HomeMy WebLinkAboutApprv Dsgn Proposal by Social Mosaics - PD Oasis Seventh Day Adventist Church CITY OF PALM DESERT
DEPARTMENT OF COMMUNITY DEVELOPMENT
STAFF REPORT
REQUEST: CONSIDERATION TO APPROVE DESIGN PROPOSAL, "CREATIVE
BOLLARDS IN THE MINDS OF THE STUDENTS" BY SOCIAL
MOSAICS FOR THE PALM DESERT OASIS SEVENTH DAY
ADVENTIST CHURCH
APPLICANT: PALM DESERT OASIS SEVENTH DAY ADVENTIST CHURCH
74-200 COUNTRY CLUB DRIVE
PALM DESERT, CALIFORNIA 92260
SUBMITTED BY: DEBORAH L. SCHWARTZ, PUBLIC ART COORDINATOR
DATE: OCTOBER 8, 2009
CONTENTS: 1. DEVELOPER APPLICATION FORM A
2. ARTWORK DESIGN AND DESCRIPTION
Recommendation:
By Minute Motion, approve Social Mosaics' artwork proposal "Creative Bollards
in the Minds of the Students" as the public art component for Palm Desert
Oasis Seventh Day Adventist Church located at 74-200 Country Club Drive,
Palm Desert, California. Funds are available in Account No. 436-0000-312-
2700.
Discussion:
At its meeting of September 16, 2009, the Art in Public Places Commission unanimously
approved the design proposal, "Creative Bollards in the Minds of the Students" by Social
Mosaics as the art component for Palm Desert Oasis Seventh Day Adventist Church.
The artwork will consist of nine (9) bollards with individual mosaic patterns. Nedra Young of
Social Mosaics will work with students in kindergarten through eighth grades using mosaic
tiles, vitreous glass, stained glass, mirror, and millefiori to teach them mosaic techniques.
Each of the nine bollards is 48" high and 14" in diameter.
The bollards are located at the drop off area adjacent to the parking lot at the entrance of the
Academy's classrooms and Church's gym/office.
Staff Report
Page 2 of 2
Design proposal for Seventh Day Adventist Church
October 8, 2009
The fee paid into the public art fund to-date is $9,250 and the artwork cost is $9,000. Once the
artwork is complete, the developer will request reimbursement of the art fee paid into the fund.
Funds are available in Account No. 436-0000-312-2700.
Submitted by:
,
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Deborah L. Schwartz, Public Art Coordinator L�ri Aylaian, Director of `Cori�munity
Development
Approval:
Cv /`,
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John M. W Im th, City Manager Paul Gibson, Director of Finance
CITY COUNCIL�fION
APPROVED DFNiF.D
RECEIVED OTHER -
MEETING DA
� /,t'' s� '
AYES:
NOES: U�
ABSENT:
ABSTAIN:
VERIFIED BY:
Original on File with City erk's Office
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Jul� 30, �OOJ
`�C�: �I�Y' �F �ALIV! ��S�R�—ART� IN I'UBLI� PLA�ES CQMMIS�IOP�
PE: DEVELOPER'� P,P�LI��Tl�hJ
��L�i ���E�� �fa�i� A�`�l�ht�l5�ACADENiY m STU�EfJT B�LLARD�
(Pro�ect)
DEAR L,4DIES AND GERlTLEIlt!!E�l:
Enclosed are the following documents for your review of the above-reference
Project:
Form A: Devetopers application
•2• �oncept drawing showin� w�rk in �lan
❖ 1"wo samples of artwork for Proje�t
•2• Site plan
•:m Artist's Concept Staternent
❖ Artist's CV
❖ Examples of work— Social Mosaics and Nedra Young
•m• Evidence of value of Project (contract with Client)
Sample Board of Materials
We appreciate your acceptance of this Project and look forward with working with
the �ity of Palm Desert.
