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Home My WebLink AboutHonorariums for Four Artists - Painter's Path Proj.Contract No. C27570A-D CITY OF PALM DESERT COMMUNITY SERVICES STAFF REPORT REQUEST: CONSIDERATION TO APPROVE HONORARIUMS FOR EACH OF THE FOUR ARTISTS PRESENTING PROPOSALS FOR THE PAINTER'S PATH PROJECT SUBMITTED BY: RICHARD L. TWEDT DATE: APRIL 10, 2008 CONTENTS: 1. EXAMPLES OF ARTIST'S ARTWORK AND BIOS 2. COPY OF THE PAINTER'S PATH RFP 3. COPY OF AMERICAN ART REVIEW ARTICLE Recommendation: By Minute Motion, approve honorariums in the amount of $2,000 each to Gary Price, Dee Clements, Terry Allen, and Clay Dahlberg for the Painter's Path project. Funds are available in Account No. 436-4650-454-3010. Executive Summary: At its meeting of February 19, 2008, the Art in Public Places Commission approved the concept of honoring the artists of Painter's Path. The Commission instructed staff to develop a Request for Proposal (RFP) for the project, and invite Dee Clements, Terry Allen, Clay Dahlberg, and Gary Price to compete for the $250,000 commission. Each artist was contacted by staff and all responded positively to the invitation. The proposed sculptures will eventually be installed in a visible area near the Visitor Center in the Eric Johnson Memorial Gardens. Discussion: An estimated 200 artists came from the coastal areas of California to the desert to paint the natural landscape as early as 1905 with the heyday being the 1920s and continuing to the 1950s when the tradition had all but vanished. "The artistic legacy left by these painters is a milestone in the history of American art, a specific time and place that has been largely under -recognized in the mainstream of landscape painting until recently when prices for their work has soared to astronomical heights" (from American Art Review article). Many of the artists visited and stayed permanently in Palm Desert and the surrounding areas, such as, Maynard Dixon, Orpha Klinker, John Hilton, Jimmy Swinnerton, Bill Bender, Agnes Pelton, Fred Chrisnall, Fred Penney, Sally Ward, Gordon Coutts, Paul Grimm, Clyde Forsythe, Carl Eytel, Stephen Willard, William Darling, Harry Wagoner, Fred Sayre, Burt Procter, Jack Smith, Robert Rishell, and Larry Sitter. / /ixitic- F hard Twedt, Public Arts Approval: Carlos Ortega, C gr. Sheila Gilligan, K stant City, Community Services g anager Paul Gibson, Director of Finance CITY COUNCIL,ACTION : APPROVED ✓ DENIED RECEIVED OTHER MEETING DATE 4- 0-og AYES: Ftc r-k-v NOES : 1Q,knnP� ABSENT: rlyof i iSnn ABSTAIN: N f' VERIFIED BY: Original on File with ity Clerk's Office Terry Allen Page 1 of 10 Gallery Paule Anglim Artists Exhibitions Press Releases Terry Allen Images- Reviews BORN in Wichita, Kansas, May 7, 1943; raised in Lubbock, Texas. EDUCATION Chouinard Art Institute, Los Angeles, B.F.A., 1966. Independent artist working since 1966 in a wide variety of inedia including musical and theatrical perFormances, sculpture, { installations which incorporate any and all of these media. Taught drawing classes at Chouinard Art Institute, Los Angeles, 1968-69; Guest Artist, University of California at Berkeley, University at Fresno, 1971-79. AWARDS National Endowment for the Arts Fellowship, 1970, 1978, 1985; Guggenheim Fellowship, 1986; Bessie Award, New York, 1 Francisco, 1986;Adaline Kent Award, San Francisco, 1989; Wexner Center for the Arts,ArtisYs Residency Fellowship, Coli Club Award, Best Club Interior, RED JACKET, 1996; Buddy Holly Walk of Fame Inductee, Lubbock,Texas, 1997. SELECTED SOLO EXHIBITIONS 2005 Terry Allen: Voidville, Mermaid Arts Centre, Bray, County Wicklow, Ireland 2004 Voidville and Brands, Gallery Paule Anglim, San Francisco, CA Dugout I, LA Louver Gallery, Venice, CA Dugout II, Santa Monica Museum of Art, Santa Monica, CA 2001 Prints, Drawing,Writing,works by Terry Allen, Sheehan Gallery,Walla Walla,WA Study Drawings by Terry Allen, Gallery 68,Austin,TX 2000 Terry Allen: Belief(Study Works), Contemporary Arts Center, Cincinnati, OH Studies for"Countee Music,"Moody Gallery, Houston, TX Works on Paper, Bannister Gallery, Rhode Island College Art Center, Providence, RI 1999 Terry Allen: IAH Airport Working Drawings, Moody Gallery, Houston,TX Voices in the Wilderness, Portsmouth Museum, Portsmouth,VA 1998 Publik Werks, Laumeier Sculpture Park, St. Louis, MO 1997 Terry Allen: Prints 1974-1997, Michael Solway Gallery, Cincinnati, OH Terry Allen: Prints, Barry Whistler Gallery, Dallas,TX 1996 Liquid Assets, L.A. Louver Gallery,Venice, CA Moody Gallery, Houston,TX 1995 Bronzes& Drawings, UMKC Gallery of Art, Kansas City, MO http://www.gallerypauleanglim.com/Gallery_Paule_Anglim/Terry_Allen_Biography.html 3/19/2008 Untitled Document Page 1 of 4 � - � �,�� Link STUART COLLECTION - University of California, San Diego r � Home About The Stuart Collection Chronology Map Contact Us I r � Terry Allen �p �� Stuart Collection TREES, Art'Sts � 1986 � , , Terry Allen I, '� �� ' � Bibliography Michael Asher t i � � Terry Allen's John Baldessari �»• Website �Jackie Ferrara Terry Allen is a �-� � � multidisciplinary "" . 