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Home My WebLink AboutC27570E Painter's Path for Entrada Del Paseo Contract No. C27570E CITY OF PALM DE EI��,�N��T�� ' �`� � � coHTin�uEn ro�a. �__.__ COMMUNITY SERVI E� -�— PASSEQ To 2lVD�iEADtNG STAFF REPORT REQUEST: CONSIDERATION TO APPROVE PROPOSAL FOR THE PAINTER'S PATH PROJECT FOR ENTRADA DEL PASEO SUBMITTED BY: RICHARD L. TWEDT DATE: FEBRUARY 12, 2009 CONTENTS: 1. ARTIST'S PROPOSALS 2. SAMPLES OF ARTIST'S WORK 3. COPY OF THE PAINTER'S PATH RFP Recommendation: By Minute Motion: 1) Approve one of four proposats submitted for the Painter's Path project at Entrada del Paseo in the Eric Johnson Memorial Gardens; 2) award $250,000 commission to the selected artist. Monies are available in the amount of$168,139.56 in Account No. 436-4650-454-4001 (Public Art Fund) and $81,860.44 in Account No. 850-4358-433-4001 (Redevelopment Agency Fund). Executive Summary: The Art in Public Places Commission reviewed four proposals for the subject project during two regularly scheduled meetings on December 17, 2008, and January 21, 2009. The Commission ranked the proposals from number one to four as follows; Terry Allen - #1; Gary Price - #2; Dee Clements - #3; Clay Dahlberg - #4. Staff is requesting City Council select one of the four artists' submissions. The approved artwork will be installed in a natural setting located in the Eric Johnson Memorial Gardens near the Visitor Center and Henderson Community Building. Discussion: At its April 10, 2008 meeting, City Council approved honorariums for each of the artists to create proposals for the Painter's Path project. Historically, an estimated 200 artists came from the coastal areas of California to the desert to paint the natural landscape as early as 1905 with the heyday being the 1920s and continuing to the 1950s when the tradition had all but vanished. "The artistic legacy left by these painters is a milestone in the history of American art, a specific time and place that has been largefy under-recognized in the mainstream of landscape painting until recently when prices for their work has soared to astronomical heights" (from American Art Review article). Many of the artists visited and stayed permanently in Palm Desert and the surrounding areas, such as, Maynard Dixon, Orpha Klinker, John Hilton, Jimmy Swinnerton, and Bill Bender among others. The concept of a tribute to the "Painter's Path" artists has been enthusiastically received by several other cultural institutions in Palm Desert, including the Palm Springs Art Museum, the Palm Desert Historical Society and the Living Desert, all of which have collections representing artworks from some of the artists that came to the desert. With the increased awareness and national interest in California "Plein Air" painting, it is anticipated that the "Painter's Path" tribute will become a major cultural tourist attraction for the City of Palm Desert. � l , � R' ard Twedt, Public Arts Mgr. e; Sheila Gilligan, Assistant ' Manager Community Services Approval: . � J in cCarthy, Interim C� nager Paul Gibson, Director of Finance Request for Proposals: Sculpture Honoring the Artists of Painter's Path The Art in Public Places Commission would like to invite you to submit a model (presentation drawings for Terry A!!en) of a sculpture that would honor the "plein air" artists of the desert. The tableau should include two life-size bronze figures, one of a male and one of a female, who would represent the artists that came to the desert to paint. The tableau should consist of both figures depicting the process of creating a desert"plein air" painting with easels and assorted materials required for its production. Historical research has estimated that as many as 200 artists may have visited the desert to paint between 1905 through the early 1950s. Many of the artists stayed for prolonged periods of time while others stayed permanently. These artists are profiled in Ed Ainsworth's classic book on Coachella Valley painters, Painters of the Desert. Included in the book are artists such as Orpha Klinker, sister to Zeno Klinker, Edgar Bergan's joke writer. Others were Jimmy Swinnerton, John Hilton, Fred Penney, Agnes Pelton, Paul Grimm, Gordon Coutts, and Carl Bray to mention a few. The