society 71 st Annual Awards Exhibition. He has been the Featured Master Sculptor at the Sol Art Exposition in South Carolina, the Plantation Wildlife Arts Festival in Georgia, and the Easton Wate Festival in Maryland. "The human form, ranging from the freedom of childhood to distinguished seniority, has always moved strive to capture the emotion, personality, grace, and honor of all my subject matter, from people to birc animals. I have been fortunate to be chosen to sculpt many private and public monuments, allowing me opportunity to meet many new and fascinating people. Over the years, I have bribed children with cand still for photographs, convinced mothers to be included in the sculptures of their children, rolled and pl� dogs to release some energy so they would lay down and stay for awhile, and discovered many other fu make unruly subjects want to cooperate. I have made numerous lifelong friendships and have greatly be from really getting to know my clients and their families. I hope that my sculptures convey these relatio capture the birds and animals that I have studied for nearly fifty years, and share the moments in my liff cherish, for that is the true test of my abilities." - W. Stanley "Sandy" Proctor Most recently, Sandy has installed numerous public and private commissions of monumental and portr� bronzes. He has completed commissions of a monumental sculpture of Head Football Coach Bobby Bo Florida State University's Doak Campbell Stadium; the "Spartan" for the University of Tampa; "Eddie ; for the University of South Alabama; "Father Kelly" for the Bishop England High School in South Carc "The Sunday Paper" for The Tallahassee Democrat in Florida; "The Brian Litz Memorial" for the Maric County Sheriff s Department; and the "Wuerffel Trophy" far the All Sports Association's national awar� for Danny Wuerffel . Sandy's work is shown in many private galleries across the country, including Hilton Head, SC; Easton, Highlands,NC; Albany, GA; Kennebunkport, ME; Destin, FL; Sedona, AZ; Palm Desert, CA; Park Cit Jackson Hole, WY; Frenchtown,NJ; Woodstock, VT; and Williamsburg, VA. http://www.wsproctor.com/about.htm 5/29/2007 Vd'. Stanley Proctor Bronzes, sculptor of public &private commissions of monumental br... Page 2 of 2 Sandy is equally comfortable modeling animals or people in any size. In addition to his many public commission, Sandy continues to be sought after for private commissions and memorials. Many art col1F value Sandy's figurative sculptures as among the finest examples of lifesize sculpture available today. GALLERY � �OCopyright 2005 W._Stanlev Proctor Bronzes All Rights Reserved For more information feel free to Contact Us http://www.wsproctor.com/about.htm 5/29/2007 W. Stanley Proctor Bronzes, sculptor of public &private commissions of monumental br... Page 1 of 1 GALLERY OF WORKS - Commissions � ,.� �, � . � , . �. �. , ; -�s, i r-- �. — , rw �� ' � � �y'.,..- :. io..� �— �*---�. �� .fi `{ l�11'r1 , � J� .._ �, �� .- ,g �.�.�� i �,� � �� a � , 'a� `` � �. . � � � � i'� - 7 � *�� ? ��, _ � . , � r r � ry.,� _�.�. ,.�� .� ,. ,� � �� _ �� R . �. , � �.' �� ° � 4 � �� <t � w ,��„ �. � , . _ , � .::��. �.�_� r t f: __.__ . .. ._ ..,. - ,�r . . �. , . ,�._, < . . - _ � q ,. T{ ��,,, �. ..� � . :. "�p, : . _ �,. ., � '� i �e.w��. . � , ,y��. . � � -..— a�"' - -. I, .—_: ;; e . - _ �� t: „�,,, „ a^ , , � � � � , � �.. _F � „. �... . ( . m� '.�,� ��w 5�; • • ' _ . �'�-.w :. ,t�lw,w_ . - , n�� i � . . . � � . . . � �Copyright 2005 W. Stanle�Proctor_Bronzes All Rights Reserved For more information feel free to Contact Us http://www.wsproctor.com/gallery/Commissions/Commissions.htm 5/1/2007 W. Stanley Proctor Bronzes, sculptor of public &private commissions of monumental br... Page 1 of 1 GALLERY OF WORKS - Limited Editions . . .. a » - ,.,,�,.- •, .. -�,._� ,' � 3 t k `� "��t ' �� "�"�. .� „��k, �..�:, � � , � � " ,�+. ,�,F,..._ , . .,•.,; �.... ..... ,�� , . „ _ . . � �.�, "w �9�� +�. � �.� � � �'. - _ ; . '; � , _ _ ,. . ,, � . ,, ,�� , '-,.. �5� ,s �i�, _ . . ., . . ... . . . �.� 1 � i. ... 