4� - artist in the truest Ian Hamilton Finlay ,�,� - ` 'r ` sense of the term. In addition to his Richard Fleischner indoor installation '�� _ _ - sculptural work- Tim Hawkinson -- - " � �` , which is ti,_ �, � emphatically �---� ��"'r x�° mixed-media- and Jenny Holzer `�� ' his paintings, writings and drawings, Allen is also a Robert Irwin songwriter, composer, pianist, and lead vocalist who makes country rock records with his own Panhandle Mystery Band in Lubbock, Texas. Allen is perhaps Elizabeth Murray best known for his cross-disciplinary project Youth in Asia, which was initiated in 1983. The numerous Bruce Nauman works in this series reflect on the experience of the Vietnam War by exploring American value systems Nam June Paik through a variety of ineans ranging from mass- cultural heroes to fairy tale protagonists like ethos of Niki de Saint Phalle roadhouses in the American Southwest. Alexis Smith Allen's diverse talents and experiences are highlighted in his project, Trees, for the Stuart Kiki Smith Collection. He remarks upon the continual loss of natural environment at UCSD by salvaging three eucalyptus trees from a grove razed to make way for William Wegman new campus buildings. These trees, preserved and encased in skins of lead, stand like ghosts within a Related Link Category still-thriving eucalyptus grove between the Central !��brary and the Faculty Club. Although they Staff :.=tensibly represent displacement or loss, these trees offer a kind of compensation: one emits a http://stuartcollection.ucsd.edu/StuartCollection/Allen.htm 3/19/2008 Untitled Document Page 2 of 4 �Pries of recorded songs and the other a lively Membership '„quence of poems and stories created and arranged :.—.: Publications specifically for this project. Press For the music tree (2MB) William T. Wiley, known for his paintings filled with literary puns and eccentric maps, sings Ghost Riders in the Sky, Stuart Collection, 0010 accompanying himself on a homemade instrument; University of California, West Texas singer Joe Ely sings Mona Lisa Squeeze San Diego My Guitar, while the Maines Brothers work pedal 9500 Gilman Drive steel guitars, a Thai band plays, and �a�olla, CA 92093-0010 filmmaker/musician David Byrne sings a song he composed especially for this project. phone (858) 534-2117 fax (858) 534-9713 For the literary tree, Bale Allen delivers his poem about scabs, the poet Philip Levine recites, plus Webmaster there are Navajo chants, translations of Aztec 7ane Peterson poems, duck calls, and many other contributions. There are currently about five hours of material on each tree, and Allen and others are at work on future contributions. The third tree in Allen's installation is near the entrance to the vast geometric library building and remains silent-perhaps another form of the tree of knowledge, perhaps a reminder that trees must be cut down to print books and build buildings, perhaps a dance form, or perhaps noting that one can acquire knowledge both through observation of nature and through research. This tree stands out quietly in the rather stark man-made site at the library entrance. On the other hand, one could walk through the grove several times without noticing Allen's two unobtrusive Trees. Not only do these trees reinvest a natural site with a literal sense of magic but they implicitly make connections between nature and death and the life of the spirit. It is not surprising that students have dubbed this area the "Enchanted Forest." Folklore: People have been permitted - even ........��.-.......d E.. .......... ...:�:..1.. ...�.. �1... F........ TL... F,.� �# � �'7< � ...-m,b�.. ��" � �'.. 2 i ' , � L R � � Y• � � t .A http://stuartcollection.ucsd.edu/StuartCollection/Allen.htm 3/19/2008 '� /� �, �' � i s •�� .., � � � �� ` �1 . � . � � �I' � � I� �� y.,t' gi►..,. ��r ''II I i �1' .' '`�; � �y�il �t.. � P � T�� .� ��- % :�� „��:��} i.' �r�� • � q;`�i�� ;�,�, �. ,`, �► �► � ' ' <�n..p» _ + � i e I •! f> ';{.�,t�i � ";•�.4 � � �� i. � F.>,�I�,�t' `�r� �"' " � � ��, r� �' • •a„ r M. , 1�l °.w� . .R '� +i..' ��. +�1# ' _ �..y�, , .. `'� f � ,�� '� ` � ! � `N ,� � , � . - - �,.-�� `_ _ .� � � - "_._;,,.-. �. �� . i �� : � - �� ,�y�y� y �qy,+p q �I ) �•:.i�� J'M1iT . � .ry.0 ��j.�. i k :. \' +�I �K � ` � � ry� � r j A � ,� � �6 °�H � I , . � "` '' . 9 .1" 7 � ' .,: i �� ' i ��. � �`�._ , , Y • � ;� . �_ ��jG' : fi. _..-- _ --- �.�..�, � �� _.,..�. - � � . _ :-,.�-r� � � --- _ � �� .d. . _ ,i• . + � . • • � � '� � • ' � �� i Yerba Buena Gardens Page 2 of 3 "This glass ship is an art work that refers to the natural and geologic history of California. Sediment gathered from the ocean floor four miles off the coast of San Francisco was placed inside in 1993. This sediment contains diverse mineral and organic matter extracted from the landscape by the rivers that flow to the sea through the Golden Gate. The greenhouse environment of the ship interacts subtly with these materials producing ongoing natural cycles of growth, decay, and rebirth." —John Roloff and Renny Pritikin The piece was fabricated by NGA Industries and Wesco Industries, who partially contributed their services. John Roloff's main approach in his work is the poetic and psychological, related to nature and the environment. With his early background in geology and studies in marine biology, his work is informed by natural and geological processes, along with the psychological/spiritual metaphors analogous to those processes. Rather than working exclusively in any one medium, Roloff undertakes an extensive research and conceptualization component, then utilizes a wide variety of inedia to develop a specifically site-related work. ��"�` ' � � Shaking Man � "� ' w� ;, = f Artist: Terry Allen �� Yw a.� . a < ��, � � �•,�� - �di��' __...� � : -- _�_. --�__ ' . ` � �� 'r �- � �,� ,, � � . � � � � � . ¢. �¢` ,p �.; �� + � . � d�, �LL +�. �,f� ;, � f The life-size bronze statue of a business executive greets visitors to Yerba Buena Gardens near the western edge of the terrace level of the Esplanade. Toting a brief case, the stature conveys a sense of motion as its hand is extended as if for a handshake. A prolific and highly versatile artist,Terry Allen has worked since 1966 in a wide variety of media, including musical and theatrical performances, sculpture, painting, drawing and video, as well as installations which incorporate any and all of these media. Urge Artist: Chico MacMurtrie http://www.yerbabuenagardens.com/features/public-art.html 3/19/2008 Corporate Head sculpture by artist Terry Allen - Los Angeles Page 1 of 1 HomE - - ,�,, Corporate Head sculpture 1991 by Terry .