Respectfully,
Social Mosaics
�`��
Nedra Pope Young
Executive Director/Pre�ident
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I. P'ROJECT IN��RN9�►TIC3�! �����
,
Proje�t Na�i�: P�Ir�1 D�sert Oa�is �dven#i�t Acaderny @ �tudent �ollard�
Pr�j�ct A��re��° 74�20� C���ntry �lu�, Palm Des�rt, �A 922Cp
Praject Qwn�r: �alr� G�ser� Oa�i� ��venth �ay�dventis� ��urch
O;rvi�er Ac�r�r����: 74�-200 �o�r��ry �lub, P�Irn De��rt, �A 92260
l`efeph�ne: ���.�1�.�Q98 (f�ancy �i�helbergerj
Fax: �60.779.'I 69�
Architect: Wendell Veith
Architect Addr�ss: �athedr�l �ity, �A
Telephone: 76�.770.54�0
Fax:
Dev. Projec�
Completion (�st) Dec. 2009
AiPP Fee Amount: $9,250
Total Artwvrk Cost: $9,000
IL ARTWOFZl� IN�QI�ME�T'I�N
Program Option: �eveloper �pti�n 1
Artwork Tit�� "Greativ� Boltards in the Nlinds of the St�dents"
Artwark Site: Nine (9) bollards located in parking lot at the entry to Academy
74-200 Country Club, Palm Desert, CA
Artwork Material: Ceramic titles, vitreous glass, stained glass, mirror, millefiori
Artwork Dimension: Nine (9) bollards each 48"H x 14"D x 44"C
Artist Name: Smcial Mosaics— Nedra Young, Executive Director
Address: 199 �. Civic #10, Pal�n Springs, CA 92262
Telephone: 760.21 g.7%�5
Fax: 7�0.322.5308
Artwork Completion: December 2009 est.
III. ARTWORK PROPOSAL AIdD SPECIFICATIONS
1. Ar�work Qes�riptica�: Tl�� art��rk v�i!! �ansi�t of abstract mosaic de�igns develope� b}�
the students of th� Aeatl�my. Social Mosaics' Executive Directc�r, Nedra You�g, vvill hav�
three (3) weekiy aft�r sch�o� wb�kshops to teach the s�udents the mosaic�echniques and
help ttiem to develo� r�in� (9� s��arately �1��iqned mosaic �att�rr�s� ���� �r���; �-�, ���I�
have a differer�t bc�llard �c� d��igr�.
�e Sitinq. The b�!{ards �re p�rrna��ntly I�c�ted in the p�rkin� lot at th� er�f��r��� �c� t��
Rc�derny's �I��s��om�, af�i�esf�y��, �� �4-20b �auntry �lub, Palrn �es�rt, ��
�, f�l�teri�l� with ���e���i��ti���,
��r9�b��i� ti9��; �a��" ������� m ��������iu; e��fi��it�i �i����� ���� �ii� ����� ���� �,������� c�,��€�F;i�
�:�"��E��c���� �����; �����a `i'� `i" ��.�����_� � ��P������E� ��c������y�
�'��li���� ������� EZ��N��=. �[��°� �,�4 ��; E9��'�r � �.;��'E�ftd���s ������ ���+�,��' ����=� ��,���(��:['�
f�llir��re �re��at �o�rrdF �99�`�" �� ��d �a�i��� �i��� t� k�� ����� -� ����ith �ip��r�, �a�
�r������r�
�i61�fi���i: It�di�idu�t v�ry sr���lE �i���� c���r����� �I�i��
�ub�tr�t�; Fibergf��� ���h ���r rr�c���i�; pi����
,�dh��ive� Thi� ��t to ac�h�r� ����i� �s���� t� m��h; then ��t r��rt�o1�rith ���e�A��� ��
a�here t� cement b�llard�
�. Fa�ricati�n ar�d Inst�fiatir�n �r�o�edur�s: A 4�"� �4" pie� o�mesh will ia� pf��e� �v��
tt�e design patter�, which wil! be under clear plastic. Th� students will follow the desigrr,
��t, anci place the til��. Aft�r cc�mpl�tion of th� tiles, th� piece will b� ��at intc� four (4)
pieces far easy ir�sta!lation. Eacl� pie�e will t�e adhered to the cement bollard with thir� �e�
mo�t�r, �ir�ss�� ir� �i�� �r�d t�p�d t� defi�r �lippi��. �ach piece witl b� placec� t���ti�i�r ��
a puzzle on the b�ll�rc�. A se�ler wilf ka� brushed on after one month to allo�vu f�r thoro�agh
drying time.