artistic legacy left by these painters is a milestone in the history of American art, a specific time and place that has been largely under-recognized in the mainstream of landscape painting until recently when prices for their work has soared to astronomical heights. You will receive an honorarium of$2,000 for your modellpresentation drawings. Upon signing the Memorandum of Agreement and returning the enclosed W-9 Form for the honorarium, a check in the amount of$1,500 will be sent to you and the remainder will be sent upon receipt of the model. The selected artist will receive a $250,000 commission. Please contact me at 760-837-1665 or email, rtwedt _ci.palm-desert.ca.us. The deadline for your model is Friday, October 10, 2008. Mailing address: Richard L. Twedt, City of Palm Desert, Visitor Center, 72-567 Highway 111, Palm Desert, CA 92260. J. WILLOTT Gary Lee Price "Plein Air Painters" The woman sketches a desert scene on her pad as her male counterpart applies oil paint to his plein-air canvas. All of the articles in the sculpture including the clothing,the art supplies and the woman's stool are historically accurate and come directly from reference materials suggested by the Palm Desert Art in Public Places committee. The artist is very proud of this piece for it not only remains a historical depiction of an early 1900's plein-air"team" it also contains many of the key components that make any sculpture successful. Mr. Price has allowed for some changes to be made if necessary such as the woman could be water-coloring instead of sketching, etc. Also, any appendages of the sculpture that could potentially be damaged/vandalized can be re-enforced internally with steel rods which would reduce concerns of permanent damage. 73190 1�:1 Pascc� Suitcs 1 t�; Z, Palin Dcscrt, CA 92260 _JWillotLcoiYi • .losli@JWillotLcoiii • Phonc: 760-5f�8-3180 • Tax: 7Fi0-5G8-31�75 , - ._ ----:� J. WILLOTT Artist Bio: Gary Lee Price Sculpture with meaning.Sculpture to lift the human spirit.Sculpture to inspire Gary Lee Price sculptures capture this unique human spirit.This is the essence of his work.This is his life's journey. Literally,thousands of Gary Lee Price sculptures are in public and private collections throughout the world. One of the largest libraries in the world,the Hong Kong Central Library,is graced by the recent acquisition of twelve Gary Lee Price life-size bronze sculptures.This impressive display includes bronzes of intrigued young readers,happy children releasing doves,boys and girls playing with shells in water,some holding beautiful flowers,and others soaring through the air as though weightless.Additionally,two round frogs, "Puffed Up Princes."are stationed as sentinels at the entrance of the children's library. The 11-foot"Celebration!"featuring joyous children celebrating life and soaring around a globe, was first unveiled in Surrey; England at the American Community Schools.The most recent of these was dedicated in Decatur,Georgia by former First Lady, Rosalyn Carter.A 22-foot version of a similar sculpture is located at the entrance of the corporate headquarters for NuSkin International in Provo, Utah. Gary's 12-foot angel, "Messenger"monument,in Iceland,honors over 400 early immigrants to the United States. Gary's sculpture "Communion."a 15-foot monument portraying grasping hands,graces the United Methodist Church of Brentwood,Tennessee.The interaction-of-hands theme has been an important aspect of his work as reflected in other pieces such as "Synergy," Helping Hand," "Ascent." "Circle of Peace." and"Circle of Friends." Uplifting others,helping others,and joining hands with others in brotherhood and sisterhood are essential parts of the life of Gary Lee Price. Perhaps the unexpected and tragic loss of his parents at age six and the subsequent abuse anchored within him the importance of enduring and positive relationships,and of the need to see and depict humanity in a positive light and on an upward journey. Gary finds travel and research an important part of his life. For two years he lived in Germany,he spent six months in Israel,one month touring the jungles and ruins of Mexico and Guatemala,and one month in Egypt. He visited eleven different European countries for three months.A recent trip found