��"�+�-�° Allen ��'�� ^ They said I had a head for business They said to et ahead I had to lose m 9 Y head They said be concrete and I became �;'� I . concrete =�� They said, go, my son, multiply, divide, � �� conquer ,''�'y�� I did my best Philip � Levine �� Ernst + YounG Plaza 725 S. Figueroa Street Los Angeles photo gallery California ;, � - - � , , . , _ , a , , , , � : � - . �� _, . , . - , _ r; _ , ' - . . . -. �. �, , . .. �, . _, . . .. http://www.you-are-here.com/sculpture/corporate_head.html 3/19/2008 Corporate Head on Flickr- Photo Sharing! Page 1 of 2 f I ick r�~ You aren Home The Tour Sign Up Explore Search everyone's pr Corporate Head � Uploaded on April 18,200E by olaanunes a. ��.g • �� olganunes' photostr ry � . �s, .�, Y � � � . ,_x � ' �� ' -�. � ,� � `- � ,4.�. ,i �� s:. �`,� , � �� - - � r� �,` .��,;.� w �, This photo also belongs tc +�� Los Angeles PoeYs W .,�,, z�. (Set) ��r ,{ f � �� ::` �tr, .� i r �rt. `�. _� � Tags poetswalk corporatehead sculpture losangeles �,�, "�'� '' Additional Information � ,�, �; ;��; �O All rights reserved ' This photo is public Terry Allen (artist) and Philip Levine(poet) o Taken with a Sony DSC-P20 Would you like to comment? More properties o Taken on April 18,2006 o Viewed 27 times Si n u for a free account, or siqn in(if you're aiready a member). You Sign in �Create Your Free Account Explore Places� Last 7 Days�This Month � Popular Tags�Creative Commons�Search Help Community Guidelines�The Help Forum � FAQ� Sitemap� Help by Email http:!/www.flickr.com/photos/olganunes/131222893/ 3/19/2008 Page 1 of 1 � .M1w,�� .. .. . {�. 5 _�x'��' "S � � _ �~ .r,,. .�/''�` � � � /� * �� f `1r �; �. .. � � � . ._ � _ _ �,��"g , � __ - , , u ; ��. , � � , . . ��:` .ti.�, „ , http://www.culvercity.org/cultural/art images/goldentime_shadow.jpg 3/19/2008 H. Clay Dahlberg the artist Page 1 of 3 ' {► ' � � „ H. Clay Dahlberg had his sights set on becoming a cowboy right from �,� �, ,.x �,„ the beginning. He was, after all, a Texas boy who had �� , ��`.�"'� �� ;' been born in San Antonio and would grow up in the • »�� Houston area. But while most city-born Texas boys - � �� f . "` �` ,.t .R�°�' z� .. were content with toy guns, stickhorses and Saturday �; � � .,�, matinees, Clay Dahlberg went after the real thing. He ,.�;��, * �'�d�� . � had a Cotulla connection...an ancestral attachment to � tk,;�;� the South Texas brush country where the real � ; � cowboys came from. � � �� ;� . s; Clay Dahlberg's childhood experiences from the , summers he spent on a ranch near the small Texas -; .� town of Cotulla marked him for life. He absolutely , �� _ idolized his great-grandfather, B. ]. Pate, who seemed �:'�s, .,. �-, ;�,_ _ `_ ,;;E , � to have been born to be a brushpopper, as was his :� � �,,: �_ �° ��;, ., �, son, Clay's Uncle Roy. , -,.:�a , � ��,..:.�t.,.�„�-�; _._ ,� a�"`�G � l-hese were his heroes...not the flimsy illusion of fiction, but the roug r�eality of ranch life and of inen made for hard country and horses. Tf impressions and images Clay Dahlberg carried away from Cotulla wo f�fetime. They would become the critical core of his art. � � 1, ° � �, „ he road to becoming an artist is a tough trail to travel. Charlie Russ "�� .- poorly paid horse wrangler on an open range cow outfit before pick , T � �� J ''�' M1� �aintbrush. Clay Dahlberg rodeoed, worked as a feed salesman, and � �'-• � �"' � ,�,� shoe horses long before he ever entertained the idea of bein g an arti � '' chance encounter with a sculptor of western subjects at the Houston ,�'""�"°�� Show and Rodeo, around 1970, which first fired his imagination and the path toward a career in fine art. He studied and struggled at the outset to learn the technical aspects of his new calling. But real art resides in the heart, and his was brimful and overflowing with enough ideas and inspiration for a whole barn full of bronzes. The creative impetus of Clay Dahlberg's art was, from the first, to commemorate his own horseback heritage in a tribute to western tradition. Clay Dahlberg has received his share of critical acclaim and western art accolades over the years. But he has never sought out, or needed, the endorsement of critics and connoisseur collectors. His art is aimed at an audience of cowboys and the kind of folks who have a history with horses. And that audience has been there for him with encouragement and in strong support for thirty years and then some. As Clay's command of the sculptural medium has grown over the years, so too has his range of subject matter. From his initial focus on cowboys and horses, his interests have expanded to include not only those familiar favorites, but also a complete panoply of fresh ideas from both the historical and contemporary west. His recent creations include everything from a delicate pair of miniature spurs to the monument-size composition called "Wild Men and Wild Cattle". Native American warriors, Mexican pistoleros, hunters, fishermen, ranch kids, old http://www.claydahlberg.com/artist/index.html 3/19/2008 H. Clay Dahlberg the artist Page 2 of 3 men with the memories...and his heroes with big hats and horses...are all � presented with pride as characters in Clay Dahlberg's continuing celebration of the spirit of the west. Dahlberg's work is in private schools and public collections in the United State,. and Europe. He was