1 � . � .. . : , � {'�;- S-.... > .r � � n �Y. * _ � � ___ _ � � ' -a � .t' 1 � ^y ' * .,._.... .. ., "�a,a u�< v d � T� ..� .. ��/.Y_ .; .�� . WyM Y��y 5' � � W�1'•��. ' � ��, ( — �i; ° ' � �1 1�a �� , ; � . .y �, ..�� ' �I : �,- �,. . , , , . i _'__... .._..__._. . ,. �_ ,�. , � �-.-.... `` ` in. r'� � �� Copyright 2005 W. Stanley__Proctor Bronzes All Rights Reserved For more information feel free to Contact Us http://www.wsproctor.com/gallery/LimitedEditions/AdultsAndChildren.htm 5/U2007 H. Clay Dahlberg the artist Page 1 of 3 � , �r �'' �-I. �r�y' ��hi��+g f7�d his sigt�ts set on l�ecc��ni�a� � eowbc�y righ� �r�� .;�� ,¢� .E th� t�eyiiir7ing. He w�s, after a�i, � Texas bc�y wt�+� 17ad � �` �� been br�r�� in �an Antor�iu �t�tci wo�ld grt�w up it� the , fi �*��'`� �� `� ,�. „� � � Houstcrn ar��. Btit whiie n7c,st city-�orn Tex�s boys �- ° "�l°� '��' � , � were content with toy guns, stie�h�rses and ��ti�rc��; � ��, . - ��.�;�,,. • m�t.ine�s, Clay Dahlberg v+�er�t �fter the real thir�e�. ,-�.- .. :,;'� ��, ha� � Coti�lla cc�nn�ctian...ar� �,, � ,..�v�� . ;�;�°�� :>� � ��-;-y� �.r,,��-�� -�,;,�� r��_F� �.�-��_ r=� -� � � ,,�,,�F � . � . . .. , � �f�i a 9Eq�C� f�.... .:�F�.�.�;_ iJx J ;�u,s�,,. i�� 43 �i�i+,.. .� „�..,a _, ,.._ � i .- ^ _ `*•. �,� _ : �. ' _ � Ac �r�„�;+, town of Cotulla n>arked fZii�� fc�r l9fe. H� �bsol�at�fy' ��.' � _,_ _ �;,,�► . idolized i�is great-gr�n�lf�ther, B. ), P�t�, vvl�c� s��. ,„ �- ' , � _. � ""''� 4� tn have been k�or�� tc, l:�e � 4��r�.��.�r��>�a�.. �� v�� 1,�� . �� ~� - - _ ,�<< _ "'f`;�;�.�:_ . .,� � . ::"^��,� s��i �v-�,�� ;�� .. ;��-�r r�-�� iir��y ili�s�it�t� i,� rictic��, but tl�e rc��ag '� -��lity�� t r�r��.t; �J�� r9c� �� er� macle for harci co�entry and hors�s. T! �;: , � �pr��ic�n� �ncl in�ages �iay Dahlberg carried away from Cotulia wo � .,,,�=, ��y vvcauld taeco��e the crit►c�i core of his ar-t. - `;� � _ . ,..:. � < .E >h€ , , ,� �v�:�,-� ��r ��ect�ri�in� ar� art�st is a tough trail to travel. Charlie Russ �, e , ,, ; '� .; ��.��rly paiti lic�rse v�ra�ql�r t�n an open rat�ge cow outfiit k�efore pick � � �r =�it�t�rz,�i�i. Clay C�al�lber� rcrde�ed, �Nork�ci as a feecl �alesrr�a��, and <�- '` _ , ��-�;'�°� � �f�cae horses Iflng befare h� ev�r entertained tl�� idea of being an arti , �'�` . �. .......,w�, �, �P�ar�ce e�icou��ter with a sculptor of wester� subjects at the Nouston ,.--�'"":�`� St�ow an� Rode�, around 1970, wPiich first fired his imagination ar�d tPi� �at#�i towarc! a career in fine art. 9-,.:e: W�+�;_:tilied and struc��;fe� at the ou�set to le�rn the tect�ni�al aspects of Iiis n�w calling. But real art resides in the h�art, ar�d h�s was �rit��ful an�l overfiowing with eno��gh ideas and i��spiration for a �uh�le barn full o� bro�zes. The c,reative impetd�s of Ciay Dahlberg°s �rt vvas, from the �irst, to corrtn�ernorat� his own r' horseback heritage on a tr-it�ut� to west�rn traditi�n. Clay Uahlberg has received his share of critical acdai��3 and vvest�r�� art �cco17c1�� over the years. But he ha� r�ever �oiaght c�ut, or ne��led, the end�rrsear�ent caf critics and �onnoisseur cailectors, His art is �ir��e�i at an audience of cowboys a�ea the kind ofi folks wha have a hi�tc�ry with hors��. And tt�at audi�nce has b��n '�« there far him wit� encr�uragem�nt �r�d in strc�ng support for thir�y� years ai�d then ..L � SOtil�. As Clay's command of the scul�tur-a1 medium h�s grr�wn over th� �e�r�, so too has his rang� af subje�t r�atter. Fro�� his i�titi�l fc��us t�r� cr+wi�oys and hors�s, his interest� h�ve expanded to in�lu�ie rlot r�r�fyr tl�+�s� f�miliar favorites, b�� also � cc�m�.�le�e p�naply �f fresh idea� fr�n� btsth t{�e !�istc�rical �r�d �or�temp�rary vves�. �, His recent creations i��clude e��rything frdrr� a delicate pair of miniature spurs t� the mc�elurner�t�si�.� {vf:�i�i�a��itir�;� ��9i�d "Wild__Men and Wi1d_Cattle". I,J�t�ve .��.�e��ri+e�:ar� v��€�rivr�,, Mexican pistolerosz hunters. �=��3��rs ,:�:; ranch kids,, ��3��:i http:/Iwww.claydahlberg.com/artist/index.html 5/17/2007 � H. Clay Dahlberg the artist Page 2 of 3 rr��i� ��vith the rnernories...arad his h�rQes vvith bi� hats ar�d hors�s...are all �T ��'+ �r�sented witt� �ride ,�s e�aract�rs ii� C(ay C�a3��ib��-g's cc�nti�iuing c�l�bration of tt�= s�irit oF th� v,rest. a�t�ii��rg's work is in �rivat� s�havis �nd put�lic coiiectic��s in th� United �tates �n�1 Eurt�pe. He wa� chc�sers to �xhibit in the first al!