Gary and his family in Giverny, France doing research on one of his latest life-size sculptures of Claude Monet and "Monet's Gaggle". In 1991, Gary was elected a member of the National Sculpture Society. In November 2001,he received the "Governor's Mansion Artist Award,"from Governor Michael Leavitt of Utah,for his 73190 1�:1 Pasco Suites 1 & 2, Palm Desert, CA 922G0 ,JWillott.coin • ,josli@JWillotl.coin • Plione: 7G0.568-3180 • Fax: 760,5fi8-3�75 . WILLOTT outstanding support of the arts.Aside from his sculpture images gracing the covers of various magazines and books,the December 2003 issue of Utah Valley Magazine featured a cover story on Gary and his career entitled, "The Spirit of Giving."In 2005,it was announced that this prolific sculptor has been selected to create the 300-foot Statue of Res�onsibilitv on the west coast of the United States. His works are included in public and private collections in homes,galleries,museums,libraries, corporations,cities,and educational institutions throughout the world,including the following: Springville Museum of Art; Salt Lake County Permanent Arts Collection; Culver Military Academy of Culver, Indiana;American Community Schools of Surry, England; Westside Preparatory School of Chicago; LDS Museum of Church History&Art of Salt Lake City,Utah; Rich De Voss Women's and Children's Hospital of Grand Rapids, Michigan; Dallas Arboretum; Birmingham Botanical Gardens; Scottish Rite Children's Hospital of Dallas,Texas; Gladney Center of Fort Worth; Galleria Paseo Mall of Puerto Rico; Santa Clara City Library; Bluegrass Airport of Lexington, Kentucky; Neverland Ranch of Los Olivios, California; University of California Berkeley; Cessna Aircraft of Wichita, Kansas; Indianapolis Children's Museum; and many more places of private and public gatherings. Gary Lee Price has been sculpting professionally for over 25 years and has supported a successful fine art business during those years. His latest corporate endeavor is the creation of Little Bitz of Inspiration.This is an exciting company that will increase awareness of Gary's work and passion for creating a better world.Some of his all-time favorite works will be produced in collectible pewter form. The 50-year-old sculptor resides in Springville,Utah. He credits his success to his mother,who instilled in Gary the ability to express himself through art; to his friend and wife, Lanea,who offers constant love and support; and to their five boys-Zachariah, Isaiah,Tyrone, Raphael,and Justin-who provide constant inspiration. "My passion for art and my belief that art empowers and lifts the human spirit has only grown stronger throughout my life. I have been blessed with many generous and selfless mentors,and my dream is to pass on those gifts to others.Gary believes in 'perpetual student-hood'and teaches regularly at his studio in his hometown of Springville,Utah. Gary muses, "I hope I can assist the world in visualizing a place where fences and boundaries,both real and imagined,are non-existent; a place where bias and prejudice are long forgotten; and finally,a place where acts of kindness,mutual respect, and love are everyday happenings." "The spirit of man is what makes him unique above all of God's creations." Ralph Waldo Emerson 73190 El Pasco Suitcs 1 tiz 2, Paliil Dcscrt, CA 92260 JWillott.coin • joshC�,JWillot(.com • Phone: 760-568-3180 • Tax: 760,568-3�75 �� i�'� .�� ,�oD,9 ,� � � ^ ��:-� ��iEJ SCULPTOR ` <r7�� /5 f{ ��/ �1� S�� U pj1 �� S,� . . G� �� -��e ��1� �r�"��s �� -�' �� 1� ��E� /�/l�-� 7�0 �i�l/� ��f�l �� i�o/��' � �Ec2 t�� i�" � � ��'!,� ��f'P�,�T' �i�,�� E��/�!� �o�/�'�-S ��'c2� �� /�C/1�-��5' ��q�� ;�/��' � ' / � oS�S��l� �� . �� i�'/�'�os�c� p��5 a �j _ D ' p�`T' .. � /�l.C� �� P� �'�/ ��✓/ i { �� "�'� %�,�`' ��1� � Gr/�i�� .�Gr�� <r/� , � �� l� a �� ,� , � � � �� / �� E�� 6 �- -��,�- ,f � . �. `� ��-s�, �� c� C�a�� T i �� , c�'✓ � �� G� �� .�� ,�,�/o � �� ,L,�- / / .O u�''r�' �-� � �itl'cL 4"��'i ,�- `� ��(/ ��p�i�� C� fV ��JPjS� � �'�� a,�/ � �/�� f�4�� T' . , `�'� ,��.�-,C ��}�rs�- �� `�' �� ,�„��-- ��s �� . .�� , -� �� r�,�� S�'T" � � �=� �i� �,� �' ,�' � � � ��-,� ��sE� � ��'� �s �� -��/�- '�-� - �� - d��. , , � �o� �, � ��U��- " � �'�✓�,� /�q.