chosen to exhibit in the first all-sculpture show held at the National Cowboy Hall of Fame and Western Heritage Center. His work was among that of ten artists used to illustrate "XIT, The American Cowboy." His sculpture, "In a Storm" was awarded the Best of Show award at the Texas Cowboy Artists Association Annual Award Exhibition in 1974 and he was invited by the American Revolution Bicentennial Committee to represent the state of Texas in Philadelphia in 1976. Commissions include: ■ Life size portrait bust - Courthouse Square - Georgetown, Texas ■ 7' tall sculpture entitled "Rough Men and Tough Times" Y.O. Ranch Hotel, Kerrville, Texas ■ Life size standing figure, portrait of Col. E.S.C. Robertson, Salado Texas ■ Life size portrait bust of Homer Bryce, Stephen F. Austin University, Nacogdoches, Texas Related Links: ■ Houston Livestock Show and Rodeo ■ Pearce Western Art Collection at Navarro Colleqe ■ Artman.net - Scul tors related Director Credits: ■ Photography: ■ Kaye Marvins - Houston, Texas ■ John McCaine - Houston, Texas ■ White Oak Studio - Fredericksburg, Texas ■ Text: ■ Don Hedgpeth - Medina, Texas ■ Web site design: ■ Ryan N. DohertX - Austin, Texas . � Sign the guestbook 0 Contact the Artist 0 Register for the Newsletter. Copyright �O 2008 H. Clay Dahlberg AII rights reserved. http://www.claydahlberg.com/artist/index.html 3/19/2008 Current works by H. Clay Dahlberg Page 1 of 2 ' � � '�� . � The Current Editions BY H. CLAY DAHLBERG As Clay's command of the sculptural medium has grown over the years, so too has his range of sub his initial focus on cowboys and horses, his interests have expanded to include not only those fan also a complete panoply of fresh ideas from both the historical and contemporary west. His recent creations include everything from a delicate pair of miniature spurs to the monument-s called "Wild Men and Wild Cattle". Native American warriors, Mexican pistoleros, hunters, kids, old men with the memories...and his heroes with big hats and horses...are all presented wit characters in Clay Dahlberg's continuing celebration of the spirit of the west. Click the images below to see more detail of each piece. �i� � ',�' .y�, � Cow Camp Compadres Heraldry of the horns Rec --- . -- -- - . _ . . . ----- z - I ,� � d''.',� �!` � .. � 4 �i � . .�, . .,�' •� `1 I „ V ��=��-� North Dakota Day Care �� http://www.claydahlberg.com/current/index.html 3/19/2008 Current works by H. Clay Dahlberg Page 2 of 2 a�� ., � , ; � �_� � � Between a Rock The Undefeated Ali Dressed up Fresh Air a and Hard Place and Ready to Go ; ��,. Proud Colors Settlin' the Dust A Texas Legacy Hearts a Ft'" � � r•> �: . � '.�";trt' _ . .. . m , � �.. ... , , 'Wr'�r ,.- �.. "�r"' �_ Wild Men anci Saturday Night Riding the Rough String P Wild Cattle Click here to e-mail the artist. Sign the guestbook 0 Contact the Artist 0 Register for the Newsletter . Copyright �O 2008 H. Clay Dahlberg All rights reserved. http://www.claydahlberg.com/current/index.html 3/19/2008 � Sculptures � Gary Lee Price Page 1 of 3 Gary Lee Price TM Lifting the Human S�irit Through Scul�ture Home> About � Inspiration � Little Bitz About Gary Lee Price �; ��. :; Sculpture with meaning . Sculpture to lift the � „ � �• i-�'� human spirit . Sculpture to inspire �--`�-- °'° -w� ,: , � .- _ . �� Gary Lee Price sculptures capture this unique human `� ' '�'"='� spirit. This is the essence of his work. This is his life's �- - r' journey. w�:_ . ; ,,,_ ._ - . V�� _ { . Literally, thousands of Gary Lee Price sculptures are in � - public and private collections throughout the world. One ��' � � of the largest libraries in the world, the Hong Kong y ; 'f� . ' Central Library, is graced by the recent acquisition of ��`� �� ' �� r twelve Gary Lee Price life-size bronze sculptures. This �':• impressive display includes bronzes of intrigued oun {' . � ? �� Y g .�- , . , 1�, readers, happy children releasing doves, boys and girls .� A;� ' playing with shells in water, some holding beautiful � flowers, and others soaring through the air as though weightless. Additionally, two round frogs, "Puffed Up Princes," are stationed as sentinels at the entrance of the children's library. The 11-foot "Celebration!" featuring joyous children celebrating life and soaring around a globe, was first unveiled in Surrey, England at the American Community Schools. The most recent of these was dedicated in Decatur, Georgia by former First Lady, Rosalyn Carter. A 22-foot version of a similar sculpture is located at the entrance of the corporate headquarters for NuSkin International in Provo, Utah. Gary's 12-foot angel, "Messenger" monument, in Iceland, honors over 400 early immigrants to the United States. Gary's sculpture "Communion." a 15-foot monument portraying grasping hands, graces the United Methodist Church of Brentwood, Tennessee. The interaction-of-hands theme has been an important aspect of his work as reflected in other pieces such as "Synerg,y," Helping Hand," "Ascent." "Circle of Peace," and "Circle of Friends." Uplifting others, helping others, and joining hands with others in brotherhood and sisterhood are essential parts of the life of Gary Lee Price. Perhaps the unexpected and tragic loss of his parents at age six and the subsequent abuse anchored within him the importance of http://www.garyleeprice.com/about.html?sessid=081 fbb7411443bf357b5214f1�36d9919 3/19/2008 Sculptures � Gary Lee Price Page 2 of 3 enduring and positive relationships, and of the need to see and depict humanity in a positive light and on an upward journey. Gary finds travel and research an important part of his life. For two years he lived in Germany, he spent six months in Israel, one month