-scuiptur� sh�,w held at the - P�atic�nai CowJb�y Hall �f ��ni� a�id Vvesterr� Heritage Center. His v�or�: was anionc=. tl�iat of ter� artists used to illu�trate °XIT, The P,m�rican Cowboy." His scul�ture, "Tn � Stflrm" was awarcieci th� Best of Show award at th� Texas Cr�wboy Artist<. �s�ociatit�n Ann��i Aivard Exi�ibitior� it� 197� and he was invitecJ by the Americ�+.�= ' Rev�iution �ic�ntenni�l Cad��r�iitfiee tc� represent the state of Tex�s ir� Philadel�}E::.�:. in 1976. Camsn�s�ians includ�: ■ L�� ►z� portrait bust - �ourthc��se Squ�re - G�orgetown, �exas ■ 7' tal{ sculpture entftled "Rough Mera �nd Tough Times" Y.C�. Ranch Hotel, Kerr��iil�, Te�� ■ Lifi� size standing Pigure, portrait of Co{, E.S.C. Robertson, Salad� Texas s ■ Lif� size �ortrait bust �f Homer Bryce, Stephen F. Austin Univ�rsit��, Nacogdaches, Texas Related Links: ■ Houston Livestock Show and Rodeo � � Pe�rc� W�st�rr; Art �ull�ctic�ri �t ��i�varro �ollee�e � � ` Artn�ran.n2t - Sculptc�r� related Directary Cr+edits: ■ Photography: ■ K�ye Marvins - Houst�n, Texas ■ 3ohn McCaine - Houst�n, Texas ■ White Gak Studio - �redericl�sburg, Texas ■ Text: ■ aori Hedgpeth - Medin�, Texas ■ W�b site design: ■ Ryan N. Doherty - Austin, Texas Sigr� the gu�stb�ok 0 C�,rbt�c.� �t�� Artist 0 Regist�r for the ��er�s9��t�s�- �op f r��ht+� 2t�G� H. C{ay Llahlber�,,a�i ri�,;,t=_r=5�r�r�de � http://www.claydahlberg.com/artistlindex.html 5/17/2007 �.,. .... Wild Men and Wild Cattle by H. Clay Dahlberg - Page 1 of 1 , _ _ . . _ , �� e.,y 3 ; ' °��, � � �.�� - � I�.. N�E �N� V1/I�..� �1 � _ _. � ��= ;. , ..� i� . F , � . � �� ., � ' �- ��'�' �� :��"�' ��' !-lL�ERC� � �P��:�r� ,�r. ,, .� �- , • �u� . ` � . � �.�6L9�a� �r E�'� 4 s3 �,' `�"•a�� F �`� }i �'�'� L �BCOIl�2 ��'c35l11"�I11E.'fl�r! . �' "��-��-_ ' �� F1� :i��'��.�o •�- _ .: 4�, t � '� � ¢�'"�3 �a=��=�tive Tex�s cattle that were left u��i�r �; �� `�.�ml 1/tlar raar��ed �t�e brush country s �� ;�_ . .,�,,,, a_ �.�-�_ �" � .��er 9ike feral be�sts in some primev 9PL � ��.�. ; �"� s � 2� . :;var, the men whc� c�me to ciaim ther ` "��:'. `� �"�, - €ike those cattle and just like that cau z� x. �` _ , , :� � �,�:a�rng men m�stly, made tough by ti- , .�� " '�` .,�, � , �„ . : �. � - �E��r for acti�n. Th�y ��.��ndered tt�E �"� � �� haif-brake hors+es in a hard, lonesc � � ��ti�- - � - � E,i. yw � . _., lnA^'.,� n �.w � < }` _, � " Click here to e-mail the artist. ,�„ i I _ . ."_,.; :� �s u� - ,�,.'y - �i _ .. ' '�}W �. _. �. .. � g - _.� _i ..`_ }��:` 4i14 , t.7y.,'^"��sM1l �r. a�'3i:.u, i-1.,k_ n..E' �' ;`� _. � �' _ �`" ,—:. „�g,,:: .. . r �,�; � � �. ,,, � � �. ` � � � � ;R �- _ ��`�P� 'k" � �r`°k,;"�.". � ,�� • ��; �•,ti��-� �� ,. . .� '�� -��'^� `��= . � �r � M ,� = ,.�,,; ..� � _ _ , , � �.. �„ � z . .,� ;_ , ``�". x� �y � �°". �-� x. . > .� � �.4 = . _ .� �pp� a+.. ^� ,�.. . y� j fi�. � � � �.J1� �e _ � Y� _ _ � �. _ . �:, , a ..: _. 3 �� ' ' ;: ,��. . . .:; �. b �t- _ �.- d � �� i , . �. � � ��s+�- r; . '�""° ��;� .. ,„ 5�,. . . - �� ; ' ,�. �'�" ri' �,� , - �� : .'..�'s �ii�k bei�w to s�c oth�r curr��>t �clitioris. R Tex�� I_�c�e��i p�!� L�ress�d U� and �.��c�y �� p �i�t�v�en � R�ck ��r;�-� �, Fi�rd PIG �resh Air and �reec��s��, p�i��rts �nd Flot�v�=��p P��-� h�i Tiei-r�� p Prn�sd Cc��a�p�aturda ��i"i=3 f�iiC�t��r9$�C� Q`�'�'1?ii ��I"1 c�IIC� �i'!�i�t� _-!�l'a�9� Si�n th� gc.�estbcaok��.ontact the Artist 0 R�gister fic�r the �ilewslett�r_ Co�ys ighi�'��?t1�i4 H. �lay C��hlf�er��i+ r•��i�f�r�s�r�ccl. � http:Uwww.claydahlberg.com/current/VVildMenWildCattle/index.html 5/17/2007 Saturday Night by H. Clay Dahlberg Page 1 of Z . � :� . , . ' �� . �� . _�� _ �� _�� tion of 50 � � '� '.�z" N x 1�" b�' .: �;�" �; � = ,;��.�;M--s�'a ;`i��.�it' � � �� ? } '�,'�t� �- � � , i },..., :. � s ,. � ` . � s�i�� .�'Jl�� B.a�4.3�� i".;Pl,.?k�'a' �.P3�!�3��' ��.°.3�$� �.yd.� � �'':� ' �- �_ ' ,,�thin+� at aii about punchin` a tir�7e c �:, , ��, .