�i �1 }i�s7-" �� , � ��/ 1882 HWY.39 • HUNT,TEXAS 78024 • TEL:(830)238-4846 • FAX:(830)238-4593 hcd@claydahlberg.com www.claydahiberg.com C�> , � �% �t/c��t�' a�/ .��E ��`Gt/' �1l/�'�2� :�E �=�/ ✓�2�- � . � �� .�e� c�l-l�O�� C'i✓� � r � � �-- ��.�o�- �/� ��;��- ��/l/�S ��- , '�/is�j�'� ��4�- `�'�,�/�� 1'rs� ��1�� °��,�/��' �t�CrE �1/'� ! . � � �. 6� �� -� �� -"� �� - ��o �� !/� �/� -�-�/a �� .� �� i2�i�� o� � �� `� �-. � � �-�� . �� - , � �� •� �o � �- � -� �� ✓2� �.� G�.�/,�� -��/�/,�S � �� . , �� . �� ✓�� ,� . ' �' �� z=s�� w �� .�,� �� C'�%/�� -�,E �� ' . � � � GP,�"��".C.= - �/��',��rr�, � ��l/is�� %�u� �� /� ` . �% /•' s; � / i� �f'�s fg � ��-- �� % - , J � � �`�Cci �`�T��{/Z � -� � � � y�� C% ��y�� - S: �� '��/�� r�,� �P� �is � �� f 2�� 1 � � �� / � . p �� .�,��-,� �, , �%��lE �i � � i� s z� �'� . �� /S /�,t/ � i�t/ ;i7` S ��-��- -�� • . . , . � �� .. �� f �%�l�i�� 7�1L5 l� �.�or�l�� t/� � ��-- �� ,� r � ��7-j�i � ��15�/y� ��. �`1L- � /�/��s�i2T'�----� �� .-�� .��--, 1-16-09 Richard, Here's the proposal and a quick one to tell you I don't know exactly what the site looks like,where it is, etc. so the configuration of the piece is not resolved but hopefully, even though the drawing is rough,you can get an idea of how the piece might work in the landscape. The `brushstroke' would be`form-�tted'to the specific nature of the terrain, directly on site. I like this process I have proposed better for this piece because it is made directly from the landscape in which would be placed. (Note: Another possibility is to`make the brushstroke' out of a material such as latex or rubber, let it dry and then scan it into a computer. The cornputer would direct a saw to cut the shape of the brushstroke in sections out of Styrofoam to the exact size and scale determined. The Styrofoam sections would then be surfaced with plaster or clay and textured by hand. It would be cast in the same `burn out' method mentioned in the proposal and installed in pretty much the same manner. I've worked with this process a nurnber of times at Walla Walla Foundry in Walla Walla,WA, where I've done all my casting over the last 15 years.) Also Richard, I want to wish you and yours a great new year and hope we might cross tracks again sooner than later. Many thanks far offering me the opportunity to make this proposal. I like the idea of the piece a lot. I don't think there is a bronze walkway anywhere I know of(?) and I very much appreciate your consideration. Take care and please keep me posted. Best Regards, Terry Allen 3932 West Alameda Santa Fe, NM 875Q7 505-473-9860 stu PAINTER'S PATHWAY PROJECT/Palm Desert, CA • 1-17-09 BRUSHSTROKE Proposal by Terry Allen Description: A bronze pathway shaped and configured like a long brushstroke of paint, winding through and over the natural and/or prepared site terrain chosen for the piece. The names of artists to be honored are etched in the bronze surface and can be read as people walk the `Brushstroke'. Other information, dates,biographies and/or histories of the artists and/or their contributions to the area can also be etched into the surface with their names. The`Brushstroke' could be scaled to accommodate the addition of new names, etc.,of artists in the future. See rough Study Drawings included. Possible Fabrication: A trench is dug in the earth to simulate a long brushstroke of paint. The `brush- stroke'would run the length and width (probably no wider than a sidewalk) of the pathway desired and would only need to be a depth of several inches, depending on the topography of the land. The trench is then divided into 3-5'lengths (approx.) and hot wax is poured directly into each divided section and allowed to set. When the wax hardens, all of the wax panels are removed and marked indicating their placement with one another and where they are located on the pathway. The wax sheets are then packed and shipped to a foundry for casting. At the foundry each individual wax panel of the `Brushstrolce'will be dipped in a hard ceramic shell then cast in bronze. This process is called a`burn-out' and there is no mold, so the casting is unique. After casting the individual bronze panels are `chased'or refined by hand with metal tools. The bronze panels are then given the desired patina (a green/black is most durable outdoors) and engraved with the artist's