touring the jungles and ruins of Mexico and Guatemala, and one month in Egypt. He visited eleven different European countries for three months. A recent trip found Gary and his family in Giverny, France doing research on one of his latest life-size sculptures of Claude Monet and "Monet's Gaggle". In 1991, Gary was elected a member of the National Sculpture Society. In November 2001, he received the "Governor's Mansion Artist Award," from Governor Michael Leavitt of Utah, for his outstanding support of the arts. Aside from his sculpture images gracing the covers of various magazines and books, the December 2003 issue of Utah Valley Magazine featured a cover story on Gary and his career entitled, "The Spirit of Giving." In 2005, it was announced that this prolific sculptor has been selected to create the 300-foot Statue of ResponsibilitX on the west coast of the United States. His works are included in public and private collections in homes, galleries, museums, libraries, corporations, cities, and educational institutions throughout the world, including the following: Springville Museum of Art; Salt Lake County Permanent Arts Collection; Culver Military Academy of Culver, Indiana; American Community Schools of Surry, England; Westside Preparatory School of Chicago; LDS Museum of Church History & Art of Salt Lake City, Utah; Rich De Voss Women's and Children's Hospital of Grand Rapids, Michigan; Dallas Arboretum; Birmingham Botanical Gardens; Scottish Rite Children's Hospital of Dallas, Texas; Gladney Center of Fort Worth; Galleria Paseo Mall of Puerto Rico; Santa Clara City Library ; Bluegrass Airport of Lexington, Kentucky; Neverland Ranch of Los Olivios, California; University of California Berkeley; Cessna Aircraft of Wichita, Kansas; Indianapolis Children's Museum; and many more places of private and public gatherings. Gary Lee Price has been sculpting professionally for over 25 years and has supported a successful fine art business during those years. His latest corporate endeavor is the creation of Little Bitz of Inspiration. This is an exciting company that will increase awareness of Gary's work and passion for creating a better � world. Some of his all-time favorite works will be produced in collectible pewter form. The 50-year-old sculptar resides in Springville, Utah. He credits his success to his mother, who instilled in Gary the ability to express himself through art; to his friend and wife, Lanea, who offers constant love and support; and to their five boys-Zachariah, Isaiah, Tyrone, Raphael, and Justin-who provide constant inspiration. "My passion for art and my belief that art empowers and lifts the human spirit has only � grown stronger throughout my life. I have been blessed with many generous and selfless mentors, and my dream is to pass on those gifts to others. Gary believes in 'perpetual student-hood' and teaches regularly at his studio in his hometown of Springville, Utah. Gary muses, "I hope I can assist the world in visualizing a place where fences and boundaries, both real and imagined, are non-existent; a place where bias and prejudice are long forgotten; and finally, a place where acts of kindness, mutual respect, and love are everyday happenings." "The spirit of man is what makes him unique above all of God's creations." Ralph Waldo Emerson http://www.garyleeprice.com/about.html?sessid=081 fbb7411443bf357b5214fU36d9919 3/19/2008 Gallery Page 1 of 1 Gar Lee Price TM Lifting the Human S�irit Through Scul�ture View Sculptures Gary has created a wide variety of sculptures over the years. We have divided Gary's sculptures into the categories of Children, Garden Sculptures, Inspirational, Great Contributors and Western/Wildlife to help you find a sculpture that will be a perfect fit for your home, garden, office or any place you would like. ,t;. ' .F'.,�,� v �rr,R tl �' -. { � Y � . � " �'. � ,� i, - � > Children _ Garden == lns irational _.... �"�� _�' � — '.�� Y5�ur � ��' �'� u .1� � ,a.:.' � �1.l�� . - `i 4 -�r _, _ -;:� e. � . > Great Contributors Western/Wildlife � •= . . : . � . . - . _ �}- � �.. � - Copyrighi 2007 Gary Lee Price Studios. All rights reserved. � Home � Site Map � Gontact Us http://www.garyleeprice.com/gallery.html 3/19/2008 Statue Installations � Gary Lee Price Page 1 of 4 Ga Lee Price TM Lifting the Human S�irit Through Scul�ture Home> Installations Statue Installations Testimonials Many of our friends and customers have acquired a bronze statue of Gary's and have installed it in their homes, gardens, or places of business. Many have also taken the opportunity to donate a statue to a church, library, park, or a number of other causes that they felt strongly about. Here are pictures of a few of these installations and what a few of our friends have to say regarding the bronze statues. Needham, MA-Circle of Peace �� '��`�� `�"��"-�� ! � ��. ,�rc� i � "An issue in today's suburban communities is that families ' ��"� ,� � � mteract in close kmt circles often centered around their '��!� �� children's activities. True community interaction between ►-. � �`�wF� - neighbors and others happens infrequently if they are not - •��" " `� �'`� within that immediate group. �� ,� , �} _ ; � We chose Gary's statue for many reasons, but the � fundamental premise was to create a unique, meaningful element of attraction to which families from the entire � .-�� .