` � '� '�" i�e to fiae kind of calling. They �vork ` �` s��} and t��ey don`t quit `ti!' it's do��e. T ��' � �:a�yone to t�li 'em` �vher7 S�turday nic �: ��'�' ��?wboys can cut laase after a lo��g w+ �-Y. � ;� �.•'` � F� h ch�y �et to town, c,r stay out with th� � � �; �r�d sour m�sh whiskey hefp smooth — �.� :� � � �v� I��t1 iife. �at��r�3�,s,� n4�� orere mac '_ u�i i '� _. .�...;L"i��}19�' i.�di3 ;?L�� i -aj` �F_�1 3�1�3+��..'3k� € Click here �� , � r-� , - �-. F ... Aj�}�� 3 .'3a.. . ` . �s�� .. �. � � � II' �, 6�� l'�$ �. + '�t� ��m :: ' ...... .._,..� .,nNa�'—..: . .,. . .:. ^...,_ ` . '^ _ �� ...,�, �r�,' � �4'f#:. � �=�� s�a. � �, �:: . _' ..._.. ESp .;�.�.��"�" ��s. ,+g 'S i'�a �� '�� t�, � =g'� x � �a � '-:, �� { � kF',,� �: "�, , Click here to rotate th �li�i� below to see other cz��ren� e�lyt��ns. � �4 lexas Le�;x��;• 0�II Dressecl tJp and �,e��',:` _ .a��F 0 � -��= � .�F � ��c�:. F�3,=`� � ��rt! P!f �r� {-�, =`� . n _'E a -w�. .s,9 � a .. � �, �isL�v�i'�� i'�3,._ s�.;i� ' , �- ��rl� _� ..,.��_ .�� .�f�'��Fs�,�. http://www.claydahlberg.com/currentlsaturdaynight/index.html 5/1'7/2007 North Dakota Day Care by H. Clay Dahlberg Page 1 of 1 , s ;�,�r �� ' . . ��? � �IORTI-1 DAK�TA �AY CA . � ' �i ,��, �� . � � � = ' � s� � v s } ., � �� ' B�' H. CLe4Y C,AH LBE RG ;:� �� ` � ' Editio►� of 4t7 �`�r��, � � :25'° Hx24" � x 10" D . '�` �r �695.00 . ` 'K>.rL�,� ¢� w,' � � Spring con�es sl�wly to the northern � `'�"� � y � i�� ,� Th� cold th�t ciaii�r�s the couritry is rei ; , � �� :. '� ' k�:= ��ri�, and a riewt�orr� calf is at the mer '" �E` < �� ,` '._, ��p ri c�. T h e c o w b o y's r o l e i s a f i r s t r e � �` �� s, 3�z�rd blows �n and r�ew calves �re � �r�emaid �nd nanny to bovine babi� E �` � ;=�� .y,�l7er°s oniy h�pe fdr hanging on f+� :,,.� `.� -y�. � �'� � ;� � � " +Click her� ;_ s r� . - ' � � �t'" __ _ . �-_ . � . f,�• . . , „ .., ,.� „ . .. �a ��_ �' :, §;� �' fl° "'�' '��'+��-`z�� '�` z r�� 1 .. y�� { �...� )ei i€'�. .sk 1 � �' # ,�I . �.: � k �c� �� -. . ne '��'' �„ t�z .^�„I � � � �•� `� ' n .. . 7. .`.- .. ` '' �+ �,. '�, �?'� �'h .. �� €� 1,. � �i ^��a.^-:� a S �� ; i ,� �., f � � . ��-:,,� �w � . � f.; t y" �°� �Yr �,x.��`+ � "�G,� �„� k R f K^kD `^.' `"�'g�+',�c �� ` ywr'.*� �i `''�"s� � ,.z. - •; �,, k � LL . ,�� ,� V j � � a ;��',. � ., ��:�� ; � � � Ciick here � � 5y�� +�� ..rit�l,- ��c��;V;+ t`s:� �� tia�Cl�t" ._f_i3'?'�3�4� �t:�1�IC�l1�, A "i�e�cas L��y p�aii Car�ssec� U� ancl Ready t� r��c,0 6�tween a Rock and a H�rd I�I< Fresh Air an�! Fr��1�sr1�� 0 Hearts �nci FI`��a�r�0 F'�o�;X, �'"�: �i��=�~�� 0�s�+��c1 Col�►-� Q�;�t��rda �he Und�2feate�l p�+�°€!� ��>i�r� and Wild g�.�ttle �ic�rs t�� gu��tbr�ai;0��r�t�ct the Artist 1� l2egist�r for the Net�vslett�r_ Copyriyht ;c ZJO-t H. �lay C?ahlberg.�,�I r?ghts re�erved. � http://www.claydahlberg.com/current/DakotaDayCare/index.html 5/17/2007 . . ... .� �_ Between a Rock and a Haxd Place by H. Clay Dahlberg Page 1 of 1 � , E � . �� , �, ��T ��+1 � ��iC �(11 � _ _ _ _ � ., �� . � � � _ ,; ' -,ition of 40 � yy � � � ��"��1 �; 1��"C .�. �, � qq�� ■ - K �. 'Ld�. � ��'. �.� L�� _ �.� _`,^h4y � -r� g � F.. = ',..�.... _�.: � � . - t '1�YL�� EL+''E�� i�'L'ly�� {�?_3t.�5�'�G`t1.�':. ��..?�3� 1``. {�. i�gsselsh�lf....and on�e a n�ar left Pa� J -�`� ; ` ��.°. �s alone in the western wiiderness �-� `�� , � �: �� '� _�cilarids bt�rr��ed u� �g�ir�st e�ch c`# �, ,� � �� n�ountains. In this ionesorne larrd = ��` �' �s�, fierce and unafraid. A good hor� � '�� "�z � `' ` ��art were basic to survava! on the ec �-"~ : '"� -:, �` >;��ges....where war paint and weathE .,�-� ��ngs a r��an had to worry about. � �., t ; - �� : � _ �, kw�` �lick here to e-mail the artist. � � ..� °� -�� .� . tt°_. , _ ;'� >,•,. ttte t � � � � �� _ �� . _ ,. �� 4 x • � � � �...:,_,��a"S '� � - � #�� `� x. y�...�._„��,��...�� `-� �r �� ;�� F g�� '��' i11�$,..L i��9 Click here to s-otate th Cli�k below to see other curr�i�t editia�ls. �� 9�;�� $bv 0,'��i �resset� Up ancl R��:�� :��;p �S:�sween a Rock and a Hard PI� �resh Air anc� Fo�;��rcd;�r; 0 H�arts �nd Flowers 0 �-� 3 ';�� / ;�;�;-�� 0 Ps-c�ud Co6;�r� 0 S�turd� �n� Un�efea��d p��J;,=v� �;'w�� an�l "t�`:';;�i ='�`,=;�tle �i�n th� guestbo�k 0 Cor�tact the Artist 0 R��ist�r fi�ir the Newsletter_ �opyright c 200�H. Clay[�ah!berg All rigi?ts reset-ved. � http://www.claydahlberg.com/current/RockAndHardPlace/index.html 5/17/2007 � \ v � � � � � �� . `� . � - , � . �� . � Gil�/�c'�%I'�C�di', ��Av�dy �he D�nfzey Man" gave cauwt2e�n hawvs �{y �ay -ta .the cGu.