names,texts, etc. The piece is then shipped back to the site ready to be installed. Installation: Each individual bronze panel of the `Brushstroke' is fitted underneath with stainless steel bolts. The trench,dug to the necessary depth,is poured with concrete as a footing and when dry,holes are drilled in it to accommodate the bolts on each bronze panel. Industrial strength epoxy is poured into the holes in the footing and the bronze panels drop into them. After all of the panels are installed and welded together, the seams between the panels are chased on site and visually eliminated. The patina is retouched, waxed, and the piece is completed. Note: All measurements, materials,etc. are engineered to code Maintenance: The piece should be waxed twice a year, once in the fall and once in the spring. If foot traffic is heavy,additional wax should be added just prior to and after those periods. OO Terry Allen, 2008 Terry Allen 3932 West Alameda Santa Fe, NM 87507 Tel 505-473-9860 Cell 512-658-5666 Email Ironyl3@earthlink.net � - ' � :'} DEE CLEMENTS l� E s E rz T P a � N 7� � t� s M gr ..7Ty t14 1�.��"1„ �. .� . , . �y.�^�- t�.. „ G� r is ,�. t � ��"F . . ,.i } � , .' .. . 1� � }.. �. � -, 3 ��-��.�i� sF..< �� ¢}�R'fs '��y, .. � r � � / -.�;��' . .. �� l F. ^�"n � �`� .��-' . ')',,�. . ... �';� � $ 'J � - .+ �4t�� r �:. ti � ��". �� / f , i �[ �� +� ; � � ' y�+ `1� � r. �,.� � ,�:r, - ��` 4`� r 3 -� �' ,�''� :i '/" "t'`�„ � �; � t�% ,� �' ,.� ,y : 'p t sx `t . . ^ ,� �� `�� ' �� 'lRi, t. * ,�, . ' t�{A � �I} � � Y � ' *�± '�` »°''�I {y, r ,�y� ` , , �t 7,r � .• y � s�r. �.. .,�w 1+°''�.� + i' ' ,y} , : J . .�s�`�'r+ _ . }.' _-, ; � y . '�w.Yl�t�; -' '�, �,. S :'' ' � , li�r ' $tr i �'•� ��{y �r. Y�� /r t,� � y�, � r�: � . � �� . • � �""'...f' A�� ... ,. f.F? � .� C;� `� � • � ; . . ..' . � �j n ' `�j, �. �. � -y ��f' 4� r I� .`;� ,#�• r.� � 1 �� i �,,�� 1,� } s` �' ,r,�- �, �`� ��; �� :�� . . `'��, �'� � � "' r �,;. � , s;''. , . : �. , t,r i �, i .� , � �r i,a � � �l , �; f l f _ t�#� '�•�.�..,� .� �'' '� , 3:-� �� u ; �� ° , .. � ` s _ _ y .• ... ;. . � .v��. _-. . � .. . ,.,.. . . ... , � � . ,; ' . ��;. ��' � .��14 ,3 . �: � -" r a �. - , , _�;��; _. .� - , � =��:,, � , �: PROPOSAL FOR THE ':� ERIC JOHNSON MEMOR[AL GARDENS FT PALM DESERT V[S[TOR CENTER �. ART IN PUBL[C PLACES COMMISS[ON PALM DESERT, CALIFORNIA }�,,, ;h�� N A T I O N A L S C U L P T O R S � G U I L D Z 6 8 3 N O R T H T A F T A V E N U E LOVELAND , COLORADO 80538 1 . 800 . 606 . 201 5 D E E@ N A T I O N A L S C U L P T O R S G U t L D . C O M ,�� I� E s c �z �, P P, � � T � r� s � � � A � � � � � ��e arfl'sfrc I,eydcJc le�f 6�� f�ese�ainfers 1's Q inrjesfone in � � f�e�'isfor� o��mericdn Qrf. �� -excerpt Early Desert Painters American Art Review � � � � � � � � � � � � � � � � � � � � � � � ,� D E E C L E M E N T S � N A T I O N A L S � U L P T O R S � G U I L D J': ��5. �'' t �'.. t..6 i-�!. {.,1 1-[ Approaching this project, [ was taken by the his- toric impact that these artists have made in art as well as contributing to shaping the desert community that they captured on canvas. To memorialize the early plein air painters that came to the Coachella Valley desert it seemed only appropriate to depict them in the act of painting. As this group of painters frequently went on painting excursions together I show two of the artists painting working near one another. I have researched the artists and their works, many familiar and se(ected Orpha Mae Klinker and John Hilton to represent the desert painters. The figures are shown wearing early twentieth-century fashion. �� '� E�� , � i�i� �; �� p� � p �� I� f� 'i' l �1 IE.i 'r`, �, � t� !� L !"' fl t.` �: � �J ll � 's_. 'GX � � r=: Il: � � f; L-, I . � � � � � � � The 'painting' relief artwork shown on the easels "� are derived from their paintings. � While the artists shared the common interest of � painting, each painter has their own story which � has enriched my sculpting process. � � Klinher is the only wornan artist profiled in Ed � Ainsworth's classic 600Fc on Coachella Valley painters: 'Painters of the Desert'. Klinher had a deep interest in � California history and tooh it upon herself to paint all the �,i existing adobes and missions in Southern California as � well as many portraits of founding California families. She designed the state seal for California. She also painted �' landscapes in t�1e company of the best of the desert � painters - John Hilton, Maynard Dixon and others. They � often gathered at a camp on the Salton Sea near Mecca.