�� :, ��° . � � ° _ ., ,._ , . town would be drawn and then inspired "by accident" to naturally interact. The Circle of Peace has become a magnet to which all children and their families connect. They meet and interact with others they might never meet. New baby sitter connections, new playmates for their children, opportunities to meet new friends, all occur around the Circle of Peace. Every day we see the magic of children running to clasp the hands of the other "children" and complete the circle. An artist created a post card featuring it, hundreds of photo opportunities have occurred for parents and their children around it, an Australian magazine touring the US for best examples of public spaces ran a photo of our Needham Circle of Peace as an example of excellent public spaces, parents tell me and the committee thank you for having placed the statue because their children love it so much and I had one woman tell me just this week that every time she sees the statue it just "takes her breath away." Even in the winter there are often little footprints in the snow leading up to the statue." http://www.garyleeprice.com/installations.html 3/19/2008 Statue Installations � Gary Lee Price Page 2 of 4 Paul A. Good Founder/Chair The Needham Community Revitalization Trust Fund ,,� ,� �///�� Nu Skin-Celebration ,Y /� �� . � ; � ��,- The statue in front of the Nu Skin Enterprises corporate headquarters is a t"�„�,�- beautiful symbol of our mission to be a force for good -- particularly our commitment to creating a better world for children. Guests who visit the � � , �• building are always impressed with the striking architecture and what the statue represents for us as a company. We commend Gary Price for this ` ' �� beautiful work of art. It is a wonderful iece to showcas � P e what we strive to � ! � accom lish at Nu Skin Ente P rprises. � .. . ��•� Hospice at Greensboro, Inc.-Circle of Peace Gary Lee Price's Circle of Peace statue is the focal point of our therapeutic garden at Kids Path. Kids Path is a unique program created by Hospice and � Palliative Care of Greensbaro in North Carolina that provides palliative care , for medically fragile children and counseling for grieving children. As the � �„ focal point of our garden, the statue honors the missing child. But for many . `� ! of our children who are saddened by grief it is much, much more. It is not ^ � �� :';a<... :",�. uncommon to see a child who witnesses the statue for the first time, to grab hands with the figures and complete the circle. Many of our grieving children feel guilty about wanting to play, or feel so sad from their loss; they think they will never play again. The Circle of Peace, which immortalizes children experiencing pure joy, reminds us all that play is part of living. Play is joyous and play will continue. Finally, the individual figures of the statue were provided as naming opportunities for our donors when the garden was constructed. When shown a picture of the intended installation of the Circle of Peace, one long-time donor replied, "Save one of the boys for me! I lost and infant child, and this way he can play for eternity." Gilbert Davidson-Ascent f . . � "The statue named Ascent has hung in the conference room in our company. It has � been a powerful reminder to our o f ficers t hat t heir jobs are to assist others in their _ _ _.� endeavors. It is interesting to watch them as they walk by the figure and usually �' y' ` touch the figures as the pass by. The statue is now attached to a wall outside our ' ;: 3 home and we can rarely walk by without touching it." - },; + ,, _ , = . ,, http://www.garyleeprice.com/installations.html 3/19/2008 Dee Clements - Sculptor Page 1 of 3 �t� � CONTACTS & LINKS Americapa sc� National Sculptors'Guild Columbine Galleries � &Columbine Galleries 21 1 Old Santa Fe Trail 2683 N.Taft Ave. Santa Fe,NM 87501 Loveland, CO 80538 (505)988-1]11 (970)667-2015 (505)988-1 1 14 fax ` (970)667-2068 fax www.columbinegallery.com www.nationalsculptorsguild.com santafe@,columbinensg.com nsg@columbinensg.com Rehfeld Gallery Promenade Gallery 210 S. Phillips 166 Gore Creek Dr#140 Sioux Falls, SD 57104 Vail,CO 81657 (605)336-9737 Asian Scul i (970)476-0600 (800)362-0770 mcclgal@vail.net www.rehfeldsonline.com Keller/Morris c/o Art Place Dee Clements 41801 Corporate Way#12 135 West 4th Street Palm Desert,CA 92260 Loveland,CO 80537 � (760)568-0100 (970)669-0735 (760)568-0017 dandjclements@,msn.com www.kellermorris.com �. Kswena(c�,dc.rr.com RESUME �-�`�' GOLDEN SPRINGS BUSINESS PARK- Holocaust Scu � 2006 COMMISSION, Santa Fe Springs,CA FORTITUDE"(Monumental) CITY OF PARAMOUNT,-COMMISSION 2006 Paramount,CA "PERFECT ICE COLLECTION"-(Eight Life-size Figures) 2005 and CITY OF PARAMOUNT,-COMMISSION 1999 Paramount,CA "PERFECT ICE COLLECT/ON"-(Eight Life-size Figures) http://www.deeclements.net/ 3/19/2008 Dee Clements - Sculptor Page 2 of 3 PRIVATE COMMISSION 2005 Ft. Collins,CO � "AFTERNOON SUN"(Life-size) CITY OF MOUNTAIN VIEW,-COMMISSION 2004 Mountain View,CA "JOURNEY" (Life-size) t � , ._� PLACEMENT, Benson Sculpture Park + � 2003 Loveland, CO "THE ACTOR" -(Monumenta]) OMAHA BOTAN[CAL GARDENS, -COMMISSION � 2001 Omaha,NE "END OF DAY" (Three Life-size Sandhill Cranes) CITY OF BLACK HAWK,-COMMISSION 2001 Black Hawk, CO Pert��rrnance Sc "MINER AND HIS BURRO"(Life-size) CITY OF CERRITOS, -COMMISSION 2001 Cerritos, CA "PAUL REVERE"(Life-size Horse and Rider) �� GREEN BAY BOTANICAL CARDENS-DOUBLE � 1999 PORTRAIT COMMISSION Green Bay, WI "SERENADE" (Two life-size portraits) AMERICAN STORES/HKS INC.