�cl�.2n �� .�he Caache2Ea Va,P.2ey; and GIH�R�AS, And_y became a 2eyend .�n G�,i�s �wn �i.me and a y�ah,t �b �he h,ib�any a U �he Ci.t y a{y Pa2m �e.e eh,t; and (UH�R�AS, �he �iccu��ee�s a� �he "Av�dy �he �Danh.ey Man" Tncu�� und have dana,ted a ch,i,eclh.en'3 cl�,i.nfu.wy {yauwtcu.n �a �he Geonge [Uu�sGu.ngxan Sch�a2 p.2ayy�und and p2ay {�.ie2d b�n wse by �he cla,i.��cen; and U1H�R�AS, �sa,id cUr,infuny bouv�ta,in cui.P� be dec�i,ca,ted "Iv� Memarcy aU Andy xhe - vonf�ey Man°' �nom zhe y�e��e ob �he Caache,22a Va,r',�ey; and � (UH�R�AS, �he Gean.ye (Ua�h,i.ng�an Schao.� wcv cha�seK becau.se Andy had � nat�ti.ai.}�c�ted {�arc mav�y yea� ,i.v� �h.e hchau2'e A�nua2 Na,22�ween Fe�s�i.va,2. NUGI, TfiER�FJRE, 1, S. RUy UIILSON, Mayan, a{� .the C.i�y �fj Pa2m De�teltt, - Cc�i.{yon.wi.a, a0 HEP.�BY PRUCLAIM Thuiv�day, �{Aay 22, 1980, a.s ' AN�y 7H� DUNKEY MAN DAY and uh.ye a,P2 �eonke, �auny and a.2d, �a ab�en,ve �h,i� date �.n honorc �{ a man wha yave ea mueh o{� h,i.mee.e.�. C(;g� , ,�� ' TN GIITNESS �H�REU�, I have heneur�ta �e.t __- o` �% � m y hand an d hav e cau�ed �he a b�,i.e.�cr,2. S ea2 �6� � a�j �the C�i,ty a{� Pa2m De�se�t, Ca2i,{�onvu.a, �� be a{�{y�.xed �Gu� 19�h day a{� May, 19&0. . I `' r.:.,:,>� $'" . _ r, R'>. - ,P':v�;".i�E:.�. . _ :�*'-s,�4 � _ iif� . f' ' % � 1 .r ,r, ` � �--�. �� /G�_�/,� ._ l'f'' IJY.C.�e/�krNA/G�j.O�c�'�(/�/"!/�W . ��'- (/ \,�%. ::'�i:.. 9 � .,�s�or.ic�z.��oclef o �cz�rrz �eserf � � � J�. �ox 77 Communrfrf .'' J alm 1�eserf, C�92261 c�erurce (760)346�6588 �� our 1 ass Cofjecflons :� 9 � : . c� � . ; �'� ✓�rc�lues � � � � �, � WIl`�'I'ER 2000 VOL. 8, NO. 4 IN APPRECIATION OF ANDY �.f '`` ' : They are kindred spirits.......Andy then and Betsy now......though they never knew each other, never even met. With gentle treatment and patience both of them won the affection and loyalty of four-footed creatures who could be very stubborn. We are talking about donkeys. �y;�� Since they were domesticated in Egypt before 3000 B.C., these animals `��i,�, have served mankind as sure-footed beasts of burden all over the world. � � : -� Andrew Rolan preferred to be called "Andy the Donkey Man," a name he �: earned in Palm DeserYs history by giving donkey rides to small children � �.:, , � ,� � ��:� for 50� each. He would s end ei ht to nine months each ear cam ed near � �.. �:�- P g Y p � � � what is now the intersection of Highway 111 and Fred Waring at Painters � �x.� - Path. With his little covered wagon, a string of donkeys and a collection '" of stray dogs he would return to the Lake Hemet area near ldylwild ;; via Highway 74,where he stayed during the summer months. � Besides the adulation of the valley's youngsters, Andy had one other claim to fame. � I'hree months lbefore lus death, ne was interviewed by Charles Kurait and liis CB�i V , camera crew for the "On the Road" show which was viewed nation-wide. Two sad �� accidents occurred in Rolan's life. In August of 1969 the entourage was struck by a � driver who didn't see them in the evening shadows while traveling along Highway 74. � Four of his eleven donkeys were killed, his portable home damaged, his small riding o saddle stolen by thieves, and Andy was hospitalized for a couple months with severe ; injuries. Then in 1974 on New Year's Day, though he had been repeatedly warned o about the danger of walking on Highway 111 by the police, Andy was struck by a car � and killed. � "Andy the Donkey Man" provided valley locals the undeniable joy that comes when we decide to give without hope of receiving anything in r�eturn. Kids collected cans of dog food for his pet canines, the Eldorado Polo Club woul�i drop off bales of hay for his quadrupeds,people would hand him a couple extra bu�ks. T11e Lions Club of Cathedral � ,... ti � � .