* � Hilton was driven by a deep sense of curiosity; he 6ecarne � an expert gernologist, botanist, geologist and rniner, zoolo- � gist, advisor to generals, rnaster of guitar and song, and a � very good writer and painter. Hilton rnade his home in tke Mohave Desert, living near but never actually in Palrn � Springs. He preferred the desert. A nurnber of artists such � as Nikolai Fechin, Maynard Dixon, Clyde Forsythe, and � Jimmy Swinnerton contributed and influenced Hilton's � fantastic ability to capture desert light, and formed life long friendships which included rnany painting excur- � sions.* � *multiple resources � including the Bodega Bay Heritage Gallery � � � � � � � � � ��.t� � � �� , � l�i� � [� � � � ['� h � E C7 i��,l �. L 5 �' U [� 1� T �4 P `�; � L& ! �_, Ct � �1 6 � ': , i-_; ��' �.`"� R� - �_� �� T; �;d I-; !! � The completed sculptures will be installed permanently in the Eric Johnson Memorial Gardens adjacent to the Palm Desert Visitor Center. The sculpture will measure approxi� mately 6 feet high and will include two life- size figures with easels and paint boxes. The patina will be a multi-color French brown with vibrant colors on the artists' palette and can- vas'. The sculpture will be made of museum quality silicon bronze with an appropriate stainless steel inner support system that will be pinned to a concrete footing. Structural engineering will be done to meet California seismic regulations using soil sample infor- mation. The scul�ture will be installed using a crane. Artwork 210,000 Installation 7,500 Structural Engineering 5,000 Footings 7,500 Travel 5,000 Shipping 5,000 Insurance 2,500 Contin��ency 7.500 Total Budget $250,000 �%� � � �` � � t`�r`i � ��i �' } I:i �; '� � U I`�[ �. L � �:_ E� i r� '� C:� ;? � ` �f U C L � � DEE CLEMENTS EDUCATION: 1975 M.A.-Fine Art,University of Northern Colorado Greeley,CO 1970 B.F.A.-University of South Dakota Vermillion,SD PROFESSIONAL MEMBERSHIPS: Charter Member-National Sculptors'Guild Since 1992 Charter Member-Continental Airlines Sculpture Showcase 1990 COMMISSIONS AND PUBLIC ART PLACEMENTS: 2008-09 "Remember"commission by Marcus Jewish Community Center Atlanta,GA "Hope"commission by Tolerance Education Center Rancho Mirage,CA 2006-07 "Caring"commission by Tolerance Education Center Rancho Mirage,CA "Fortitude'commission by Golden Springs Art Committee Santa Fe Springs,CA 2006 "Speed Skater",added to Perfect Ice Collection, City of Paramount,CA "Blackhawk"school mascot commission Springs Valley High French Lick,IN "Hollis"private commission Aberdeen,SD 2005 "Aftemoon Sun"private commission Fort Collins,CO 2004 "Journey"commission City of Mountain View Mountain View,CA 2003 "The Actor"Benson Sculpture Park Loveland,CO 2002 "End of Day"commission Omaha Botanical Gardens Omaha,NE 2001 "Paul Revere"1.3 Life,commission City of Cerritos Cerritos,CA "Serenade',City of Cerritos Cerritos,CA Agilent Technologies 2000 "Gold Panner",commission City of Black Hawk Black Hawk,CO "The Actor'1.3 Life,Benson Park Sculpture Garden Loveland,CO 1999 "Serenade",Green Bay Botanical Gardens Green Bay,WI "The Perfect Ice Collectiori'-7 Figures,City of Paramount Paramount,CA 1997-98 "Leap of Faith"1.5 Life,commission American Stores&HKS,Inc. Salt Lake,UT 1997,93 "The GifY'-3 Figures,McDonald's Corporation Singapore&Paris 1996 "A Touch of Caring",Homecare of Colorado CO "Japanese Cranes",Private commission Giansiracusa 1995 "The Actor"1.3 Life,Williston Academy Theater East Hampton,MA 1994-95 "Desert Holocaust Memorial"-7 Monumental Figures&11 Bas-Relief Commissioned by Survivors of the Holocaust Palm Desert,CA 1993 "Passing It Along"Life Size,Marriott Ownership Resorts Palm Desert,CA "Sunday Afternoon",CEO,Super-8 Motels Aberdeen,SD "Serenade",Vail Fine Arts Green Bay,WI 1992 "Eye of the Wind",James Hanna Memorial Loveland,CO 1991-94 Multiple Commissions,McDonald's Corporation Nationwide 1991 "The Archer",Amon Carter Collection Dallas,TX "Aftemoon Sun",Channel Six Anniversary Collecrion Denver,CO 1989 "Passing It