-COMMISSION 1997-98 Salt Lake City, UT "LEAP OF FAITH" -(Monumental) McDONALD'S CORPORATION-COMMISSIONS, C��pinissions and � 1997&'93 Paris& Singapore "THE GIFT"-(Three Life-size Figures) HOMECARE OF COLORADO-COMMISSION 1996 Washington, DC "A TOUCH OF CARlNC" 1996 PRIVATE COMMISSION "RED CROWN CR,9NES, BlRDS OF HAPP/NESS" SANGRE DE CRISTO ART CENTER- MUSEUM 1996 SHOW Pueblo,CO � "HOLOCAUST .F.XH/B/TIONS" WILLISTON ACADEMY-COMMISSION, - 1995 Easthampton, MA "THE ACTOR" -(Monumenta]) SURVIVORS OF THE DESERT-COMMISSION 1994-95 Palm Desert,CA "DESERTHOLOCAUSTMEMORIAL"(Seven Monumental � Figures& Eleven Bas-Reliefs in a site-specific design) MARRIOT OWNERSHIP RESORTS-COMMISSION 1993 Palm Desert,CA "PASSING lT ALONC" -(Two Life-size Figures) CEO,SUPER 8 MOTELS-COMMISSION 1993 Aberdeen, SD "SUNDAYAFTERNOON"(Three Life-size Figures) 1993 VAIL FINE ARTS- DOUBLE PORTRAIT COMMISSION http://www.deeclements.net/ 3/19/2008 Dee Clements - Sculptor Page 3 of 3 Green Bay, WI "SERENADE" JAMES HANNA MEMORIAL-COMMISSION, 1992 Loveland,CO "EYE OF THE WlND" (l 0'x 7'x 4') � 1991-94 �McDONALD'S CORPORATION-MULTIPLE COMMISSIONS �992 NORTH AMERICAN LIMOUSIHE SOCIETY- PORTRAIT COMMISSIOIv 1992 NATIONAL SCULPTORS'CUILD-CHARTER MEMBER HEWLETT- PACKARD CORPORATION- 1989 COMMISSION Loveland, CO "PASSING IT ALONG" (25"x 17"x 17") CITY OF LOVELAND PUBLIC LIBRARY 1988 Loveland,CO "THE ACTOR" 1984 BUICK MOTOR COMPANY-COMMISSION "RED TAILED HAWK" -Dealership Awards NATIONAL AUDUBON SOCIETY- ENDORSEMENT ]984 OFAUTHENTIC[TY "THE BALD EAGLE" Web Design by:HWS.All rights reserved. Login � http://www.deeclements.net/ 3/19/2008 �-' - � � . � � �� . .,� , ,� +�t-' •y••`T71Y� }'!t.'i`� � �.:�' • r s�' � -, ;� ,. {� �L- :� � `� ' 1 r' �' � - .► , �r r � � �-�+�' `' +" � 1 1, �'�!►.,�• - ,� _ '� �, v � �� — — i . " li.r' ' • .,� � \� 1 �_ •� ` �. � � � , � � �`�< , - ��'. .. . __ ' - '�N�' „"' �L til:►�.a,�'R�� e ._� .r �` �� .y '1'� � �' `�I��',�� '�.�` i� � � .� t" , �4. '' �Y��'1 � � r��' �� ,, _ �_�. -- - �W� '�•�y �-�� :�!r� ■ � .�.� _ `•" � " _. �.!a,� v ` -��• .' .� � _ .� _' �,}P��-1{':`'K,� �. � /..Y R�f � �,, �"l� � ��7 r� �r, ��^�_ ' , �� 1 ,�,, r� �� , ��,r��, _. � ,'" - r�,l"� '� ��' _ .. :,:.� ' ��J,� ��• • ...�� <" � �� 'f "� ; , ., , . .�� :tj�� . Q'- R � •-- � � � � • �� • �. � ' � � • � 4� �'�i � `�,' �,. �� t ; . . � � � i� . _. - -� t � � �. � `i�' - � .,.,- ' � w k�.�•'�I t� x � �r� �A ,��F�f 4 I�� . � a'�a '� . I� . �a��r� � ��y� ��' u��-�� .�f�l. I�,��7�� - ' . 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''I' _ � � �i 1r. 4� . -��' .y, ' �.1 ` . wi��` 4.� �` .� ,t p� y� ; � . , � .�� I _ , _ �� '. , � `�. k .r 2 ru "� •n,� d,� . �, , �� •� :� _ �I�� }+ 'S � ,.� �yY � 1 ',a• y. `�, '� . , ,;f�1�w, � ' e ,R`�{,., �' I ,��►� `��-`�, •�►: � 1 ��' ,�„�� -� �; , � , � `; 4 l � '� .... .. ,� � . 4 � .. •!' • ��,�� . ,,,�. � •^�; � k . l. ��r' • i • _� • • �1 ',! �.. � �„�tfi �" „ ' �m��_ �� w � ��.=-�— ._.�_ ;IH""�� V�r ! � • • tl�_Ac7�++W-+- "w'u;°j• • �� '�'^' 7v�' � ., • � � � � - � � i; i � •'- • • 1 � � �� /'" � � � � �. � ' � � .�r �}. 4 � � - .,. ,�' ' ' i - ri. �s: � � � . - � • � � '�� , -- . ` �+.�J - . �� rrp ' �� •� �� '� � � � ., �!�, ♦ t �j,, ��i _ I '�,I' ` ll� .'l !�,��p�'�� .� �� ' � `` ` �� '! ,�� I ��. 1'� . � i .,�9 or•w"��" ,y � Ydfii� .��" I . � ' , ulV1fl 7�A � V.��. �'J , � ;.�� ,�i � � .� ' y;D � � � ' . �' �' ' <� ''r � I� � � ;' ' �Y!" , �� , . `��;i. � �� n� i � , � ' .• � . k � � � �.;� �..� � . .\ . ,�;,r' .. ' �� •� +k � • � S .. ,f � �' ,,• . r� , . r � .. - . - 1� � '` w ,,, ; �'=�- '� " ., _ �.. , ,� . . �.;. , �`r' ' ,'r,,; , .-� -s, * . F� ��'�r'i i *'y��-�.� ��. a �►. . 3 .; :- 'f�y�',� •�i W. ;��.�r a� r'' t�,'�`[i.• �a� '/► ' �. � y� s � �L � _ i • �-- • • � � � ��i r Request for Proposals: Sculpture Honoring the Artists of Painter's Path The Art in Public Places Commission would like to invite you to submit a model (presentation drawings for Terry Allen) of a sculpture that would honor the "plein air" artists of the desert. The tableau should include two life-size bronze figures, one of a male and one of a female, who would represent the artists that came to the desert to paint. The tableau should consist of both figures depicting the process of creating a desert "plein air" painting with easels and assorted materials required for its production. Historical research has estimated that as many as 200 artists may have visited the desert to paint between 1905 through the early 1950s. Many of the artists stayed for prolonged periods of time while others stayed permanently. These artists are profiled in Ed Ainsworth's classic book on Coachella Valley painters, Painters of the Desert. Included in the book are artists such as Orpha Klinker, sister to Zeno Klinker, Edgar Bergan's joke writer. Others were Jimmy Swinnerton, John Hilton, Fred Penney, Agnes Pelton, Paul Grimm, Gordon Coutts, and Carl Bray to mention a few. The artistic legacy left by these painters is a milestone in the history of American art, a specific time and place that has been largely under-recognized in the mainstream of landscape painting until recently when prices for their work has soared to astronomical heights. You will receive an honorarium of$2,000 for your modellpr�sentation drawings. Upon signing the Memorandum of Agreement and returning the enclosed W-9 Form for the honorarium, a check in the amount of$1,500 will be sent to you and the remainder will be sent upon receipt of the model. The selected artist will receive a $250,000 commission. Please contact me at 760-837-1665 or email, rtwedtCa�ci.palm-desert.ca.us. The deadline for your model is Friday, October 10, 2008. Mailing address: Richard L. Twedt, City of Palm Desert, Visitor Center, 72-567 Highway 111, Palm Desert, CA 92260. � . ��;. , ; � - . ._.: , � . ��{p,,.4y��f. �; —' ' ��( �ff:"•�T 1 J.. Mld�`•yrs�fyr.u��t��h�w n ry i��_'"'�... _.i �1 �.'^�-�`$�'M�i �S�p-J'�/�.k.-J� j��„-�.rTf'� " _ ._.....—__ ---_ ._'_ 9 � 2��1 �� 'll _ . "_'___— _ . _ _ P A L M D E S E R T , C A L I F 0 R N 1 A � � ��E��e�/�fi ii�CL'(/lZ��ll G�� _- ,)� ct;�re California artists came cu de-charted ex�anse. In che desert the��dis- `- 1 ;,aint the Western deserts, there . �,�,,�, covered picturesque vistas of sagebrush and •.