� � � LJ r� Hourglass-page 2 Winter 2000 ANDY(continued): City and private individuals provided the funds for a cataract operation in 1962, the Salvation Army saw to it that he got false teeth. After his accident the Los Compadres -- a riding club, the DMV, the CHP and Valley Equipment Rentals coordinated their efforts to move Andy's gro�ap up and down the mountain in the proper season. He had a rent free camp ground, then progress began to intrude into Andy's simple existence; like when a county ordinance was passed forbidding campfires. The few restaurants in the area could usually be counted on for a free meal. When Andy was killed, the manager of the Polo Club began a fund-raising campaign with the help of Evelyn Young to give the old cowboy a proper burial. They ended up with enough for a memorial service at the Palm Desert Community Church, the burial and a headstone. The rest of the money was nlaced in a trust fund where it earned interest and was used to purchase a double-jet drinking fountain for the smaller children at George Washington Elementary School in 1980. A bronze plaque dedicates it to the memory of "Andy the Donkey Man." Yours truly had the bright idea that the Society should sponsor an Andy and his donkey entry in this year's Golf Cart Parade.....so we needed a donkey. Hal and Angie Rover interviewed Bob andl Betsy Cockroft who live in Cahuilla Hills and own four donkeys. In a phone conversation with Betsy, she provided me with interesting information about donkeys and their behavior. Her miniature donkey is the only one who is "street smart" (used to traffic) and the only possible candidate for the parade route, but he has to be given a job like pulling a two-wheeled cart; otherwise, he would be munching the pansies in. the median or begging a by-stander for a drink of Coke. Since this didn't fit in with the historic scenario for the Donkey Man, we decided to forgo the plan. When they were considering a fitting memento for Andy back in 1980, a statue of him with a donkey was suggested but it was not practical at the time. That's our dream here at the Society too. Maybe someday Palm Desert's public art will include such a sculpture. Don�cey T_rivia The male donkey is called a jack; the female is a jennet. Crossbreeding a donkey and a horse produces an offspring that has good qualities of both parents. Its size is that of a horse and it has the endurance of a donkey. A hinny is the offspring of a stallion (male horse) and a jennet; a mule is the offspring of a mare (female horse) and a jack. Neither hinnies nor mules can reproduce. Darlene Romano, COD's F�ne Arts Division Chair, is writing both the music and the book for La Quinta's On Stage pageant, "Night of a Thousand Stars." It is based on the Coachella Valley's history and will star Howard Keel. This famous Palm Desert resident thinks he is singing better now than he did back in the 50's when he was the king of MGM musicals. The show will feature more than 50 local pertormers, including children and professionals. Casting begins this summer and the show will appear at the PGA West tennis complex next Fall. : Fr�nk Dunn`s Habby �arner::. . � , � � .i �; _ . � n�� t��.:��- ; �a� : , . � . Anc}rew Poland ;and his , A�;� � , litt3e�equestrian school has W� ' h�` -� ��3 :., ,.: . been� landmark in:our im �t <. mCedi�/,t„e area£or more than '°��'°'�� 2V yeCLL$. u ,.. t�Y'�S.�a... ' M��a =I i I �lYi��'� + °�' � " � :F.i 4 �� i�Fi"'�� ,: _� Yo� dan't know him — , '�i� a , - nev.er; heard of '� � f ��%sh` I �; You bk;: �'�;�`�� u� say?. , �: : ,..::�� ;':: -- Of �ourse you do — :ev_ �x - er.ybo�ly lmows him by the � - namelaf "An�dy.the.Donkey ,,�n�:�w:;` �= 1?an,'i as he prefers to be k'�:�'��'` - calle�l!. a'�x.�' In. �the �rook of A3way ,: Y„ `�''' _ 111, a ,it s.larts the foo�ills '� _ be�twe n Rancho ,Mlxage '; and alm Deseit, a stone's : throw. from t h e :Shadow. Mbun aan stables, is t��i e bm;ro� - donkey encamp vg: xnent.� Andy and �3vs 15 `; q_uadritpeds,rangmg.in;age. : fr,om, i eight'mantl}s, tb 32.• ; I �ars�spend about eigk� or ; riine �antli4 0��he°�yeas vz ; tliis �elightEia.t a�wt� brtag • �ig Pl�asure to aIl his�adg �.: �:t To�n Mises �an� =�a ,: long �assidys. Each ah d.