Along",Hewlett-Packard Corporation Loveland,CO 1988 "The Actor"commission City of Loveland,Public Library Loveland,CO 1984 "Red-Tailed Hawk Award",Buick Motor Co. Nationwide SELECT DESIGN TEAM PARTICIPANTS PAST St PRESENT: John Kinkade,National Sculptors'Guild,Site Design/Installation Loveland,CO Greg Hebert Landscape Architect,Landscape/Site Design San Diego,CO Douglas Rutledge,KL&A Inc.,Structural Engineering Loveland,CA Javier de la Garza,HKS,Inc,Interior Architect Dallas,TX • THE NATIONAL SCULPTORS' GUILD • • 2683 N TAFT AVEvu� • LoVGL�ND, CoLoxnDo 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • DCE�aNATIONALSCULPTORSGUILD.COhf • �� =° -_ r� C' d:: '-� F_, r t I I �_; � � � � � The last five years of my career have been devoted � to the creation of public art commissions. My � most recent work was Fortitude a Holocaust sur- vivor installation of bronze figures and relief � incorporated in an architectural element designed � to create an abstracted Star of David located in � Santa Fe Springs, California. Others include a life- size Paul Revere on rearing horse for Cerritos, � California, The Gold Panner arid Burro for Black � Hawk, Colorado, five ice skating pieces for � Paramount, California and a railroad cart with a � boy sitting on the baggage, entitled The Journey, � for Mountain View, California. My most noted � public placement is the Desert Holocaust v Memorial in Palm Desert, California. This was a R project in 1995 for the desert cities' holocaust sur- v vivors to use as an educational experience. We are � currently finishing three bronze sculptures for the v Tolerance Education Center in Palm Desert, �► installation is set to be April 2009. � � Many of my projects include the community and � design teams consisting of architects, landscape ✓ architects and community representatives. My � skill of drafting allows design teams the freedom " of flexibility in the development of a project. �► � ✓ My sculpture is a product of my life experiences �. and interests. The memories and the imagery of ''� the small Midwestern community where [ was � born and raised; my family, my sense of freedom � as a youth and my sense of community have been r a source of inspiration over the years. 1 grew up �„ drawing, which ultimately led to a Masters Degree r' in Art. When I created my first sculpture of clay, ,� my sense was that I had found my passion. Since � that first sculpture a main thread in my life has � been the creation of objects. I look forward to the ''� opportunity to honor fellow artists. ✓ ► ✓ ► ✓ � �-� � � �� l�� ' [�1 � � � i�l C; T [ �� l'El � L S �v EI L P '� C} I� S ` G U I L. � ✓ R r i � . � � � � � PRESENTATION BY � � DEE CLEMENTS & THE NATIONAL SCULPTORS' GUILD � 2683 N. TAFT AVENUE, LOVELAND, CO 80538 1 .800.606.2015 � D E E@ N A T I O N A L S C U L P T O R S G ll 1 L D . C O M � � � � � � � � � � � � � � � � � � � � � r COPYRfGHT �O ZOOH BY DEE CLEMENTS � ALL WORKS OF ART INCLUDING DESIGN COPYRIGHTED�DEE CLEMENTS � ALL RIGHTS ARE ReSERVED. � NO PART OF THIS PUBLICATION MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS,ELECfRONIC OR MECHANICAL,INCLUDING PHOTOGRAPHY,RECORDING � OR ANY OTHHR W FORMATION STORAGE AND RHTRIHVAL SYSTHM,NOR MAY THE PAGES BH APPLIHD TO ANY MATERIALS,CUT TRIMMHD OR SIZED TO ALTER THE HXISTING TRIM SIZBS � (OR�MATTED OR FRAMED WITH THE INTENT TO CREATE NHW PRODUCTS FOR SALE OR RHSALE OR . PROFIT FROM IN ANY MANNER WHATSOEVER,WITHOUT PRIOR PERMISSION IN WRITING � FROM DEE CLEMENTS AND THH NATIONAL SCULPTOR 5 GUILD, EXCEP'I'IN THB CASE OF BRIEF QUOTATIONS EMBODIED IN ARTICLES ANDIOR REVIEWS. � � r � L� , . . . ; , -b h , ; �. : , �: � t ,r.�^ . '� � �� ... 