5. Yearlv Maintenance and Conservation: Mosaic ar� is mainte�a�ce free. a�casic�naliy
the tile pieces can be dusted or wiped with a damp rag if the client choos�s, but not
necessary.
6. Work Plan/Artwork Production Schedule (suqvq_este�
Phase I Design Development
Dat�: ��pt�►°�be�fOut�4��r 2�U9
a. �onceptt�a6 des�gr� �p�rn�al by�Ort in ��tblie P'laces �arr�rr�issi�� anc� �ity
�ouncil
b. Start up meeting with client
c. Design develQpment
Phase II Design Completio� and Corr�mencement of Fabrication
Date: October 2009
a. Order materials
b. Begin classes at Academy/fabrication
Phase II{ StudiafCfasses �abrication Campietion
Date: �ecember 2Q09
a. Completion of classes/fabrication
Phase IV Installation Completion
Date: December 2009
a. Site preparation
b. Installation of artwork on site
c. Site cleanup
Pha�� !/ Final Acceptan��
C�at�: Janu�E� 2�'E�
a, f�otificati�an of�c�rr�qletior� rec�ived by �ity staff
k�. Fi�al appro�al �rorn �4r� in P�bli� Pl�ces Commission �n� �it� ��u��si (���er�it
������ r�����t�r�� ���r������
�, f�ppBi��ti�� c����r�€fii��t� �f����ap����a
�a, ����i��i�fifi�G ��� E�e,�N��..� ��r���f��ib�� ��b���i���ir�� ��� ���E_������Tr r��rr���� ����k�����c
;', ����aea��°�� ������-�����c�E rt�
�;;. ���� ������� �������� �3����,��r�� �E�������� �i�� v��d� i°r� �{��a, �ra�;
f�. ���� r��der�� �r���nt�ii�� ��������q (y�la�i ar�� �I�v�fii��i�, �r�c�;
�� �, �it� pl�s�r �ifi�� ���i��io��� ���� ��_��� �i�v�fi��� �F�ca�ri��� �P�� �ri����n�r�� ��F�i�i� �r�������
�����rks �r��;
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e. Rr� artist's resum� �r �if, ar�d;
��. ��€�rr��ies ���i�risf'� pr�vi�u� vuor�, �r�d;
g. ��idence �,f th� value of the propr��ed artwork (contr�ct draft showi�g contracf vaiue
�n� p�ym�nt s�h�d�l��ill b� �uf�i���r�t)�
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6 E�� �c���c ���E�i� ����€�o�� �� ;��,C���, �ri�ii�� ���� ����� ���-��d f� i��f����o �C��� �li�r��� �r�� af�i�� ��_� �i���
�����i��c� �egr�������fi��b����Ci��i� ��r�i�;�� ������7 J��ly �, �����e i i�� �a�►��� ����+�i�t��� �.1i�i�� �rr�
�;rtw�rk incl��d� ���kl� ������� (�) for gr�aded K�� �t the A��d���y9 �r��rel, rr��t���i�f�, ��uc�i�a
fabri�ation, installatiQn, g�neral liability ins��ranc�� Th� cli�nt ar�� �a�t��t h�i�e ��reec� th�t ar�i��
�hal! b� pai� a retainer of$1,000, to purchase materials wher� t�ie Publi�Arts Cornmission
�Ki�i`�`��� ��� C�4�i��Y. �J�7�f`i �;bf`i`�[�I�il�f`i �ft� F'�7l.li`I� fjT`�{���I�� ���, �c�e �rti�f si��fi �e p�i� ��i°��
������ir�itl� ��,O1�0.