`:. every ne of h i s i3oc�le" ;' iaeasts of burden laves tpeu� ;; �c�amit tive riders j�,s;�.�' s'�Q' 's�er,in 3us o�;: ��;�4�. �:� : '"How about children of %W=� tlie..V Z.F.'s, the celebrities . " ` aitd.'s�ars Andy�» "Ev�ry rider in my care ; ;is a �%:I.P..and a star'in °�his ot�n right at our Iittle ;ranch,� Andy replies. "Nei- ther niy anirnals nor my- �self a�e the sligYrtest b i t intere�ed in tfieir,names : —: W 're .jIIS'� COhCPYp'Ed�.' �vi�h s�eing that they have fun ar�d enjoy every min- ute of�their ride." � 1`he 're each cArefttllg - -: ^" strapp�d in his litt�e sad- � � dIe � solicitously gi�ided ` oder t e i�ow vexbena�- .- �k ' peted trail:� Cautiaa a n'd .-� ' ? sa£aty�are the by-woP�s. � — Aud is not a naxsie drap- --' �, per, b t af course fie says ',' `; tfiait,y u jus�t can't>h e I p recog ing some of those , �,ti ;,,:.; . swell i�eguIars like L u c y '�`�a�^�; Ball �d Randy.Scott, who — usecl ;o bring their little a,��:,,,'�.,�`;;,:;;, ones w en the ere in that. �"F<�€;a=.;, Y l'� '%�• ,, age braske�t. <;��;;;:;::; a3:..:; `Any mishaps ar acci- ��a�=�>:�' <�:....<, - den�ts �n all those yeaxS of °>`'� `' caterin�g to the pre.-;scliool: :: •``X'' u set, Atid � I m d, �. n Y." c�u3�e _ Ab�olute�y nane �tot � ,_a even$;stumble q�a St�led ' steed i�1 all these 26 at� � � prett3*�envia�le �,�- : `� ord some of yo�} c�_ u�� -� ers.w�'uld:do weJl�f,o c�a�- ,- uate."� ' ... t; �; Ho apout coyotes'amd� ` snakes ' , , �,� Here�s wh�re our donkey- - ., man bedame real,arE�cu ' ,z'. � Iate:'Q�ite naturally,'a i�an � �,ac��' v wlid h lived outdaars all �: ,� lr�s lif�so eloss to nature . i ; _ , .�,�� as he;� as a high regard'for ,� ��¢5�� ,��`��"x ' the fa a .af the area and � �,'�� `�"�� £ �� ' has nailhhing bph good to say : `�s-'�� ,g �� ,� a .� x �n . , o�'��`_.�� `�.` � �. - about Y�is friends azid neigh- �.., � : a a �� , : ; �a ..�,...m.�, �„c�..,: a R»�.... ...<...... `?, �:.::.............>:::: bors: I�ere again. we could ANDY THE DONKEY-MAN do well to 2valuate. � , r r s " * _ � :, � Andy the Donkey Man has his lets the �vords fall where they may pku�iosophy and �ais memaries. �vhen he gets going, . , - He has a li4tle gray goatee and °°They didn't take any single men _ a little gray m�rstache, and he has for aII this WPA work," he went on. his blue jeans and his oId straw hat. "You had.to he a married mari— � He has his teeth, false, courtesy either that.or a fiar, and I've never ;,� of the Salvation been that. There wasn't anything for Army, and he has a single man,so I started this.donkey- hi.s eyesigh�t, natu- . ride.husiness with one donkey. ral, �hanks to t�e °°Now I've got ten. I've had as Cafhedral City Lions �g� as 25, but when you go broke C�ub,,��h a c�gla and yuu ga hu;igiy, you �tar� seil:� of years back raised 'em off." the money to pay ,�, * ,* far a ca�taract oper- He�waited until he w,as 65 to get . ation. married, he-said, because . . , well GEORGE RIN6WALD He has a rent- . . free site of bpera- "When you're young you don't tions and he has ihis litfle wagon need no wife—tkere's all kinds of hbuse trailer—with�he whitewaIIed women," said Andy. "But when you �PS• get to be an old codger like I am, And of.co-urse�e�as lus donkeys. you get fooIisll. A woman wrags you * �!' * . araund her finger." "Donkeys, burros or asses — Andy figures on waiting a year �hatever you want to ca11 them,"he before again,'legalizing his singleness said; "They're all the same animal." �th a divorce. Andy—Andrew Stanley Rolan, if "And if she don't come back, I'lI you want to get technical—takes kids get a divorce and get another wom- around a track donkey-back for 50 an,"he said. "But I won't marry the cents a ride. next one—I'll just live with her." In the summers, he sets up shop I,ike I said,Andy is a philosopher. in the San Jacinto Mountains by the If he doesn't have a wife, he has side oF Lake Hemet.on the Palms- a car, only it doesn't run, wluch is to-Pines road to Idyllwild,and.he win- �d of like being married and not ters off Highway 111 between Rancho . having a wife. ltiIirage and Palm pesert, which is "It's just an old wreck," he said �ere I stopped to see him the other of the car. "i traded an old donkey �"I'm a blue-bellied Yankee born for it. The donkey was no good ei- � in the state of Conneciacttt, 1900, {be �er, but at least the donkey would �� third of Apri1," he told me witfiont g� A dy t azd he't really wouldn't ;= an9 messing around. have waited until he was 65 to get f1a �I came out here first in 1315— married if that ofher girl's mother .