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Neady 2D0 art proje t� ,� ProJec[Area:CBD/Financlal Core ��, 17 redevelopment pr �c-! ProjM: Cdicorp Plaza Phase I areas have been Project Locatlon:]25 S.FiBueroa Street completed to dafe. Pm�ect Type:Developer . '"� . Califomia Plaza Dexription: tlevelope�s met their s.tl requirement by builtling a $23millionhcilityfor:hs � Patlofaserieso(collabord�iveworks,ertistTerryAllenandpoet Muse�mufContempnrary PhilipLavinecreatedalRe-size0bm�eswlpiureofebusinessman, 4h tlressed in a business suit,and wrtying a briefwse in his proper lefl hanA. As ihe sculpNre leans forvsrd and submerges his head in�o ihe AitPrqects building,heonbeseenasapersonseperatefmm�heofficebuiltling by Mist Name onty from�he neck Aown. The poerti,'Corporete Heed'completes the _ by Redevelopmeirt Area �mage: They saie I hed a head for business �� P4aps8N=iyhborhooc Theysaidtogefe�ead Guides I had�o lose my head. Walking Tour Maps They seid be concrete NeighDorhood Publie M g�y¢�me Guides wncrete. They said, Nrtist OFPortunitles go,myson, !2 CurtentRFPSIRF�s multipty, � MailingLists diWde,conquer. _� i em my t��. .. Pnlicv Gmdes3 Fublir�llnns Art Policy Developer euMe Art Progmm Gultle Art Plan Form Artiat Profile Placemaking Brochure Teny Allen was bom in Wichila,Kansas in 1943 antl raisetl in Lubbock,Texas. Influenced by coantry westem music and rock antl roll,Allen knew fiom an early age that he wanted to work in Ihe arts and in the mitl49fi0s taveled to Los Mgeles ro s1uAy al Chouinard Art InstRute where he Advisory Panels eamed his BFA. He then tlaveloped a s[oryline and wst ot characlers that morphetl into a major Ativisory Panels body of Nsual art including musical antl[heaMcal performances,sculpture,pain[ing,dmwing, video,and installations. Allen's muPomedia windows into the human condi[ion have won him a Guggenheim Pallowshi0 and threa g2Ms hom Me National EntlowmeM for the Arts. The artisPs public works pn be found in unconvantional places—from Los Mgeles's Cdicorp Plaza,to San Francisco's Moscone Center,to the Museum of Modem Art in New York. The artis[currently resitles in Santa Fe,New Mezico wkh his wiFe,Jo Hervey. outaiEe Ilnks � canWct us � accessiblliN 8 Ptivacy � ske maP I FA�'s I glossarles 1 of 1 l/22/2009 9:00 AM icuy :wcuanwwnn uup.uwww.a�u.vwm......,.w..�ga. ..a..�.q_�.....��o.� � ..y_r. ....,... Holly Johnson Gallery Terry Allen � ,.. Artist Terry Allen ` � �� Title Bus[ " Year t991 Category Sculpture Media Bronze Unique cast 1/1 Size 30 Yz x 28 x 23 Yz inches � -� �� Price Contact Gallery � '� � � .. � Gallery Holly Johnson Gallery � ; �' �,: •� / � Back to Terry Allen Artworks � Back to Holly Johnson Gallery Artworks i __ nwM I �ne�� I r��:o�uu I sa.n.o I we. 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I'.. �h .� T..._.,, �� Y Q �� 1 �� _ , � ,.�;, ,,� � �� _--�,. , , ��v�,� .t; r ��dC � d : � � Fr� � bry, - .. - i '- ' . i + � ➢ g I __ " •� F ,+�'� ��, �7� .. ��.� � �_ �/ v_ V'r� . .. . :."'. - _ . `-_� � . x �E�;.:. ti .�.. tMK_�; . �,'� �,� '' , � '"�� e ,� at � � • n � ,�. r.` ,�1, . ... 4,.Rf� . � 5 ti ��If ..�6 . ��''" -v ... � . �... . . p, � , � � � k; �> � '' l �ti:- �: . .t Y .. - .. . .._ 1 . � r_'Ir:.... . :y4 Y 3 � L �� L E Iv[ E N T S N P, T I O N A L S C U L P 'f O R S � G U I L D Irt► � w r �9 ., 'i � � I i r � ��i � � � � � r � ,� £ L... h�n.,,�� \f�. x�� ` �� . � i IOWt� . n _ ,!ivG,C> SELECTED EXHB1iION5: 1992-07 NaHonal Sculptots'Guild Annual E�ibitiory Columbine Galleries Loveland,CO 1992-07 Sculptuce in the Park,NaHonal Jaried ExhibiHon Loveland,CO 2006 Artist Demonstration Series,Columbine Galleries Santa Fe,NM 2003,05 "Windows to the Divine`,Cdorado Dominican Vocation FoundaHonDenver,CO 2004 Solo-Show,Promenade Gallery Vail,CO 2003 Two-Person Show,Clements&Pace,Columbine Galleries Santa Fe,NM 1999-01 Colorado Covemor's Invitafional Loveland,CO 1999 Two-Person Show,Columbine Galleries Santa Fe,NM 1997 Two-Person Show,Columbine Galleries Loveland,CO 1996 Sangre De Christo Art Center Mnseum Show Pueblo,CO 7992 Solo Show,Vail Fine Axts Callery Vail,CO 1990 Allied ArHsts Show New York,NY 1988 Poudre Valley Act League Annual Show Loveland,CO 1986 Thompson Valley Regional Ezhi6iHon Loveland,CO HONORSANDAWARDS: 1999 City oF Green Bay Public Art Award Green Bay,WI Califomia Municipal League Public Art Award Pa[amount,CA 1992 Honoxable Mention-"The Plowman",Cheyenne Fronfier Days Cheyenne,WY 1988 1"Place-"The Farmer's Wife`,Poudre Valley Art League Loveland,CO 1986 1"Place-"Farmer Han",Thompson Valley Regional Exhibit Loveland,CO 1984 "Bald Eagle`Endorsement of Authenfitity,National Audubon Society NY,NY L2CTIIRES AND WORKSHOPS: 1984-2005 Instructoq Loveland Academy of Fine Art Loveland,CO Sc�ilpture,nrawing and Anatomy � �� , tfi. � �� icr� a.: r �Y�f°'�+� %. �..�:s �'r�t�^��i,�� .� ' v,_�,a�w. 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