�.:�� i�:�. ti>rlx ars who visited chis subjrrr °�""''�'`` � ;,.: .haparral that in the spring yielded expans- � cs of brilliant flc>wer tields. In the summer, matter on am'regular basis, cacept ti�r dlc ' �": �•�« ` E�rropean and American Orientalists of a monsoonal condicions gave forth skies of prior generation who found ittnpiracion in beautiful and cndless cloud patterns. The , '� wintrr brought`rains and snow in the up- the Saharan wastelands a��d the oa.ses of th: s <_ ', k y �,ti . i�liddl�East.The Imprrssionists of rhe ear '� -�'" � ''� y_; ` per elevations, and the majestic peaks re- �.`, h� twentieth centurv, in search of new sub '�-r' � ': �'ealed purple tones and shifting shadows ject matter, pushrd easrward from thc thac changed in hue with every blink of an Calif��mia coast toward the inland empireti. eve. In short, the artists'perseverance fmm The coastal �ities that were madc lutih cncumbering notions was rewarded with through civilization gave wav quickly rr� tiubject matter thac was tremendousiy exot- � the desert lands and a new arristi� trail wa.ti �c and appealing. blazxd. These painters esecuted their ti�ork Thcy visited first b�- burro, donkey, in thr tradition of the American West. horse-cart and foot. Later,when dirt roads 'Thesc pioneers with paintbrushes rr- gave way to paved roads they came by mn- c<�unted onto their canvases what others te�rcar. They bivouacked, �amped, and had soughr co eschew,thus opening eyes to a wild .�nd ti�rbi�ldin�; place c�f unlxarabic mingled with the nati��c Indian popula- the inherent brauty of an unspoiled terri�o- heat,fraught with treathery,marauding In- tions in the palm can��ons, Joshua crec and r��. Recalling the wagon crains and inhos- dians,and predatory crearures.These tU�en- cotconwood forests and hidden rock- pitabie journeys of the nineteenth century tieth-century artists were soon to realize srrewn valleys. Mam�came to seek the dry settlen,Americans had viewed the desert as the mie narure and visual scope of this lit- air as a cure for tuherculosis, chen preva- �,�. , ': ,F�� , � , �� ,� ;� �,� � . ,�-A �-�� ' #-�r�:. . h�� r �^� '� - w.t��^i' k ,�. �� . 1''-' - �� '� ( ��Lu � R, r � "�r w u,��v {-�. ' �a i , r� n •�^t Y a � � . '��,."bo y ��,�F�:��. � �� "' � .� r".�, .� ��y,: �i�M^'W FTs � �'� ��, � � ,�. I - �,'., '� � � �t. I�� A' 6 k•� � . N'• ;�� ..� ��I I � . �� .� , :L � r � . r, . �, �.. �� n.. � , . a °:��„r ,h � 1r r'''� �r � � n ��,� , � .�s� r . . .� , �� . � � �� t �L. ` �„Y M ��1 r � . � ../� � �[�..+-�N11�a1 �fl _ .� ,v� ��1/�S �� 'I. ..'� ��` �A r l. �°r ...,�r�:: ,�_ . .. N,�., - ,�.i14.r.,, � ^_.. - -�..�. � .. ��..:� .. . _.. _ .- •- . "�'---,�,. _rt:... __. .. American Art Review Vol.VX No.2 2007 152 � Early Desert Painters is on view through iLlarch 30, 2007, at The Walter N. Marks C;enter tbr thc Arts, College of che Desert, ' . , , , - , _ • _, ._ _ 43-50U Monterey Avenue, Palm Desert, California, 92260, 760-776-7378, www. ' callegeofthedesert.edu. All illustrations are courtesv Edenhurst GalleR'. . � wcrn': John(Gamble,Spring Flowerr,Ante- lope I�a!ley, 1923,o/panel, 18 x 24. C�NTF.R RICGH'r: CioCdotl C.oUtS, Whitewater, C. Iy1S,O�C,22 X 28. CF.NTER FAR RIGHT: t��sotl Clark, San Gabriel Fnothillr, 1925,o/c,26 x 32. ,, s��ow R�c:t-rr: James Swinnerton,Blooming u.� " „ Palo Yerde,c. 1925,cr/panel, 12 x 16. " s,. +� `a. + .��,� � t_�1��: Gunnar Widt��rss,Rim of the Grand , �' Canyon,c. 1925,o/c,30 x 24. _ ". �� ' , - • --� -- . , • - RF.I.Ow LHrT: Paul Grimm, Neatl�Miqhtro San Jncinto, 1945,o/c,42 x 72. lent and unchecked. Some, like Gu�- Rose, Maynard Dixon, John Frost, Jean Mann- heim and Also Clark stayed for prolongcd ,. , periods, while others likc Paul Grimm, �'�„ � `,r'' John Hilton, Gordon Coutts and Agnes * `''�'" ��r Pelton settled permanenclt�. Though Hil- ton's tuberculosis was cured, Frost unt��r- � �'r , � � '' �`�' � ti : , - �.:, tunatel�• succumbed. Caliti>rnia had Ieist x .� ; �;� : � , �f ��. �;�•. onc its dosest ti�llowers of Claude M��nec ,�� , +��" aa and the French Impressionists. � _'`7�'•'"�t'� , ,.�;�.r'` Tlieir he}�-day was in the 1920s,though � �'' � �. artis�s Jike Fernand Lungren,Marion Wach- � tel and Joseph Greenbaum came as early-as 1905. Thr��came from the art colonies in ' Laguna Beach, Carmel, Monteret�, Pasade- na, Los Angeles and San Francisco. Their � _ � �' � destinations were Desert Hot 5prings, Mo- � ,.�, F a r rongo, Yucca Vallev, Joshua Trce, Palm � Springs, Cathedral Cit��, Rancho Mirage, � ` t" " ,+ '. � � ;. � I'alm ll�sert, Indian Wells, Indio,Mecca, e _, ; u Ludlow and on down the line to Barstow � �_ and the Nevada border, ��encuring north- _' - ,;' . - „ ,' 'i . ward to the Antelope Vallev and beyond, j n>� ,� ' ;.� and southward to the Mexican bc�rder. f -� Rv the 1950s the tradition had all but -' ' � ;. vanished into the shifring sandt and purpte � F',. '�'� shadoas. Th� artistic legacy left by these � � painters is a milesrone in the histor�� of ;;',�;`�;,; , l American art,a specific rime and place that has been largeh� under-recognized in the .,r'�. _ mainstream of landscape painnng until re- "" "� � ,�,: centl��. �'isitors that comr to the California - ' ' '�� , .^�•+,�I� ''��, � desert toda��from all parts of the world to � o � �� „�� , enjov the oasis culture realiu die rich ams- _,,,.„� ` . �_�� , � tic heritage that was vielded in this remark- „ " ,,,,�„_,,.,,,,,,, � ,..,,,, ,. -,� -.,� able moment in time. r ( �" ,qy��,�1.. lRIL JI'iN'5 ��: u'S� �MKJ�f^�4h.��e�`." .. •�3;,'Vap.s N�.c..:��w'�ll,�� 4�:� � r T'. 153 Vol.\iX Nc�.2 2007 American Art Keview