� gging rides, in horse and wagott, .hadn't�orn up his letters;mayhe . . . aild some autamobiles.An�y ldd wan�s °°I was supposed to be married �` to-come West, you know. I sat on when I was 22," he said. °°I was go- :� t�e Fender of an old Model-T thraugh �g�r�yse eluckens and rabbits and the Valle,y of Fire, from St. Thomas, �ongeys--I ha�Y a I�ttle place there in �' LTtah, to Las Vegas. Pleasant piew, Colorado—and this ; "Wlien I first went through Palm girl was going to come ont with�t►e. � Springs it was nothing but a desert-- I wrote tu her, and her mother tore , a store in Indio, a store in Indian up the lett�rs—and that euded tl�e Wells, a store in Palm Springs and romance." � a_store at Wfatewater." Andy shrugged and said, '"Oh, One of four ehildren, Andy got 'qou look back when you're older and �? through the seventh grade by the �h. tiine he was 15—"there were lcids 18 life, isn t'd?ryour eabor�n,�y u repro- -' in the seventh grade in them daqs" duce an�d you die." -"' —and then came Wesy driving teams *. �, �, : of mules and horses ahead of Fresno Attd now what worries him is � srxapers and graders tn build the that.people aren't as honest as they _�, roads of the West. used to'be—"I've had people.come ` I put in 25 years dqing-�purg tike bere 2nd get a buuch of donkep rides �iat;,'ne said. "In i�etween;I�orked aud want#o waik off withaut paying" a�harvests.'> —and'k,�t€h,e's�PPZY of young.ladies Then during the Aepression I doesn't seem fQ be as plentifuI at 65 didn'�get'any work—they took,atl the as:r8�e was,: ibo'rk away and gave it to Oal�es Cfi��Andy said, °tNu> I dntt,t ;; �� Texans aad what I�avG-you :r' �o�� he"heII's com3n� tu the - Andy, I might teIl.Yuu, kiud of wo�l�: .. :' . i ' ' _ . . - ' - . . . . . � zc �nd • ��- �. � � �� ,... , „ � . � . �� . . . . . , . . ... � ' ' . ., ,,. _ ...-...,, . � �� -�_. ' . . ef` , �'� .r� , � y t .�,"L•�. �.1l� �, , -.� �y � 4�w .t �� :��. �; . �a �� „ ^* r :,"" �'�1�Y .. � r,'; �d• � r. ,�";,�!' � '� „�,, �r � - - .� �,,�;�.-, �r; �sw `��. � �, ' ..�_ ��,,. .* . w�� r,�,„ .�.:,. �„� � �,��w, •- �;� {b 1 �1cp� A;, .� c � ''��,,,. x _ ��y,�. - .. �:" . � �r '�� . °s , �,� > C . � � 4 � � ` �� Y � � "� . `�•�..k. ; �. � i; � ..e �#� �,,. �, G . ti ,�,, �' ..."„K"K " +��. "+�� "�`a��' ,.�r4`.'. .. '�h+'is'sr� . .� � �" ,�.. ;�. �i�� -,, � . � �. ; : .„ ,. .> � , ,� . y'. . , . � ��,y _ '� , �t i ,�� °� � °g� . .* �� 'y r w � 1 �� . .s.,,� r�p� - : �.� % .. �•A��'wi+� � � � .t .��i+�«y-{�' �; m ��. .N� Yjk,��'..�. r � � ' ' :, " ,,n/'i .�' ' 1' � . a «� 'ti"� � il�j `��'F i , _ , � �. � ,� �� ^ � ?, �y. � �`� � .. � '"�� '� ' . ` ' ' ""'. ,''�"S I :�. '�� ,. 1,,MT� ` r ,�n,,. y �Y '�" ,� �"� �,, ..�y/ 3+" ,�- ., , - ,. ,'. � -.. ," 'a�iY,.F� �� .*w. - .�� .�r�' .,. t�" ....,d/Yr s'1' �"" a'� � �y+� .,� ��.J`'- 'IIF� , .a„+i� �.� w-,i •� . ' ..�r'�',.. •,��y�'a.; a,..y'P��t.. ,. . " y ' � r - i- .. �� .. � - . :,,,...� .,:�v �,,,.• �. �� ,:�� Y�:- � � .s� •,/� �� j `� ypr.�,�ty `°.,^.i1-1jPY�� xy'�ii�� _ ��!.,� wj .. �':: .�' .� .. �.'� , p'�' i� }T�� ;,+'r '� ��_ f y�. �'�' yt` '� , i y'�`4�i, �' 4 ,,� . , . ,�r �, ��; ,� �;. ,�t � .:�;� 'r�� .� ` .• .��r - .�°a. .':R :�i�..�. �",�`„�,,: `��,�"""�,:',�['�'.�`_ �.-: ". t,�' iF<.. � , .'.' . .' � : . Y� ti,_ k� i. . . y � .�. .7 ..�w ,�,""��f � `��,� �' �. ��... w � v„ ,�y+' . ` ,r� ,�.,,�.:,. �_ . . r a� Y � =''' �'�� •7Mn�� . . � .. . ��,�' � �, '�t�'� �a ,. : �� , f } ., �4 � � H� Andy the Donkey Man , 5/72 � � �. � 1+ � `�' � � � • � � � � ., .� � � . � ,��f , a., �. _. , � _ '� - . ` �� . � fi� . � �� "� _ ,,, � , � .� � �,� , {�x , , t � + �..�� '� ; ;�,_ �, �y� , � ' Children riding at Andy the Donkey Man 1 _ __ _