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� �j� $ y" 4 � � ��f� �. k ' � � � 4;
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July 30, 2009
T�: �I�"�' b�' �'�Li� �?E���T� PIJ�LIG A�T� ��NiMI�SiC�R!
R�: DEVELQPER'S APPLICATIC)N
PALI�/I DE�ERT C�A�IS AQt/�NTI�T�.�ADE�JlY— �TUQERIT ��LL./���J�
ARTiST'S C�NCEFT STATEMENT
My work in Social Mosaics approaches art in public places from both social and
aesthetic perspectives. We view the proces� as part of the value of the art. !r� our
proposal for this Client, we will work with the students in grades K— 8 afi the Palm
Desert 6asis Adventist Academy (Academy) on Country Club Drive.
We are committed to fine mosaic art, and therefore we carefully frame and design the
elements of each af our projects so the result draws upon the enthusiasm and energy of
th� �tucients t� enlivesl � well-pf�o��rtioned and �omposed design. 1Ne us� rnaterial�
that are conducive to the final placement of the project, exterior/interior, while al�o being
sensitive to the location eaf the final project for puk�lie viewing. We view public art as
greatly contributing ta creating a sense of pl�ce. Our work reinfiorces and cornplements
the setting at the same time adding life and beauty to fihe context.
Where appropriate we view our work as contributing to practical and functional needs.
In this case, the boAards separating the student-gathering area at the drop-off site to the
Academy serve a vital function of defining the "safe zone" fior both drivers and students.
Without our mosaic praject, they are still necessary, with our design and the student's
work, they will be beautiful, lively, more visible and a source of pride. They enhance the
functional value, and rai�e the mundane to special.
The materials in mosaic art are ideal in the harsh climate of our desert. They are
maintenance-free and resistant to UV and heat deterioration --the colors never fade.
We will be using ceramic tiles, marble, granite, gfass tiles, and cement based thin set
and grout.
The social value of our work has several components: the involvement of fihe students
themselves in a shared undertaking; the tangible result in terms of lasting beaut��; and
the se�se of pride and appreciatia� the entir� �rganization gain� by seeing th� fruat� �f
their vvorka �IVVe alsa hav� found that the organization iaegins t� see ofih�r wa�� i� vvhi�h
d�c�s�ic ar� ��n be integr�ted i�t� their enviror�ment.
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�I�i� his��r� �f���s�ie ��, �v� �h�vv ���r��p��� �e�i�h�i� ii`i�5�i� dl'� It1 ��I� CI@��i'�, ��c� ic�
other parts of the world. ifVe find fhat s"tue��nts o�ten comme��, after learning this art,
they discover other rt�osai� art around their eot�rnunities tha� has always been there,
�a��t t��y h�v� "r���.��r s��r� i�".
Finally, the actuai desi�n an� composition of au� Project are geared ta �h� phy�ical
context and the skill level of�ur students. I�i the case of the boilards, we believe we �r�
limited by the actual size (4�" h x 14" diamet�r) and the skill-level, so we are prQposing
abstract designs m�wo sarr�pl�s of which are e�clos�d with the Developer's Application �
that will be varied in col�r and design. However, all 9 boliards will have a base anci top
border in a black domin�nt pattern which brings the bollards together as a group even
though the actual des�gns �il{ be different—thu� the beauty of ab�tract design. Th�
�rtist will develop the rernaining seven design�. After the development, th� studenfi� wilf
be given the color palette and materials; then the creation will begin. However, befc�re
the students begin on this Project, they are taught how to cut, place and adhere the tiles
in an appropriate manner. We choose to provide this framework to distinguish each af
the bollards as a recognizable pattern, without demanding a level of precision and
discipline from the st�dents that is contrary to their age and skill.
We look forward to working �ith the Academy and the City of Palm Desert on this
Praject.
F�espectfully submitted
Social Mosaics
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Nedra ope Young
�xe�utive Dir�ctorlPr�sident
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